The Seventh Veil

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Ibfp F I had forgotten that i had watched this before until it was too late. It was then that I began to feel frustrated and angry. I had let myself get carried by the wonderful acting and piano playing of Ann Todd and it diverted my attention from my memory of the anticlimactic end, of the unfulfilled need for justice. Such a typical male typecasting of the "man" in need of controlling and subjugating a woman, assigning fault to her for his actions and behaviors. Clearly expressed in his line:"I own you". These old movies with Hollywood, British and other film industries not only making abusive men a normal state but, one that earns him the woman's love turn me off so badly, I often bypass them if the male actor is one I know to play that type of character. It is as if the path to a relationship will always include a man that will demand an obedient "partner". Patriarchal and chauvinistic story and dialog. I'm surprised a woman was part of the writing! I guess in those days women felt the need to mold to a men dominated industry's expectations. I think I will remember not to watch next time I see it re playing!🤞 Rated 1/5 Stars •  Rated 1 out of 5 stars 04/18/25 Full Review Steve D I fond it unconvincing and thought it dragged. Rated 2/5 Stars •  Rated 2 out of 5 stars 03/29/24 Full Review Audience Member It seems well acted but the storyline is awful. The James Mason character is controlling, and physically and mentally abusive. The heroine ends up with him and this is after mental health therapy. Rated 1.5/5 Stars •  Rated 1.5 out of 5 stars 01/17/23 Full Review Audience Member The kind of film I like, nothing wasted in the build up, all coming together in the end to enlighten you as to the characters & why they do what they do. The only comparison (although it's a very different film) is Clueless. The main charters psychological make up is a mystery to them, until the major turning point that gives them, and us, insight into their own drives. Persist with this film despite some minor issues with the cinematography, due to age, and you will be rewarded. Rated 5/5 Stars •  Rated 5 out of 5 stars 01/22/23 Full Review andy f An overrated film with a plot that you always suspect will have more than it actually delivers. James Mason is superb as is Ann Todd, it's just that the psychological aspects aren't as dramatic as you'd think they could be. It's an early effort at the genre though and it's entertaining enough for the most part. Rated 3/5 Stars •  Rated 3 out of 5 stars 03/30/23 Full Review Audience Member This highly successful British melodrama put James Mason on the map, making him a famous, international film star. His enigmatic performance as Nicholas, the older cousin of an adolescent girl,Francesca, who becomes his ward, is restrained but passionate, intriguing and forthright. A failed pianist who is crippled in one leg and uses a cane, he takes on the burden of his responsibility to Francesca, who has always loved music but was forbidden to play at boarding school. Nicholas devotes ten years to molding her into a successful concert pianist and true artist, only to face contending with various men who begin to pop into her life and vie for her attention. The film begins in medias re, with Francesca waking up in a hospital with a severe case of amnesia. Her story is told in flashbacks that culminate in a car accident that leaves her a broken spirit. Released in 1945, it reflects the enormous influence of Freud on popular culture--when a person of affluence is in trouble, it is time to call in the psychiatrists! The unfortunate chain of events that lead to Francesca's memory loss demand that she undergo psychoanalysis, or "treatment," as it is referred to in the film. But the experience turns out to be Francesca's best chance of putting the needs of others on hold and finding out who she really is, what she really wants to do, and whom she really loves. Ann Todd gives a fine performance as Francesca and, according to the footage, appears to have been a truly accomplished musician in real life. She is a wonderful foil for James Mason who has the difficult task of portraying a truly good man who appears to be dominating, cruel and even evil. But appearances are deceiving. When other men urge Francesca to give up her music, he urges her to continue playing; when other men urge her to give up "treatment," he challenges her to face her fears through analysis and strive to overcome her illness. Gradually Francesca recovers her memory and resolves her feelings of conflict about the men in her life and the kind of life she wants for herself. The "seventh veil" is lifted and she is united with the man that she truly loves. The ending is surprisingly unpredictable. Rated 5/5 Stars •  Rated 5 out of 5 stars 02/01/23 Full Review Read all reviews

The Seventh Veil

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