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Pat Garrett and Billy the Kid

Play trailer Poster for Pat Garrett and Billy the Kid R Released May 23, 1973 2h 2m Western Play Trailer Watchlist
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59% Tomatometer 63 Reviews 82% Popcornmeter 5,000+ Ratings
Sheriff Pat Garrett (James Coburn) is ordered by Governor Wallace (Jason Robards) to go after the outlaw Billy the Kid (Kris Kristofferson) because the cattle businessmen want him caught. Although Garrett and Billy are old friends, the lawman must abide by his duty. However, Garrett and his deputies have great difficulty catching Billy, who is very cunning. Along the way, Billy also gains the assistance of Alias (Bob Dylan), a mysterious knife-wielding stranger.
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Pat Garrett and Billy the Kid

Pat Garrett and Billy the Kid

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Critics Consensus

Sam Peckinpah's mournful salute to the bygone West achieves moments of ruthless poetry, but clear signs of studio-dictated cuts and oft-unintelligible dialogue will make this dirge a slog for some.

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Critics Reviews

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Jake Cole Slant Magazine The film casts an unsparing eye on the characters’ hypocritical notions of honor. Jul 5, 2024 Full Review Jay Cocks TIME Magazine Even in the maimed state in which it has been released, Pat Garrett and Billy the Kid is the richest, most exciting American film so far this year. There are moments and whole sequences here that stand among the best Peckinpah has ever achieved. Jun 14, 2022 Full Review Phil Strassberg Arizona Republic Unfortunately, a number of things, such as a clutch of clichés merely remolded to sound different, mar and flaw the otherwise interesting, certainly visually attractive, interpretation by Peckinpah. Jun 14, 2022 Full Review Joshua Ryan FandomWire I can’t say enough about Kris Kristofferson’s portrayal as Billy the Kid. It’s a performance filled with the charisma and confidence of Steve McQueen, and is arguably (and in my opinion) the coolest anybody has ever been on screen. Rated: 9/10 Oct 1, 2024 Full Review James Kendrick Q Network Film Desk Watching the film in the version that most closely approximates what Peckinpah would have released, I was struck by the balance it achieves between the harsh brutalities of life in the Old West and the striving of its characters to transcend them. Rated: 3/4 Sep 3, 2024 Full Review Matt Brunson Film Frenzy Peckinpah's attempt to cram in multiple story threads means that some invariably get lost in the shuffle. Rated: 2.5/4 Jul 22, 2024 Full Review Read all reviews

Audience Reviews

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Deke P GREAT movie, Great cast, iconic Bob Dylan song. Coburn and Kristofferson very charismatic. Of course, the title sounded familiar, but I don't remember ever seeing it until now,, on Grit TV 9.10.24. Rated 4.5 out of 5 stars 09/11/24 Full Review Allan C Sam Peckinpah's second-best western after THE WILD BUNCH is arguably his most personal, exploring themes similar to those in his prior films about loyalty, betrayal, and the encroachment of "civilization." It is something of a hippie western, with the great Kris Kristofferson in an early role as Billy the Kid and the equally great James Coburn as Sheriff Pat Garrett,  Billy's one-time companion, now turned rival charged with bringing him to justice. Pike in THE WILD BUNCH was the stand-in character for Peckinpah's worldview, and in this film, Garrett is the stand-in for who Peckinpah fears he's now become: a sellout. In an interview, Peckinpah once said, "I'm a whore. I go where I'm kicked. But I'm a very good whore." The film is a highly personal confession by Peckinpah, wishing he was wild like Billy, but knowing deep down he's part of the establishment, even if he has no respect for it and feels horrible about his part in it.  PAT GARRETT AND BILLY THE KID has appeared in many forms and versions. The first time I saw the film, it was the theatrical cut on VHS, and I did not really care for it all that much at the time. That version was heavily tinkered with by the studio and taken out of Peckinpah's hands. Later, I bought the film on LaserDisc, which was the "Turner Cut," labeled at the time as the Director's Cut. This cut was a vast improvement and made many critics reappraise the film. This time I watched the new Criterion 50th Anniversary Release, which was supervised by Peckinpah biographer Paul Seydor and one of the film's original editors, longtime Peckinpah collaborator Roger Spottiswoode, making the claim this version is the closest to Peckinpah's original vision. However, this cut omitted what I always thought was the most pivotal moment of the film, which was (SPOILER ALTER!) at the end of the film when Garrett is about to shoot Billy, and a coffin-maker, played by Peckinpah himself, cusses out Garret as a sellout and for what he's about to do. I always interpreted this moment to be Peckinpah cussing himself out as being a sellout to the establishment, and it was an incredibly personal and revealing moment, laying himself bare. It's much like the ending of THE NUTTY PROFESSOR when Jerry Lewis' Julius Kelp apologizes for his awful and rude behavior by alter ego Buddy Love, which at the time most viewers thought was a knock on his old partner Dean Martin, but was really Lewis apologizing for his own off-screen behavior and treatment of others. Part of the scene between the coffin-maker and Garrett remains, but Garrett simply walks off in this version with no shaming from Peckinpah's character. The entire film is a condemnation of selling out to the man and abandoning youthful, independent ways, so the omission of this moment leaves out a very personal confession by the writer/director and a significant moment where the film's overall theme is hammered home. Maybe Seydor and Spottiswoode thought it was too on-the-nose, but I was disappointed by its omission. However, the film is still a masterpiece, and we may never really know which version is the "real" director cut, but for me, I prefer the Turner Cut, even though this version is superior in other ways. Overall, this is a masterpiece of a western, featuring a terrific cast, including a number of Peckinpah stock company regulars (Richard Jaeckel, Katy Jurado, Chill Wills, Barry Sullivan, Jason Robards, Slim Pickens, and Bob Dylan), and a memorable score by Bob Dylan. However, the film's counter-culture sensibilities give it the feel of EASY RIDER-on-the-plains, which may not appeal to all Western fans.  Rated 5 out of 5 stars 08/19/24 Full Review LAK S The acting and directing is amazing!!! One of the greatest films of all time Rated 5 out of 5 stars 06/20/24 Full Review Leander S Everyone operate irrational. The empty and meaningless grinning of Kris Kristofferson is unbearable. I wonder if they wanted to look Billy the Kid like Jim Morrison. It does not work. There is no desperation, not fate, no heat in this movie as should be in a movie with this topic. And why is Bob Dylan in this movie? Rated 1.5 out of 5 stars 02/22/24 Full Review Howard D The critics are brain-dead in their appraisal of this film. Peckinpah is just perfect with this one. Every person I've shown this movie to absolutely loved it. I am a big James Coburn fan so perhaps I'm a bit biased. As with many of Peckinpah's other films the small roles are filled by some fantastic character actors who really add to the genuine feel the movie has. Great soundtrack from Bob Dylan. I don't want to over-hype the film but this is one of my top 5 all time favorites. The critics are dead wrong on this one. The studio already nearly ruined this movie when they forced edits and created a horrific original print that bombed when released, but thankfully this film has been resurrected and saved from the incompetent studio suits. Rated 5 out of 5 stars 09/08/23 Full Review Nick F I have loved this film since the first time I saw it more than 30 years ago and having just watched it again still love it (I think it's the 1988 cut?). It stands apart and well out from other westerns. I can't understand how the Rotten Tomatoes summary can describe such a masterpiece as a durge. It's captivating for those with a normal attention span. Rated 5 out of 5 stars 07/23/23 Full Review Read all reviews
Pat Garrett and Billy the Kid

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Cast & Crew

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Movie Info

Synopsis Sheriff Pat Garrett (James Coburn) is ordered by Governor Wallace (Jason Robards) to go after the outlaw Billy the Kid (Kris Kristofferson) because the cattle businessmen want him caught. Although Garrett and Billy are old friends, the lawman must abide by his duty. However, Garrett and his deputies have great difficulty catching Billy, who is very cunning. Along the way, Billy also gains the assistance of Alias (Bob Dylan), a mysterious knife-wielding stranger.
Director
Sam Peckinpah
Producer
Gordon Carroll
Screenwriter
Rudy Wurlitzer
Distributor
MGM/UA Home Entertainment Inc., Metro-Goldwyn-Mayer Distributing Corp.
Production Co
Metro Goldwyn Mayer
Rating
R
Genre
Western
Original Language
English
Release Date (Theaters)
May 23, 1973, Original
Release Date (Streaming)
Jan 1, 2008
Runtime
2h 2m
Sound Mix
Mono
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