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Tuesday, After Christmas

Play trailer Poster for Tuesday, After Christmas Released May 25, 2011 1h 40m Drama Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
74% Tomatometer 23 Reviews 68% Popcornmeter 500+ Ratings
Middle-aged Paul (Mimi Branescu) lives in a pleasant Bucharest apartment with his wife, Adrianna (Mirela Oprisor), and their 9-year-old daughter. But unbeknown to Adrianna, Paul is also having an affair with the family's dentist, Raluca (Maria Popistasu). As Christmas approaches, Paul finds himself forced to choose between the woman with whom he has shared the last decade of his life and the passionate new partner who has given him a revitalized image of himself.

Critics Reviews

View All (23) Critics Reviews
Andrew O'Hehir Salon.com "Tuesday, After Christmas" goes down pretty smooth, with a sneaky-powerful aftertaste. May 28, 2011 Full Review Scott Tobias NPR The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film. May 27, 2011 Full Review Joe Neumaier New York Daily News Like an alternate-universe Woody Allen film, in which real people wrestle with what their hearts want despite the hurt it causes everyone, including themselves. Rated: 4/5 May 27, 2011 Full Review Mattie Lucas From the Front Row A slow burner, but the final payoff is extraordinary, leaving the characters before grappling with their inner turmoils before embarking on a very tough road. Rated: 3.5/4 Aug 5, 2019 Full Review Martin Tsai Critic's Notebook "Tuesday, After Christmas" simply doesn't add anything new to the stale tale of infidelity. Oct 7, 2015 Full Review Amy Taubin Artforum Brilliant acting is what distinguishes most Romanian New Wave movies, and here the interactions of Brănescu, Oprişor, and Popistaşu are exceptional. Oct 6, 2015 Full Review Read all reviews

Audience Reviews

View All (45) audience reviews
Audience Member Not very entertaining. Slow and realistic. But gives a sense of Romanian culture. Characters relate-able, possibly. But some unrealistic reactions and emotions. Rated 2.5 out of 5 stars 02/24/23 Full Review Audience Member Not much happening but the actors are incredibly good. Really feel like spying on a break up slowly unraveling. Or is it a change of wife. It's a turtle changing house, for a smaller one, mind you. No blood, no murder suicide, just a change of house. Married people, I'm telling you... Rated 3.5 out of 5 stars 02/20/23 Full Review henry h Belongs to that rare crop of movies (Ponette, Mid-August Lunch, Before the Rain, Blame it on Fidel) that is more real than we imagine reality to be. Tuesday, after Christmas is sober, without the falsifications of a musical score. You may not know while you watch what this movie will eventually mean to you, but rest assured, whatever it is, it will be lasting. Rated 5 out of 5 stars 03/30/23 Full Review Audience Member "Tuesday, After Christmas" is to be admired for its totally un-showy long shots in which Radu Muntean's actors just talk to one another, and Muntean draws conflict from language and reaction. We don't even really see much of the girl Raluca (Maria Popistasu) with whom Paul (Mimi Branescu) is having an affair in comparison to his partner Adriana (Mirela Oprisor), especially once the eventual secret's out. In the first scene of "Tuesday" we see Paul and Raluca post-coitus in bed one either gloomy morning or gloomy afternoon, when she makes him promise to quit smoking after the holidays. But by the few weary final frames it's Paul who's left to his own devices, in a movie about consequences catching up with time, and vice versa. You'll for sure be thinking about "Tuesday, After Christmas" long after then. Rated 4 out of 5 stars 02/06/23 Full Review walter m To start, "Tuesday, After Christmas" has certain things in common with other Romanian films that caused the Romanian New Wave to implode, taking half of Hungary with it, such as epic and talky static scenes. While this movie does not take care to accent the consequential scenes over the less so(yes, we get it already that the movie takes place near the Christmas holidays), it still does have a stunning opening of Paul(Mimi Branescu), a banker, and his younger mistress Raluca(Maria Popistasu), a dental hygienist, frolicking in bed together and eventually a devastating climactic scene. In between is a perceptive behavorial study into how people act when they are around different people. Paul is at his most relaxed when he is around Raluca, maybe because he realizes how lucky he is that a beautiful woman is paying attention to him, considering his being middle-aged and overweight. Otherwise, they have to be careful to not acknowledge each other when he and his wife Adriana(Mirela Oprisor) bring in their daughter to have braces installed. For the record, Adriana and Paul simply share that familiar manner of two people who have been together for a long time. Rated 3.5 out of 5 stars 03/31/23 Full Review Audience Member A very bourgeois Christmas! For example, I don't think I'd ever before seen such an accurate depiction, subtle, pervasive, and oppressive, of their consumption of commodities. "It's not Noah's ark! It's the Barbie Party Cruiser." Rated 4.5 out of 5 stars 01/24/23 Full Review Read all reviews
Tuesday, After Christmas

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Cast & Crew

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Movie Info

Synopsis Middle-aged Paul (Mimi Branescu) lives in a pleasant Bucharest apartment with his wife, Adrianna (Mirela Oprisor), and their 9-year-old daughter. But unbeknown to Adrianna, Paul is also having an affair with the family's dentist, Raluca (Maria Popistasu). As Christmas approaches, Paul finds himself forced to choose between the woman with whom he has shared the last decade of his life and the passionate new partner who has given him a revitalized image of himself.
Director
Radu Muntean
Producer
Dragos Vilcu
Screenwriter
Alexandru Baciu, Radu Muntean, Razvan Radulescu
Distributor
Lorber Films
Genre
Drama
Original Language
Romanian
Release Date (Theaters)
May 25, 2011, Limited
Release Date (Streaming)
Apr 17, 2020
Box Office (Gross USA)
$25.9K
Runtime
1h 40m