Tuesday, After Christmas

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Audience Member Not very entertaining. Slow and realistic. But gives a sense of Romanian culture. Characters relate-able, possibly. But some unrealistic reactions and emotions. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 02/24/23 Full Review Audience Member Not much happening but the actors are incredibly good. Really feel like spying on a break up slowly unraveling. Or is it a change of wife. It's a turtle changing house, for a smaller one, mind you. No blood, no murder suicide, just a change of house. Married people, I'm telling you... Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/20/23 Full Review Audience Member "Tuesday, After Christmas" is to be admired for its totally un-showy long shots in which Radu Muntean's actors just talk to one another, and Muntean draws conflict from language and reaction. We don't even really see much of the girl Raluca (Maria Popistasu) with whom Paul (Mimi Branescu) is having an affair in comparison to his partner Adriana (Mirela Oprisor), especially once the eventual secret's out. In the first scene of "Tuesday" we see Paul and Raluca post-coitus in bed one either gloomy morning or gloomy afternoon, when she makes him promise to quit smoking after the holidays. But by the few weary final frames it's Paul who's left to his own devices, in a movie about consequences catching up with time, and vice versa. You'll for sure be thinking about "Tuesday, After Christmas" long after then. Rated 4/5 Stars •  Rated 4 out of 5 stars 02/06/23 Full Review walter m To start, "Tuesday, After Christmas" has certain things in common with other Romanian films that caused the Romanian New Wave to implode, taking half of Hungary with it, such as epic and talky static scenes. While this movie does not take care to accent the consequential scenes over the less so(yes, we get it already that the movie takes place near the Christmas holidays), it still does have a stunning opening of Paul(Mimi Branescu), a banker, and his younger mistress Raluca(Maria Popistasu), a dental hygienist, frolicking in bed together and eventually a devastating climactic scene. In between is a perceptive behavorial study into how people act when they are around different people. Paul is at his most relaxed when he is around Raluca, maybe because he realizes how lucky he is that a beautiful woman is paying attention to him, considering his being middle-aged and overweight. Otherwise, they have to be careful to not acknowledge each other when he and his wife Adriana(Mirela Oprisor) bring in their daughter to have braces installed. For the record, Adriana and Paul simply share that familiar manner of two people who have been together for a long time. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 03/31/23 Full Review Audience Member A very bourgeois Christmas! For example, I don't think I'd ever before seen such an accurate depiction, subtle, pervasive, and oppressive, of their consumption of commodities. "It's not Noah's ark! It's the Barbie Party Cruiser." Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 01/24/23 Full Review Audience Member Here's another film that really benefitted from discussion. The director was methodical in his story telling, yet sneaky in his camera choices. People were deliberately left out of frames in several scenes, providing extra focus on one character while minimizing the other's impact in the scene. We've seen this same adulterous affair played out in countless movies, but this was one of the first I've seen where the script tried to humanize each player. No one wins in these situations, and he made it clear that, even after the end of the script, the characters had much more to overcome. I'd like to watch it again to pay more attention to the periphery and less to the subtitles. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/07/23 Full Review Read all reviews

Tuesday, After Christmas

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