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      Thieves' Highway

      Released Oct 10, 1949 1h 34m Crime Drama List
      100% Tomatometer 10 Reviews 79% Audience Score 1,000+ Ratings Nick Garcos (Richard Conte) comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber (Barbara Lawrence). He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia (Lee J. Cobb), and Nick resolves to get even. He partners with prostitute Rica (Valentina Cortese), and together they go after Mike, all the while getting pulled further into the local crime underworld. Read More Read Less

      Critics Reviews

      View All (10) Critics Reviews
      Bob Thomas Associated Press Thieves' Highway answers the need for something new in film entertainment. It's a hard-hitting, almost nerve-jangling film of skullduggery in the produce market. Jul 24, 2019 Full Review Nick Schager Slant Magazine Dassin swathes Thieves' Highway's long-haul boys in claustrophobic compositions and menacing darkness. Rated: 3.5/4 Feb 19, 2005 Full Review Eve Tushnet Patheos For me, the best things about this picture were the long and harrowing scene of Nick trying not to fall asleep at the wheel; the attentiveness, in general, to the physical tasks and risks of long-haul driving... May 24, 2023 Full Review David Nusair Reel Film Reviews ...a slow-moving yet increasingly compelling endeavor... Rated: 3/4 Jan 20, 2023 Full Review Sean Axmaker Stream on Demand [Richard] Conte makes for a firecracker of a two-fisted idealist and director Jules Dassin gives the film a working class grit and post-WWII disillusionment. Dec 3, 2022 Full Review Tim Brayton Antagony & Ecstasy A savage attack on American comfort. Rated: 9/10 Sep 20, 2007 Full Review Read all reviews

      Audience Reviews

      View All (88) audience reviews
      nick s A gritty, down-to-earth movie about the bottom end of the produce trading industry. Occasionally the movie leapt ahead a little too quickly, but overall a great effort. Acting was good and scenes were rich with detail. Rated 4 out of 5 stars 02/25/24 Full Review dave j Screenplay adapted from his own book by A.I. Bezzerides called "Thieves Market" directed by Jules Dassin with returning war vet Nick (Richard Conte) seeking for a little retribution as a result of his dad losing his legs employed as a delivery truck driver from a sleazy fruit dealer, Mike Figlia (Lee J Cobb). He does this with the help from the person who is supposedly buying his dads truck Ed (Millard Mitchell) and a low life courtesan Rica (Valentina Cortese). Rated 3 out of 5 stars 03/30/23 Full Review Audience Member All of these films classified as "film noir" have three or four things in common: 1. The man is hysterical most of the time 2. Emotions run rampant and control his actions 3. Sitting down and rationally thinking things through never happens, It's all in the moment melodrama. With women of that time period, it was always called hysteria. It is the exact same thing with men, but they have escaped being pigeonholed with this label. But "hysteria" certainly fits the action of the men in question. 4. These are not just common, ordinary decent folk. In most films of this type, the "hero" is a few IQ points away from being average, but he always sits on the lower side of the scale. A man not capable of living life responsibly, unaware of the consequences of his actions, and willing to kill himself and everyone around him if his emotions take control (which is always). These films are all depressing because the hero never thinks things through to realize that you CAN get back at the protagonist. To do it so that it means something takes mental control. Rational thought is excluded in film noir and only melodramatic action is encouraged. No doubt there is a large constituency for this type of dark emotional material. However, "male hysteria" might be a better monicker than "film noir". Rated 1 out of 5 stars 02/16/23 Full Review Audience Member There's so much to love about this Noir. But, there's also some really weak characters and scenes. Rated 3 out of 5 stars 02/13/23 Full Review Audience Member Richard Conte, Valentina Cortese, Lee J. Cobb, Barbara Lawrence, Jack Oakie, Millard Mitchell, Joseph Pevney. Tough postwar drama of a returning vet seeking to avenge his trucker/father's treatment at the hands of a crooked fruit dealer in San Francisco. Masterfully directed; script by A. I. Bezzerides, from his novel. Jules Dassin's excellent direction and the tense atmosphere make this a fine film noir well worth watching. Good acting by everyone in the cast. Dark and brooding, great pace.Excellent cinematography and use of light. 4 out of 5 Rated 4 out of 5 stars 01/14/23 Full Review Audience Member Thieves’ Highway is a film about a man who returns from war to find things disrupted in his family by a deal gone bad, and he seeks to get his revenge. At least I think that’s what he wanted to do. Things got muddled pretty quickly when the entire focus of the film diverted from revenge to hauling and selling apples. I was confused if the main character even remembered what his goal was, and while he did drive his shipment toward the man who cheated his father, it didn’t feel like he had any plan for when he arrived. This confusing lack of focus remained when the truck reached its destination, because it seemed our protagonist was clueless when it came to both bargaining and revenge. A little more clear plotting and logical behavior from the characters would have helped the story a lot. The highlight of Thieves’ Highway is the cast. I have to start by mentioning the amazing Lee J. Cobb. He is one of the best antagonists I could possibly hope for in any film. When he gets mad or threatens someone it is pitch perfect every time. Richard Conte was strong as the protagonist as well. Any problems I had with his actions were a flaw in the script and not in his performance. He is likeable and displays the kind of noble character you want to root for in any film. I wasn’t sure what I was supposed to think of Millard Mitchell in the film, even though he gave a fine performance. Because of the way the story is written, there are times when he feels like a scam artist who is out to hurt our protagonist. Yet later in the film things seem to have changed significantly, and he is the savior that we’re supposed to be anxiously awaiting. Then there’s the diversion created by this muddled love story that came out of nowhere. It got quite confusing, because I never felt any indication that things were less than perfect with Barbara Lawrence who was introduced at the beginning of the film, but now I was led to believe my perceptions were wrong. Perhaps if I was more aware that this was structured like a film noir, I would have anticipated the femme fatale (played well by Valentina Cortese) and would have expected the fact that things might turn dark in the love relationships. It didn’t dawn on me until late that I was even watching a noir, therefore many of the tropes of that genre slipped by me. Thieves’ Highway is not a bad film, and it has some great performances, but I wish it was scripted a little better so that it all came together as a stronger film. Rated 2.5 out of 5 stars 04/12/18 Full Review Read all reviews Post a rating

      Cast & Crew

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      Movie Info

      Synopsis Nick Garcos (Richard Conte) comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber (Barbara Lawrence). He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia (Lee J. Cobb), and Nick resolves to get even. He partners with prostitute Rica (Valentina Cortese), and together they go after Mike, all the while getting pulled further into the local crime underworld.
      Director
      Jules Dassin
      Producer
      Darryl F Zanuck
      Screenwriter
      A. I. Bezzerides, A. I. Bezzerides
      Distributor
      20th Century Fox
      Production Co
      20th Century Fox
      Genre
      Crime, Drama
      Original Language
      English
      Release Date (Theaters)
      Oct 10, 1949, Wide
      Release Date (Streaming)
      Mar 13, 2017
      Runtime
      1h 34m
      Sound Mix
      Mono