Martha

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11/17/2020 More Fassbinder goodness with this 1974 film as we see the central character start out as a happy go lucky woman who feels pressurised to find a man, settle down and adjust to married life. Her own parents are revealed to be in a loveless marriage until Martha's father collapses and dies when he is with his daughter on holiday in Italy.  I'm not going to give away too much about the plot and what happens during the course of the movie as I don't want to blunt the impact of the film but all I'll say is that this is a dark piece of cinema! And I mean DARK! As the concept of coercive control is just starting to be spoken about in the popular media, Fassbinder had made a film about it 1974. And gaslighting. And marital sadism.  A special mention needs to go to Margit Carstensen in the lead role whose performance is nothing short of astonishing as we see her character's spirit and very existence being destroyed and disintegrating before our very eyes. I also didn't know that Karlheinz Bohm had ever depicted a darker character than his star turn in Michael Powell's Peeping Tom. I was sooo wrong! His character here is a sadistic psychopath/narcissist and acted to grimy and reptilian perfection. I remember when I saw the movie Threads for the first time. I thought to myself that it couldn't get any darker but then saw that that it was only halfway through it's running time. I then saw that it could get MUCH darker! The same happened when I watched Martha. This does for marriage and societal expectations for women what Jaws did for sharks. When I watched this I kept thinking to myself 'I'm so glad that I'm gay. And that I'm happily single!' See more 04/29/2020 weak play of actors ruin the movie See more 12/10/2013 Somehow entertaining and incredibly depressing all at once. See more 11/17/2013 Martha's father drops dead while they are visiting Italy (on the Spanish Steps) and she meets a stranger in passing at the German embassy (which is heralded with a 720 degree camera spin around them). Only later, after we are introduced to the usual eccentric characters populated in a Fassbinder melodrama, do they become married. After this long prologue, things become very noirish as Helmut (the man) becomes very demeaning and controlling of Martha. She rebels, then submits. This is the dynamic (S - M) in which Fassbinder has long been interested. Only here, he may have a willing or at least perfectly suited victim for the degradation -- and he tightens the screws that much tighter. See more 05/11/2013 Sirk-style horror movie of a sadist and his wife. See more 04/24/2013 A pathetic woman, a sadistic man, and German art...what a combo. I want Helmut's jammies though! See more Read all reviews

Martha

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