Master of the House

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peter w 11/24/2021 Can people really change? Happily, there is a dramatic change in the abusive patriarch of the family in Dryer's Master of the House. No one is spared his anger and frustration following the collapse of his business. It drives his over-worked and under-appreciated wife to a nervous breakdown. As the master's former nurse, Mads, takes over we see a transformation as she confidently speaks truth to power. The happy ending is a bit contrived but it sill makes for a fine study of domestic life. See more 11/29/2014 Master of the House (AKA Du skal ære din hustru, or Thou Shalt Honour Thy Wife in English) tells the story of a Danish family with a tyrannical father figure whose persona causes much discontent in an unhappy home. Soon his thoughtlessness and carelessness are used against him as he is made to endure what the women and children in his life have endured at the cruel command of himself, which is the only way that he can get his wife back and that the family can become whole once again. Carl Theodor Dreyer directed the film in 1925 before his success with his films The Passion of Joan of Arc and Vampyr (both of which audiences are more familiar with). This film was a major success when it was released in Denmark, but not so much in the United States. The strange thing about its release abroad is that when it was distributed outside of Denmark, the intertitles were changed and didn't make use of translations from Danish. Not only that, but all of the characters' names were changed to be more accepted by English-speaking audiences. I wouldn't go so far as to call it a masterpiece from beginning to end. Despite being a marvelous film that should hold one's interest all the way through quite powerfully, I found the subject matter oversimplified and a bit out of date. One also can't deny that it basically drags at times, hitting the nail over the head of an idea or a story mechanic that really should have moved on from two or three minutes sooner. Regardless of all of that, it's still a beautiful film, told by an innovative storyteller. It may not throw you any curve balls or leave you with any sense of awe, but it's damn fine cinema. See more 11/30/2012 Amusing Dreyer - who'd 'a' thought See more 11/18/2012 battle of the sexes in this silent See more 06/26/2011 A despotic husband is given his comeuppance by an elderly nanny who shows him (through her negative example) how much his wife actually does for him. This early Dreyer film is lighter in tone (and a comedy of sorts) but still formally exacting and careful with its rich detail. See more 05/13/2010 7° film muto di C.T. Dreyer, tratto da Tyrannens Fäld (La caduta del tiranno, 1919), gradevole commedia di Svend Rindom, che il regista danese purifica e sfronda secondo i principi del suo stile: concentrazione e rarefazione. A Copenaghen l'orologiaio Viktor, ex artigiano diventato operaio, tiranneggia la moglie Ida e i tre figli. Malata, Ida lascia la casa per curarsi, sostituita dall'energica nutrice Mads (M. Nielsen) che in un mese ridimensiona e fa pentire il tiranno. Ida ritorna dal marito che sembra cambiato e rimette in moto la pendola: ?Il cuore della casa batte di nuovo.? Lieta fine ironicamente ambigua. Diviso in 3 parti, girato quasi per intero in due stanze più cucina con rigorosa semplicità, rispecchia fedelmente la poetica dreyerana: l'elogio dell'amore coniugale; il tema della resistenza passiva; un trio di personaggi principali; la plastica descrizione della banalità quotidiana, l'ammirevole controllo degli attori. E un umorismo di sottigliezza elegante. Buon successo in Danimarca e trionfo in Francia: proiettato a Parigi in 72 sale. Unico film di Dreyer che fu rifatto: Tyrannens Fäld (1942) con K. Nellemose (la figlia) nella parte della madre e ancora M. Nielsen come nutrice. 2.356 (2.323) m (circa 100´ a 20 fotogrammi al secondo). [Morandini] See more Read all reviews

Master of the House

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