Last Life in the Universe

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@vision Jun 6 Last Life in the Universe (Ruang rak noi nid mahasan) is a 2003 Thai romantic crime film directed by Pen-Ek Ratanaruang. The film is notable for being trilingual; the two main characters flit from Thai to Japanese to English as their vocabulary requires. The film stars Japanese actor Tadanobu Asano and Thai actress Sinitta Boonyasak. It was produced by Bohemian Films and Cinemasia. It was distributed by Five Star Production and Fortissimo Films. Last Life in the Universe was awarded in Thailand two times by the Thailand National Film Association Awards and the FIPRESCI Prize (Bangkok International Film Festival). For his role as Kenji, Tadanobu Asano received the Upstream Prize for Best Actor at the 2003 Venice Film Festival. The film received the AQCC Award and Jury Prize at the Fant-Asia Film Festival. It was also chosen to be Thailand's official submission for the Academy Award for Best Foreign Language Film in 2003. Vision wrote: "excitement and endearment around every corner. The cultural differences assimilate. The crazy thing about the film is there's a man who's trying to off himself living in a girls house who lost sometime dear. What are the chances that he goes through with it and she is there to witness it or find it? Interesting twists. Powerful performances by Tadanobu Asano and Sinitta Boonyasak. Three and a half fries." See more nick s 04/04/2019 Along with Apichatpong Weerasethakul, the Thai independent director Pen-ek Ratanaruang remains the most world acclaimed cinematographer from Thailand. His films might not break the box offices in his native country, but they became very famous in the West. Last Life in the Universe, a joint work of Ratanaruang and genius Australian-Hong Kong cinematographer Christopher Doyle is one of the most well-known Thai art-house films, remarkable for the enigmatic and sublime style. The plot revolves around bizarre relationships of Japanese protagonist Kenji (Tadanobu Asano) living in Bangkok and Thai call-girl Noi (Sinitta Boonyasak) whose house is in the cityâ(TM)s outskirts. They met at the moment both of them witness the death of Noiâ(TM)s sister Nid (Laila Boonyasak) who met a road accident. Kenji bears a tidy lifestyle and appears to be a bit freaky with his habit for tidiness, reads many books and fantasizes about suicide for the reasons never explained particularly. We also learn that Kenji, as well as his brother used to be linked with Yakuza in his past he is trying to escape. Noi in opposition to him is messy and quite nonchalant, though she is also not happy about her life and tries to learn Japanese in hopes of moving to Osaka. The film is trilingual, as protagonists swap from Thai and Japanese to English when needed. They operate with a very basic vocabulary. The lack of words in the dialogues of Kenji and Nid illustrate the emotional distance in their relationships. The non-linear plot doesnâ(TM)t lead you anywhere but shows the poignancy of both Kenji and Noi. Encounter with Noi helps Kenji to replace his suicidal thoughts with new reasons to live, though he would never overcome his freaky tidiness. In the ending, we even see this funny scene of him flushing the toilet and revealing his presence in the apartment where Yakuza hitmen came to chase him. Many scenes of the film are shady, but they donâ(TM)t require a certain explanation. At some point, it is Noi lying on the knees of Kenji, then we see her is replaced with Nid. One can interpret it the way he or she feels like to: the boundless symbolism of Last Life in the Universe assumes the viewers can imagine everything by themselves. The visual signature of Christopher Doyle is something which is hard to fully comprehend in its striking and evocative power. He is the only one capable of cutting such sophisticated shots over and over. His work in this film would later entail something similar in The Limits of Control by Jim Jarmusch. Doyle seems to be really keen on taking part in projects with non-plot structure concentrated on the mood. I cannot remember any film with Doyleâ(TM)s cinematography not striking with the visual brilliance, and he does a great job once again in Last Life in the Universe. One of the best features of this movie is the usage of this soothing and enchanting music. This is a mesmerizing and enchanting addition to the ambiguous story of heroesâ(TM) poignancy and hopes. The last music theme plays on the background silently in the ending for almost half an hour, and it is tingling in your ears and keeps getting you when the film is over. This is probably very essence of Last Life of the Universe that music encapsulates â" the beguiling allure of sublime themes, visual sophistication produced by Christopher Doyle and oblique meaning of the separate story-lines such as the death of Nid or lizard story. To sum, Last Life in the Universe is a touching, mesmerizing and extremely beautiful tale and the great example of South-East Asian art-house cinema. In the Western World, we know quite little about the Thai cinematography, and the masterpiece of Pen-ek Ratanaruang is a great start. See more nefasto r @Nefasto 11/07/2018 "Last life in the universe" is an interesting and oniric experience. It is about a friendship / love relationship between a suicidal Japanese librarian and a Taiwanese lady. The story, though, is not what matter the most in this film, the atmosphere is. I like it, but the slow pace made it a bit less enjoyable than I would have thought so. See more 07/26/2017 Unique, memorable mashup of crime and romance. See more 06/02/2015 Um filme silencioso e mórbido. Entre tentativas de suicídio e interrupções pelo acaso, um rapaz começa a encontrar o verdadeiro sentido da "felicidade" ao lado de uma garota, mesmo que de uma forma um tanto quanto estranha. See more 05/31/2015 Tadanobu Asano is perfectly cast in Pen-Ek Ratanaruang's surreal meditation on loneliness carries a great deal of power -- even when it slips into a rather silly yakuza subplot. See more Read all reviews

Last Life in the Universe

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