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The Decline of Western Civilization Part III

Play trailer Poster for The Decline of Western Civilization Part III 1998 1h 26m Documentary Play Trailer Watchlist
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100% Tomatometer 11 Reviews 80% Popcornmeter 500+ Ratings
In this documentary, filmmaker Penelope Spheeris captures the life of Los Angeles "gutter punks": homeless teenagers who prefer anarchy and chaos to organized society. Many of the film's subjects come from abusive households and have developed alcohol and drug problems. While living on the streets, they must panhandle, squat in abandoned apartment buildings and fight off skinheads to survive. The film also includes performances by several notable Los Angeles punk bands.
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The Decline of Western Civilization Part III

Critics Reviews

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Luca Cimarusti Chicago Reader 11/09/2017
The third installment of Penelope Spheeris's documentary series on subversive musical movements, released in 1998, is by far the darkest. Go to Full Review
Jason Bailey Flavorwire 05/28/2016
A culmination of her achievement in the trilogy, which chronicles a scene with visceral skill, and often with an anthropologist's detachment. Yet you can only detach for so long. Go to Full Review
D.M. Palmer Vague Visages 11/09/2023
Before Quentin Tarantino popularized the practice, Araki was a master of curating tracks. Go to Full Review
Film Threat 12/06/2005
3.5/5
Scott Von Doviak Film Threat 12/08/2002
3.5/5
If 'Kids' was a little too uplifting for your taste, then this is the documentary for you. Go to Full Review
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Audience Reviews

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03/27/2018 The Decline of Western Civilization Part III: In the third of the Decline films, director Penelope Spheeris revisits the punk scene she illuminated in her first Decline film. Here she finds the struggle of street kids and young adults in West Hollywood trying to make it day by day, fighting off attacks from skinheads and following the ever decreasing number of punk bands that remain in the scene. The Good: Like her previous two films Spheeris highlights some bands and one of them is actually pretty good. Naked Aggression led by lead singer Kirsten Patches seemed like America's answer to Chumbawamba. The band even shows their not inconsiderable classical music chops. As Todd in the Shadows would say they deserved better. The Bad: In 1999 Rory Kennedy made a documentary about a family in Appalachia that had been beset by poverty for the last 100 years. Being the youngest daughter of Robert F Kennedy this was a topic that was close to her heart. Her film American Hollow would expose us to the real people behind the poverty and help bring in a new age of help for those folks dependent on handouts whom the American Dream had passed by. Unfortunately for Rory, her film features the laziest bunch of yokels this side of Jerry Springer. Rory simple didn't see it. One cannot watch her film and not think we need to cut welfare of yesterday and get these people a clue. Spheeris doesn't see it as well. Yes, the kids featured are broken. In reality, many of them are pretty horrible people. There is a scene where they all crash at a poor black man's apartment. He is in a wheelchair from an auto accident, doesn't drink and lives in a humble one bedroom. About sixty of these street hooligans pile in there as if it was a scene from Aronofsky's Mother!. They trash the place beyond recovery and the look of pain in the man's eyes is haunting. He just wanted a friend. Spheeris does her interviews like the previous two films and once again most of her subjects are understandably about as deep as a puddle. She seems interested in the dirt about how they left home but leaves some obvious questions on the table. Starting with why are they dressed in fashions that went out of style before they were born. In conclusion: Punk is long dead by the time the documentary starts. The bands, with one exception noted above, are barely garage bands and the fans are begging for a dollar to buy a pint of MD 20/20. Apparently, there are skinhead Nazis that prey on these youth but we never see one and Spheeris really drops the ball not getting one to sit down and tell their story. On some level, it is an interesting look at a slice of life on the margins but the combination of bad people and bad music make this an unpleasant ride. One wishes for a filmmaker who could see what she really was looking at. See more 07/28/2017 Much more about the gutterpunk scene than the music. And more pathos than Volumes 1&2. See more 03/25/2016 I wish I'd seen an earlier installment. This is a sad documentary of of neglected children with low IQs, who respond to their neglect and ignorance by being antisocial, anti-police, ugly, self-mutilating and aggressive. They go on and on about how they hate the "Nazis" and they're not racists, while they cut to a scene of 2 of them on the LA streets loudly making fun of 2 Asians. And everything they rant about reinforces their intolerance. I had to turn it off. I don't know what that crap was in the mid-90s but it's not Punk Rock. See more 10/09/2013 Undoubtedly Spheeris' most penetrating film to date. See more 10/26/2012 By far the most personal and emotionally resonant of the trilogy, and focuses more on the day-to-day existence of the fans who live and breathe the nihilistic ethos of the musicians they love. Thank God too because I don't give two shits about any of these bands. A total fucking downer in the end. See more 06/06/2010 A great new chapter in the series See more Read all reviews
The Decline of Western Civilization Part III

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Movie Info

Synopsis In this documentary, filmmaker Penelope Spheeris captures the life of Los Angeles "gutter punks": homeless teenagers who prefer anarchy and chaos to organized society. Many of the film's subjects come from abusive households and have developed alcohol and drug problems. While living on the streets, they must panhandle, squat in abandoned apartment buildings and fight off skinheads to survive. The film also includes performances by several notable Los Angeles punk bands.
Director
Penelope Spheeris
Producer
Scott Wilder
Production Co
Spheeris Films Inc.
Genre
Documentary
Original Language
English
Release Date (Theaters)
Jan 29, 1998, Original
Release Date (Streaming)
Aug 10, 2016
Runtime
1h 26m
Sound Mix
Dolby, Surround
Aspect Ratio
Flat (1.85:1)
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