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Through the Olive Trees

Play trailer Poster for Through the Olive Trees G 1995 1h 48m Comedy Drama Play Trailer Watchlist
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88% Tomatometer 16 Reviews 88% Popcornmeter 1,000+ Ratings
An Iranian director (Mohammad Ali Keshavarz) acts as go-between when his lead actors (Hossein Rezai, Tahereh Ladanian) won't work together because of cultural differences.
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Through the Olive Trees

Critics Reviews

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Wael Khairy RogerEbert.com 11/11/2022
The entries in this multi-layered trilogy are short and sweet, but when consumed together, you get an explosion of flavours that only a master chef could put together. Go to Full Review
Jonathan Rosenbaum Chicago Reader 06/07/2022
3/4
A must-see... Go to Full Review
Susan Sontag Artforum 05/02/2024
Brilliantly made, irresistibly touching. Go to Full Review
David Walsh World Socialist Web Site 02/16/2021
The treatment of social difference and the weight of longstanding traditions, the careful but unequivocal protest against the conditions of life, the simplicity of the narrative and dialogue, the clarity of the acting ... Go to Full Review
Nicholas Bell IONCINEMA.com 08/11/2020
4/5
Kiarostami manages to insert some compelling subtexts in Through the Olive Trees, which has more of a driving force then And Life Goes On. Go to Full Review
Yasser Medina Cinefilia 07/21/2020
7/10
I'm impressed when it divides the line between reality and fiction to narrate a love story and, at the same time, map a study on the socioeconomic condition and customs of the most disadvantaged rural classes. [Full review in Spanish] Go to Full Review
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Audience Reviews

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21 - Priyan B @Priyan 3d It was good but not what I expected. Rating: 6.4/10 See more Dave S 10/30/2024 While it may not be as emotionally engaging as the first two films in Abbas Kiarostami’s Koker Trilogy, Through the Olive Trees may be richer thematically. The concept is interesting – a director, a semi-fictionalized version of Kiarostami, is on location in earthquake-ravaged northern Iran shooting a film called And Life Goes On, the second movie in the trilogy. However, problems arise when two actors have difficulty executing their scenes due to an existing relationship in real life. It is a film about the blurred line between art and reality, how interpersonal relationships are impacted by socioeconomic issues, and the process of moviemaking. It’s strongly recommended to see the first two films in the trilogy to fully grasp Through the Olive Trees and its commentary on human resilience in the face of tragedy. Beautifully executed throughout, events culminate in a beautiful final shot that will resonate long after the film ends. See more William L 02/04/2021 Kiarostami's distinct combination of meta-filmmaking and humanism brought to a sharpened point, featuring all of his distinct filmmaking tools: repetition, blurring of the lines between fiction and reality, and life imitating art. A fantastic piece of work that sees the director take aim at a classic romantic formula (man pursuing woman with societal restrictions) with a distinctly Iranian identity and told in the master's unique style, in complement to his previous works on the purity of childhood innocence and the resilience of those facing disaster. The film is an exercise in restraint, repetition, and finding significance in the cumulative effect of small moments rather than overwrought bursts of emotion. Beautifully shot and vividly colorful, lest we forget that Kiarostami's auteur-level control over narrative development and scene design were his only strengths. It's difficult to justify placing this film in the 1001 Movies without including the other two entries in the Koker Trilogy; without them, the film isn't nearly as complete of an experience. After three feature films' worth of people and vehicles climbing hills using distinctively Z-shaped paths, watching Hossein abandon that convention after his dogged pursuit of Tahereh is a sublime experience. (5/5) See more 07/24/2020 Thematically, Through the Olive Trees is undeniably rich. As a film in and of itself however, it's moderately flimsy. Of the three films included in this so-called Koker Trilogy, this is the one that stands alone the least successfully. Although technically one needs to see the two films that directly envelope it, much of the richness of the story, if taken out of context, would be reduced to the tale of a poor young non-actor trying to get the girl while making a movie. As compelling as Through the Olive Trees can be in Kiarosami's, that's the film's take-it-or-leave-it ultimatum. See more S R @ScottR 02/24/2018 1001 movies to see before you die. Artsy and tedious, but in an Iranian way. It was on CRI. See more 10/06/2014 Excellent film. Highly recommended. Must watch. See more Read all reviews
Through the Olive Trees

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Movie Info

Synopsis An Iranian director (Mohammad Ali Keshavarz) acts as go-between when his lead actors (Hossein Rezai, Tahereh Ladanian) won't work together because of cultural differences.
Director
Abbas Kiarostami
Producer
Abbas Kiarostami
Screenwriter
Abbas Kiarostami
Distributor
Miramax Films
Production Co
Miramax Films, Abbas Kiarostami Productions
Rating
G
Genre
Comedy, Drama
Original Language
Persian
Release Date (Theaters)
Feb 17, 1995, Limited
Box Office (Gross USA)
$4.5K
Runtime
1h 48m
Sound Mix
Stereo
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