Little Murders

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Tic Toc M The Jules Feifer masterpiece of 1971 was "Carnal Knowledge", directed by Mike Nichols, with Jack Nicholson, Art Garfunkel, Candice Bergen, Ann Margaret, Rita Moreno and Carol Kane. Not this movie. '71 was a transitional year for American movies - possibly the weakest of the 70s due to the generation gap and Hollywood not knowing what to do with itself. Elliot Gould is not my favorite actor, full disclosure, but I certainly have liked him in other movies (California Split, MASH, etc). This character was typical of ' 71. Some good over the top performances but, like "Dollars" later that year (and lots of others), it stylistically doesn't know what it wants to be. I never loved "A New Leaf" as much as other people, but I rank that higher than "Little Murders". But those two are in the ballpark. "Where's Poppa" from the year before. I find these three movies very dated, very '70/'71. "Carnal Knowledge" however is a transcendent masterpiece of cinema, acting and writing, one of the very best of the 70s/ever. Rated 2/5 Stars •  Rated 2 out of 5 stars 09/23/23 Full Review Audience Member Another eerie, nihilistic, pitch-black comedy with Gould. It's a heightened story, especially by the end, but it just helps paint the pessimistic point it's trying to get across. I think this is an unfairly forgotten minor classic. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 09/07/21 Full Review Audience Member The acting was universally excellent, especially Donald Sutherland as a hippie preacher. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 01/12/23 Full Review jon c Life and love can be funny even if people are dropping like flies. A young Elliot Gould with Marcia Rodd and Donald Sutherland. Alan Arkin's film debut and directorial debut as well based on the play of the same name. Patsy and Alfred meet then fall in love after she saves him from being beat up. She's more optimistic towards things while he's the more apathetic person. He feels no pain if his mind is elsewhere not seeing the point in any of it. Patsy is determined to mold him to get him to actually feel something genuine. After a violent act though Alfreds in laws fall into the madness and chaos of what surrounds them. Arkin is the paranoid detective who believes there's no law. Sutherland is the minister. This movie is a social comment on love, fatherhood, involvement, brotherhood, and the world we live in. Can these two be together despite their polar opposites? What's marriage without god? Can one person change somebody while still being in love? If you don't fight you don't feel, if you don't feel you don't love. Does anybody have the right to destroy a man for doing his job? Is it better to be at peace with the system not changing until it completely collapses? It's dangerous to challenge what's already flawed. There are reasons for doing things the old way. Elliot Gould's performance soars although there is a lot of philosophical discussions sprinkled throughout. The other failing here is that Alan Arkin himself doesn't show up until after an hour and a half. By then it feels very late. Didn't find a lot of moments to laugh so I wouldn't really call this a black comedy. The approach they took here I wasn't a fan of. Rated 1.5/5 Stars •  Rated 1.5 out of 5 stars 03/31/23 Full Review Audience Member Ambitious dark comedy. Managed to express the bleakness of individual existence and the eccentricity of survival along with the flawed nature of relationships while making you laugh. Well worth your time to see and experience this little under-appreciated gem! Rated 5/5 Stars •  Rated 5 out of 5 stars 01/28/23 Full Review Audience Member The best comedy movie ever made! Rated 5/5 Stars •  Rated 5 out of 5 stars 02/26/23 Full Review Read all reviews

Little Murders

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