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Into the Labyrinth

Play trailer Poster for Into the Labyrinth 2019 2h 10m Mystery & Thriller Play Trailer Watchlist
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40% Tomatometer 5 Reviews 43% Popcornmeter 50+ Ratings
When a kidnapping victim turns up alive after 15 years, a profiler and a private investigator work to piece together the mystery.
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Into the Labyrinth

Critics Reviews

View All (5) Critics Reviews
Tim Robey Daily Telegraph (UK) This must be crime thriller as borderline-surreal fantasy, but lacking in the verve to conjure any nightmarish aura capably. In fact, it's disastrously literal-minded. Rated: 2/5 Apr 22, 2021 Full Review Larushka Ivan-Zadeh Times (UK) Carrisi's puzzle is overstuffed and overlong. And his pay-off is so baffling that even after 24 hours of diving down Google rabbit holes, I'm still not convinced it amounts to a heap of carrots. Rated: 2/5 Apr 19, 2021 Full Review Peter Bradshaw Guardian Frustratingly underpowered and derivative. Rated: 2/5 Apr 15, 2021 Full Review Rich Cline Shadows on the Wall With a noir-style script and stylised visuals, the film catches the interest from the start. Rated: 3.5/5 Apr 30, 2021 Full Review Katie Hogan FILMHOUNDS Magazine Overall, director Donato Carrisi creates an unsettling atmospheric environment, whether it's in the labyrinth, the hospital, a farmhouse or even a plain hospital room. Rated: 3/5 Apr 16, 2021 Full Review Read all reviews

Audience Reviews

View All (22) audience reviews
Hillary C I don't understand the negative reviews at all. I loved it! I think it might have been better if it was completely in Italian, but even so, this movie was excellent, in my opinion. I am so glad that I watched it before coming here to see the response it received, because I would never have given it a chance with such terrible reviews. I went in not knowing anything at all about it, and I'm so glad that I did. It's honestly one of my new favorites. It was never boring to me, even though it was a long movie. Great acting, especially from the Italian actors. I just can't find very much wrong with this movie, except that I think that Dustin Hoffman was mistcast in his role. I would have preferred an entire Italian cast. It kind of made it feel like there were two different movies going on. But, I still give it 5 stars! Rated 5 out of 5 stars 04/28/25 Full Review Joann B Boring , slow, gratuitous nakedness. Just no Rated 1 out of 5 stars 03/02/25 Full Review Sandra H Too convoluted. Really didn’t get concrete answers at the end. Rated 3 out of 5 stars 03/01/25 Full Review Harry O It’s fine when a movie keeps you guessing all the way through, but at the end it needs to have provided at least some answers. This one doesn’t. Rated 2 out of 5 stars 02/24/25 Full Review Cait S What plot holes? Apart from the very end, what was that? A flashback or fantasy? Were they two separate cases converging, and the Italian guy just didn’t realize he had his buddy’s gal’s abductor in his grasp? Anyway, that was a little confusing, but I really dug it all in all. I liked the trippiness of the camera and sort of questioning reality from fiction. I liked the two storylines (love that people are complaining about having to read subtitles, by the way). I think we got plenty of Dustin Hoffman and both storylines were lovely breaks from the other. The Italian macho cops were super ridic, though. Rated 3.5 out of 5 stars 02/12/25 Full Review Henry B By movie's end, I had to assume that Dustin Hoffman must have agreed to participate in this film as some kind of personal favor. The writing is garbage. The directing was adolescent. I regret watching this film. Rated 1 out of 5 stars 02/09/25 Full Review Read all reviews
Into the Labyrinth

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Movie Info

Synopsis When a kidnapping victim turns up alive after 15 years, a profiler and a private investigator work to piece together the mystery.
Director
Donato Carrisi
Producer
Maurizio Totti, Alessandro Usai
Screenwriter
Donato Carrisi
Production Co
Colorado Film, Gavila
Genre
Mystery & Thriller
Original Language
Italian
Release Date (Streaming)
Oct 9, 2020
Runtime
2h 10m
Aspect Ratio
Scope (2.35:1)
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