Richard R
Intelligent, gripping, excellent script, well acted, awash with post-War anxieties and complacency. I must have seen it 10 times, and I still love it.
Rated 4.5/5 Stars •
Rated 4.5 out of 5 stars
05/01/24
Full Review
DanTheMan 2
Reverberating with the echo of post-war anxieties, Quatermass and the Pit sees the Professor finally make the jump to glorious colour after plenty of stalls in getting there and providing a generous helping of shocks mixed with 60s psychedelia. The propulsive narrative pursues an air of mystery where history, extraterrestrials, archaeology and the occult swirl into an intoxicatingly creepy atmosphere all helped by Hammer's handling of Kneale's incredible writing, balancing cerebral musings and terrifying implications. It's a hell of a lot more punchier than the original serial, with the methodical pacing eerily building up the mystery and dread incredibly, remaining the most ambitious in terms of themes in either format. I know I declared André Morell the definitive Quatermass only the other day, but Andrew Kier gives him an extraordinary run for his money, grounding the film with his sober and serious presence while adding a bit of loud arrogance into the mix without going the full Donlevy; all the supporting cast are likeable in their roles but it's Julian Glover as the bullish Colonel Breen that you love to hate, acting as the foil to the garden-shed eccentricity of Quatermass. Bolstered by Roy Ward Baker's sublime direction, Arthur Grant's luscious photography, gorgeous effects and effective score by Tristram Cary, Quatermass and the Pit is a genuinely harrowing and simply incredible film, movie magic at its finest.
Rated 4/5 Stars •
Rated 4 out of 5 stars
03/18/24
Full Review
Kevin T
Malevolent, unseen forces, dividing humanity, generating murderousness, hostility and contempt for the weak and vulnerable. The premise of this film is genuinely terrifying. The special effects may let it down a little, but do not detract from the powerful sense of foreboding and, as one critic put it, dread.
Rated 5/5 Stars •
Rated 5 out of 5 stars
03/03/24
Full Review
Chad T
The end is nigh unless...
Brilliant thriller blending elements of horror, sci-fi with scriptual implications.
Keir (who was a better Quatamass than Donlevy) plays the Professor spectacularly as a very solid, sober scientist trying to convince the military and the government ministry that we might have been "altered" as a minor developing species for the "diabolical" purpose of colonisation from within our own solar system. Donald, a straight laced anthropologist, is the ultimate hero here and Shelly as his assistant is the more salient, sentient descendent of our altered ancestry. Effects may be dated (1967), but hop aboard and hold on until the end.
Rated 5/5 Stars •
Rated 5 out of 5 stars
10/30/23
Full Review
Matthew B
For many years Quatermass and the Pit has been my favourite science-fiction movie. I am not talking here about whether it is the best sci-fi film ever made. Is it better than 2001: A Space Odyssey, for example? I doubt that many people would feel that Roy Ward Baker is a better director than Stanley Kubrick.
I am not even sure whether Baker was a better director than Val Guest who directed the earlier Quatermass movies, The Quatermass Xperiment and Quatermass 2. Guest put his individual stamp on the films, and added an element of realism to balance the fantastical stories. Baker brings no particularly new look to the story.
What Baker does well is to maintain the pace and excitement, and to tell the story with economy but without sacrificing too much of the intelligent material from Nigel Kneale's original teleseries. The film essentially tells the same story as the TV version, and in half the time. Compare that to The Quatermass Xperiment which tore out the heart of the original story.
It is perhaps fortunate that Quatermass and the Pit had to wait several years before it was originally intended to be made. After adapting the first two Quatermass stories, Hammer Film Productions lost interest in the Quatermass series and opted to make horror movies instead. Had the film been made years earlier, it would once again have had Val Guest as director and Brian Donlevy playing Quatermass. I am sure it would have been a decent sequel, but it would have lost too much of the original story.
Instead the film came out in 1967, ten years after Quatermass 2. This allowed Nigel Kneale the chance to take more creative control of his story. A new director (who stuck more faithfully to the story) and a better lead actor were chosen. As a result, this was the only film adaptation of his Quatermass stories that Kneale liked.
The facts slowly unfold like a detective story, as the scientists put together the pieces. Indeed their findings are so far outside their usual field of knowledge that it is not even certain how far their theories are correct. However later events, and the solutions that the scientists propose seem to work, so presumably they are broadly right.
Perhaps it is unsurprising that the story has been leaped on by people who wish to see a counter-culture or alternative message in Kneale's tale. This could not be further from the Kneale's intention. As anyone who has seen Kneale's final Quatermass story, made in the 1970s and simply called Quatermass, will know, Kneale had little time for counter-culture or rebellious youth movements.
Instead Kneale puts his trust in rationalism. The explanations Kneale offers in Quatermass and the Pit establish the basic principle that what we see as supernatural or unearthly occurrences probably have a logical explanation. Maybe not the explanation offered here, but something like it. As Quatermass observes at one point, "I suppose it's possible for – ghosts – let's use the word – to be phenomena that were badly observed and wrongly explained."
Admittedly, as is often the case in Kneale's stories, the rational and scientific minds are perplexed by unusual phenomena outside their experience. Though Kneale himself appears to be a man of reason, he understands the seductive power of the mind to weave its own unreasonable fears, and he realises that often being rational is not enough to prevail in the end. Quatermass does come out on top in all of Kneale's stories, but there is usually a sacrifice involved, and other Kneale heroes are not as lucky.
Here the story is a celebration of science and reason. Scientists are the heroes, and the military are the problem. This is typified in the figure of Colonel Breen, a rigid and narrow-minded man who is unable to cope with a situation outside his understanding. In the original teleseries, his character was balanced by the clear-headed and perceptive Captain Potter, but in the film there is no counterweight of equal size, though Potter and the lower ranking soldiers seem sensible enough.
Looming over the entire story is the shadow of World War 2. The events in Quatermass and the Pit are triggered by the fear of an unexploded bomb. The Martians have engaged in genocidal acts reminiscent of the Holocaust. There is a serious concern here that unless we learn to understand the aggressive instincts in humanity, and find a way to manage them, that we may risk rendering Earth as uninhabitable as Mars.
Inevitably the film does finally give audiences the exciting conclusion that they have been waiting for, but by the time it arrives, many viewers will have been captured by the slow-burning story, and hopefully given a more satisfying experience than is often found in a conventional action movie.
I wrote a longer appreciation of Quatermass and the Pit if you would like to read more: https://themoviescreenscene.wordpress.com/2020/04/03/quatermass-and-the-pit-1967-a-k-a-five-million-years-to-earth/
Rated 5/5 Stars •
Rated 5 out of 5 stars
09/03/23
Full Review
Liam D
A eerie and scary sci-fi thriller that might leaves you a bit disturbed
Rated 4/5 Stars •
Rated 4 out of 5 stars
08/11/22
Full Review
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