The Small Back Room

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Audience Member Brooding and tense will be won't be succumb to his alcoholism, will be won't he get the girl, will he won't be be a hero. Plenty of big names in their early days. Well worth watching Rated 5/5 Stars •  Rated 5 out of 5 stars 02/03/25 Full Review W. W. W dry no fun. Both the writers and actors appears not enjoying in this dull movie. Rated 2/5 Stars •  Rated 2 out of 5 stars 12/19/24 Full Review Alec B The dream sequence is as great as everyone says but everything else from the subtle character drama and the stressful bomb defusing sequence is the real reason to watch. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 02/28/24 Full Review Audience Member After their run of amazing classics (including Black Narcissus, The Red Shoes, A Matter of Life and Death, I Know Where I'm Going! and The Life and Death of Colonel Blimp) throughout the 1940's, Michael Powell and Emeric Pressburger retreated to this darker almost noir look at a man struggling with himself, disability, and drink. David Farrar (who played Mr. Dean in Black Narcissus) stars as the wartime scientist who has lost his foot and struggles with pain and the need for whisky to stop it. He is loved by his office's main secretary (Kathleen Byron, the mad nun also from Black Narcissus) but he doubts that he is the right man for her (she doesn't). The script is intelligent and adult, dealing with these real issues as well as a plot that looks squarely at office politics in the context of a military decision to adopt a new gun. Powell and Pressburger never dumb things down for the audience. Farrar is finally tested when he has to defuse a German booby trap on a pebbly beach after a night of heavy drinking (that includes a surreal nightmare sequence) in a tense 17 minute sequence that decides his fate. A bit more grim and less magical than the Archers' best but still strong. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/04/23 Full Review Audience Member While the Archers are known best for their larger-than-life, Technicolor fantasies, "The Small Back Room" serves, in many ways, as almost an antithesis to their most recognizable aesthetic traits--it's in black and white rather than Technicolor, claustrophobically internal rather than external, with even a title that betrays a different kind of a film, and a 17-minute climactic sequence (coming right on the heels of the central ballet in "The Red Shoes") that's nothing more than a man, a beach, and a bomb. Still, though this is a darker, quieter, more somber and sardonic piece of work than usual for the Archers, "The Small Back Room" stands alongside Powell and Pressburger's many great works as an anguished psychological wartime drama conceived and executed with characteristic cinematic passion and panache and performed to perfection by an impeccable cast. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 02/20/23 Full Review Audience Member Yeah, not up to their finest but still fascinating-- especially the WWII atmosphere. That shot with the hats over the lunch tables was delicious P&P! So many great little touches like that. Nerdily pleased to see so much Gill Sans on the posters around the office. Note that the two musical sequences feature a theremin. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 02/14/23 Full Review Read all reviews

The Small Back Room

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