The Strange Love of Martha Ivers

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bao s Great noir! Nice to see Kirk. Rated 5/5 Stars •  Rated 5 out of 5 stars 08/16/25 Full Review Georgan G This is a really great film noir. The plot twists & turns, the characters are well acted and the ending is thrilling. Rated 4/5 Stars •  Rated 4 out of 5 stars 02/04/25 Full Review Jeff S Kirk Douglas is unrelenting, Barbara Stanwyck is chilling, and there's no dearth of twists in this dark tale. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 02/16/24 Full Review Bradley H Films don't get much better. Van Heflin is superb as well as Lizabeth Scott. Stanwyck carries away the unhinged rich psychopath role with ease. Amazing film noir dialogue that's been played homage to over the years. Well worth every minute. Rated 5/5 Stars •  Rated 5 out of 5 stars 11/19/23 Full Review John T A brilliant film noir with fantastic performances. Rated 5/5 Stars •  Rated 5 out of 5 stars 11/15/23 Full Review Matthew B "The road curved, but I didn't." The dilemma of the characters in The Strange Love of Martha Ivers is summarised in this line, which is said twice by the movie's hero, Sam Masterson (Van Heflin). How does one follow a straight path in life when the road that we are on is crooked? To refuse to curve, as Masterson tries to do, is to risk crashing. To bend along the path that life takes you is to risk becoming permanently twisted out of shape. The struggle to follow an honourable course in an indecent world is the traditional dilemma of the film noir hero, and Martha Ivers is a mixture of film noir and operatic melodrama. The film noir elements can be found in the look of the film – all shadows and unusual camera angles. The movie also has many film noir motifs – the compromised hero trying to do the right thing, the cracked actors that stand in his way, and the seedy underbelly of criminal activities. Not to mention the choice between two women (representing two possible futures), a more wholesome woman who could save him, and a femme fatale who will drag him into a situation from which he will not get away unscathed, and will be lucky to escape alive. The melodramatic side of the film can be found in its Grand-Guignol approach towards the story. There is the large Gothic house lit by a thunderstorm which frightens the movie's heroine. There is the macabre mother figure. And of course there is a terrible crime at the beginning of the movie that will reverberate throughout the rest of the proceedings. The Strange Love of Martha Ivers is perhaps not in the top league of film noirs from the 1940s and 1950s, but it is still a decent and entertaining movie. The director Lewis Milestone does a competent job of telling a story which combines sleazy film noir with theatrical melodrama. I wrote a longer appreciation of The Strange Love of Martha Ivers on my blog page if you would like to read more: https://themoviescreenscene.wordpress.com/2019/07/20/the-strange-love-of-martha-ivers-1946/ Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 09/18/23 Full Review Read all reviews

The Strange Love of Martha Ivers

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