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      Johnny Apollo

      1940 1h 33m Crime Drama List
      Reviews 61% Audience Score 50+ Ratings After finishing college, Bob Cain (Tyrone Power) is on the job hunt. However, the reputation of his embezzling father, Robert Cain Sr. (Dorothy Lamour), precedes him, making it all but impossible to find gainful employment. With few options left, Cain resorts to crime by joining up with the gangster Mickey Dwyer (Edward Arnold) and his gang. Cain's precarious life as a criminal becomes even more so when he falls for Dwyer's girlfriend, Lucky Dubarry (Jonathan Hale). Read More Read Less

      Critics Reviews

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      John Kinloch California Eagle Now Tyrone is a gangster. We are not amused. Oct 29, 2019 Full Review Dennis Schwartz Dennis Schwartz Movie Reviews Moderate crime thriller never rises above being pat and routine, and barely remains credible. Rated: C Feb 4, 2008 Full Review Read all reviews

      Audience Reviews

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      Audience Member Not a masterpiece but still a really nice movie to watch. Rated 4 out of 5 stars 02/23/23 Full Review Audience Member IN PROGRESS Underappreciated film noir Henry Hathaway 's Johnny Apollo is well scripted, well filimed, and well played. The pacing doesn't let up as Johnny is inexorably drawn into the criminal underworld. Lloyd Nolan is brilliant as the crook, Mickey Dwyer, by turns both charming and violent. Dark haired and glamourous Dorothy Lamour and Tyrone Power are two wonderfully attractive stars who work perfectly together. They are outstanding from their first scene together when they meet on the stairs. The look of bright lights, dark shadows and ominous steam lends the whole a very stylish noirish feel. A first class gangster film. Thanks TCM for airing The first of many "Johnny" movies in the 40s, 50s, and 60s, "Johnny Apollo" reminded me of 1941's "Johnny Eager." A few commonalities include the now comic book character-like name for a title, Johnny being involved in criminal activity, the presence of awesome actor Edward Arnold, a future WW 2 pinup princess whose character falls for Johnny (Lamour and Lana Turner), and an intelligent souse who attempts to do good (Grapewin, from "The Wizard of Oz," and Van Heflin, who won an Oscar for his role). In this simple morality tale, I agree with Mr. Maltin -the acting is good Johnny Apollo is a good film with crackerjack performances by the cast that Henry Hathaway directed. It's probably best compared to MGM's Johnny Eager where Louis B. Mayer was also trying to broaden their studio's heartthrob Robert Taylor's appeal. Johnny Eager is the better film, but no one in Johnny Apollo need be ashamed of anything. Best performances in the film are from Nolan as gangster Mickey Dwyer. Nolan was never bad in any film he was ever in. Second best is alcoholic mob attorney Charley Grapewin. Dorothy Lamour was brought over from Paramount for this film, playing a part that Alice Faye or Betty Grable might normally have been assigned to. She gets two of her best movie songs to sing, This Is The Beginning Of The End by Mack Gordon and Your Kiss by Frank Loesser and Lionel Newman. Johnny Apollo is a fine gangster film from a studio that normally did not do that particular genre. At least at this time Lloyd Nolan plays a low-key gangster and Tyrone Power plays a guy who exhibits good and bad. Dorothy Lamour, Edward Arnold, Charley Grapewin and Lionel Atwill all add to this talented cast. Lamour's tough-talking "dame" character and good cinematography helped this movie be characterized as a very early entry into the film noir genre. Edward Arnold, Dorothy Lamour and Tyrone Power are first-rate, although Arnold is the workhorse here and Power was a questionable choice for the title role, try as he might, and he did try. But as with Gary Cooper in "City Streets", Power is not a gangster. There are lots of familiar character actors and Dorothy Lamour gets to sing a few songs in her husky voice, and "Beginning Of The End" is a gorgeous song hardly heard at all these days. I found the movie a little flat, although as usual I hoped for a happy ending. Of course the plot strains credibility. Many crime pictures of the period do. But it's a nice, enjoyable movie in any case, well directed and expertly acted by Nolan, Arnold, and Lamour. Tyrone Power is classy and handsome but not very exciting in this role, or believable. Rated 3.5 out of 5 stars 01/26/23 Full Review Audience Member power is i think the handsomist gangster ever well neck n neck with kirk douglas in 'out of the past' Rated 4 out of 5 stars 01/21/23 Full Review Audience Member Worth it to see Dorothy and Tyrone.....Lamour is fantastic! Rated 4.5 out of 5 stars 01/19/23 Full Review Audience Member interesting gangster flick nice 2c tyrone power letting his dark side out! Rated 3.5 out of 5 stars 02/25/23 Full Review Audience Member I wonder if Bernie Madoff and his son ever watched this movie? It may give them some ideas for the future. The amazing thing about watching a move that is 70 years old is to see how different the world is today from the way it was back then. Changing identities was as simple as calling yourself by a new name. Visiting prisoners in the penitentiary was just a matter of walking in and asking for the convict ... and the guard goes to get him much like today's hotel bellhop. Anyhow, this is a cute movie ... but, only watch it when you're doing something else. It doesn't warrant your full attention. Rated 2.5 out of 5 stars 02/05/23 Full Review Read all reviews Post a rating

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      Johnny Apollo

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      Movie Info

      Synopsis After finishing college, Bob Cain (Tyrone Power) is on the job hunt. However, the reputation of his embezzling father, Robert Cain Sr. (Dorothy Lamour), precedes him, making it all but impossible to find gainful employment. With few options left, Cain resorts to crime by joining up with the gangster Mickey Dwyer (Edward Arnold) and his gang. Cain's precarious life as a criminal becomes even more so when he falls for Dwyer's girlfriend, Lucky Dubarry (Jonathan Hale).
      Director
      Henry Hathaway
      Genre
      Crime, Drama
      Original Language
      English
      Runtime
      1h 33m