Unstoppable

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Stephen C Success in 1 hour and 34 minutes!!!!!!!!!!!!!!!! Rated PG-13 for Some Language and Sequences of Action Peril!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! The USA grossed over $81,600,000.00!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Rated 5/5 Stars •  Rated 5 out of 5 stars 08/13/25 Full Review Edward F Poor mans Runaway Train. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 08/12/25 Full Review Forrest J D Quite possibly the dumbest action movie I’ve ever seen in my life. Clique is too kind. The daughters at the end standing next to each other gushing over their Dad. Cheese isn’t even that cheesy. I thought they were gonna break into a dance routine. Rated 1/5 Stars •  Rated 1 out of 5 stars 07/27/25 Full Review Gavin H. This was one of my favorite action movies when it came out! I was 9 years old when it released and my parents got it for me after doing good on my school tests at the end of the school year. Even now 15 years later I still find myself going back to this film and watching it. While it’s not everyone’s favorite movie it’s one of mine. Rated 5/5 Stars •  Rated 5 out of 5 stars 07/19/25 Full Review Mitchell S Two things I love: trains and action movies!! The stakes are so high, it's fast-paced, and the haunting rumble of our runaway antagonist makes my skin crawl. And on top of that, Chris Pine and Denzel Washington have incredible chemistry!!! Rated 4/5 Stars •  Rated 4 out of 5 stars 07/13/25 Full Review Trevor M Tony Scott’s Unstoppable opens with a subtle but effective montage: small, preventable mistakes—barely noticed or shrugged off—begin to pile up, setting the stage for disaster. It’s a compelling setup that underscores one of the film’s main themes: the dire consequences of complacency. Right from the start, we’re shown that disaster isn’t always the result of malice or bad luck, but often of carelessness and systemic indifference. The characters are a highlight. Each one, no matter how minor, feels distinct and grounded. Denzel Washington’s veteran railroad engineer and Chris Pine’s rookie conductor are a classic pairing, but the film manages to give them both genuine depth. Pine’s character is green and distracted by personal troubles, while Washington plays the steady hand with quiet authority. Their chemistry is natural and enjoyable, and their dynamic grows in believable ways over the course of the film. Even supporting characters like Rosario Dawson’s sharp and focused yardmaster, or Kevin Dunn’s out-of-touch executive, are given just enough space to feel real without overstaying their welcome. Everyone behaves like a real person rather than a plot device, which is refreshing in a high-concept thriller. Visually, the film is very much of its time—meaning it features a generous helping of early 2010s shaky cam. While the jittery cinematography can be distracting, especially in quieter moments, it still contributes to the chaotic, kinetic energy that defines the film’s momentum. A major strength of Unstoppable lies in its grounded action. There’s an impressive amount of real, non-CGI train carnage, which gives the film a satisfying physicality and give a stronger believability to the more CGI heavy scenes that wouldn't otherwise hold up years later. When things crash, you feel it. A particularly welcome narrative choice is when the characters try a logical method—lowering someone from a helicopter to board the train—and it fails. It’s always a relief to see a film at least attempt obvious solutions, even when they don’t work out. That said, not every choice holds up under scrutiny. For example, they try the helicopter maneuver exactly once, with one person, before apparently abandoning it as an option. Given the scale of the crisis, it’s odd that no one else is considered for the job or that no backup attempt is made. Another eyebrow-raising issue is the crowd of spectators who continually gather near the projected derailment zone—an area where half the city is supposedly in danger. The film could have done a better job portraying the seriousness of the potential destruction and the logic of emergency response protocols. Despite the near-constant stream of technical jargon, the movie does a surprisingly good job explaining what’s happening and why it matters. The pacing rarely falters, and a mid-movie news broadcast serves as a clever device to summarize the situation for viewers. This helps maintain tension without sacrificing clarity. Also, to address the elephant in the room, this is the movie that feature's the now-iconic moment when Dawson's character describes the train as “a missile the size of the Chrysler Building.” and it absolutely made me do the Leo pointing at the screen meme like I was watching Steve Rodgers call for the Avengers to be assembled. Beneath the explosive action lies some pointed commentary on corporate decision-making. As the crisis escalates, the further up the command chain you go, the more decisions are driven by profit and liability rather than safety. It’s not subtle, but it rings true. And amid all the tension, the movie makes time for character. One of the best moments comes during a rare lull, where Washington and Pine have a quiet exchange—no shouting, no stunts—just two men bonding through adversity. It’s these human moments that help elevate the film beyond the usual genre fare. Unstoppable isn’t flawless, but it’s a tightly constructed, character-driven thriller that knows how to entertain. Despite a few questionable logic gaps and some dated stylistic choices, it delivers an exhilarating, grounded action experience with likable leads and a clear understanding of stakes. It's a ride that may not reinvent the genre, but it certainly knows how to stay on track. Rating: 7/10 — Smartly executed and surprisingly human, with just enough grit and charm to make up for its minor derailments. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 06/29/25 Full Review Read all reviews

Unstoppable

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