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Uptight

Play trailer Poster for Uptight PG Released Dec 28, 1968 1h 44m Drama Play Trailer Watchlist
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80% Tomatometer 5 Reviews 80% Popcornmeter 50+ Ratings
Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.
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Uptight

Critics Reviews

View All (5) Critics Reviews
Roger Ebert Chicago Sun-Times There's no backsliding, toward a conciliatory moderate conclusion. The passions and beliefs of black militants are presented head-on, with little in the way of comfort for white liberals. Rated: 3/4 Oct 18, 2008 Full Review Robert Hatch The Nation Dassin, if he was issuing a warning, should have been explicit, and not allowed the viewer to wonder whether the implication he senses are no more than ineptitudes of presentation. Oct 3, 2023 Full Review Caroline Golum Screen Slate "Uptight places Dassin's courageous refusal to 'name names' and Mayfield's legacy as an outspoken crusader as symmetrical lives on two sides of the racial divide." Feb 24, 2021 Full Review Dennis Schwartz Dennis Schwartz Movie Reviews It doesn't transfer well when changed from Irish revolutionists to black revolutionists. Rated: B- Jan 11, 2015 Full Review Film4 Staff Film4 Intelligently directed tale of urban revolt starring some of the finest black actors of the 60s. Oct 18, 2008 Full Review Read all reviews

Audience Reviews

View All (6) audience reviews
delysid d pretty cool old black power film Rated 4 out of 5 stars 03/06/19 Full Review Audience Member Well worth watching, but too much like (all-black) Shakespeare. And what's the point of trying to make us sympathize with a traitor/informer, a proletarian who turns lumpenproletarian and away from revolution? Discipline! Rated 3.5 out of 5 stars 01/24/23 Full Review Audience Member Uptight shoots first and asks questions later. It's not a perfect film but it does an interesting job of reflecting the tensions felt around the country at the time it was made. Uptight serves as a fascinating historical document for an era where race relations were precipitously poised to devolve into outright anarchy. Rated 3.5 out of 5 stars 01/25/23 Full Review Audience Member http://www.clevelandmovieblog.com/2013/02/up-tight-now-available-on-home-video.html Rated 3.5 out of 5 stars 02/27/23 Full Review Audience Member i remember this, don't you? I also seem to remember that I was very disappointed with the ending. It might be worth viewing again, just to help with royalty payments to the artists (if that was part of their deal!). Rated 3 out of 5 stars 02/21/23 Full Review Audience Member Filmmaker Jules Dassin (Night and the City, Rififi, Topkapi) returned to the United States after a nearly twenty year absence (being blacklisted, he fled the country in the wake of the notorious HUAC trials) to make this riveting portrait of betrayal and guilt set amidst the Black Power movement in the days following the assassination of Dr. Martin Luther King. Working from the Irish novel The Informer by Liam O'Flaherty, published in 1925 and ten years later turned into an extraordinary film by director John Ford, and transplanting the action from 1920s Dublin to late 60s Cleveland, Ohio, the film follows Tank Williams (Julian Mayfield) a down-on-his-luck unemployed steel-worker who, desperate for money, decides to turn his close friend Johnny (Max Julien), who is wanted for a botched robbery and the murder of a white security guard, over to the police for a $1000 reward. What follows is a portrait of a guilt-ridden man who feels, and is, dejected by his younger peers. They view him as being a drunken relic; a man past his prime, ineffective to fight along side them in their revolution. Tank's betrayal of his friend could be viewed as either the last act of a desperate man or a retaliation to being shunned by a community that once showed him respect. No stranger to witnessing first-hand, the fighting and violence during the Civil Rights era, Mayfield's performance as Tank, while somewhat rough around the edges and a bit broad at times, is nevertheless very effective. He imbues in Tank a sad humanity that the audience can sympathize with despite the fact that he sold his friend to the cops. It is this theme of betrayal and being cast out by ones peers that probably hits closest to home for director Dassin. It was, after all, his close friends and fellow filmmakers like Edward Dmytryk and Elia Kazan who informed on him to HUAC which ultimately led to his exile from Hollywood and America (Dassin did find steady work in Europe as a filmmaker, directing several highly regarded pictures like Rififi and Never On Sunday). Dassin displays an interest in his examination of a turncoat, he even puts him on trial by his fellow Black Militants (reminiscent of Peter Lorre's trial in Fritz Lang's M) and has another character who is against violence as the means to an end (Frank Silvera) argue in Tank's defense, but ultimately never lets him off the hook. And it is this kind of duality that Dassin demonstrates throughout the picture, shifting between the gritty, honest reality of Cleveland's ghettos and the powder keg of anger and frustration of it's black inhabitants (Dassin co-wrote the script along with co-star Ruby Dee and lead actor Mayfield so the dialogue has a palpable urgency and ferocity that rings true, as well as powerful visuals such as a scene where the tenants of an apartment building rain glass bottles from their balcony's down on the police below, who have come to take Johnny to jail) and Tank's point of view which is an off-kilter hyper-reality represented by a vivid color-palate, the use of painted studio back-drops of the city-scape rather than on-location photography, the groovy-yet-melancholy score by the great Booker T. and The MG's (the film's theme Time is Tight was appropriated by The Blues Brothers as part of their intro music) and an overall stylized direction. It's the sort of delicate balancing act that would hamstring a lesser filmmaker, but not Dassin has always been a maverick willing to take extreme chances, such as when he decided to shoot his 1948 film, The Naked City, entirely on location in New York City rather than shoot on a studio back lot and in sound stages. Here he found a story that not only spoke the truth about tumultuous era of the late 60s, he also found a story that resonated with him and his own personal experiences. What a terrific homecoming it was. Rated 3.5 out of 5 stars 02/23/23 Full Review Read all reviews
Uptight

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Cast & Crew

The Carpetbaggers 33% 62% The Carpetbaggers Watchlist Mahogany 29% 75% Mahogany Watchlist The Spook Who Sat by the Door 77% 83% The Spook Who Sat by the Door Watchlist Sometimes a Great Notion 100% 77% Sometimes a Great Notion Watchlist They Shoot Horses, Don't They? 82% 89% They Shoot Horses, Don't They? Watchlist Discover more movies and TV shows. View More

Movie Info

Synopsis Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.
Director
Jules Dassin
Producer
Jules Dassin
Production Co
Paramount
Rating
PG
Genre
Drama
Original Language
English
Release Date (Theaters)
Dec 28, 1968, Limited
Release Date (Streaming)
Dec 3, 2018
Runtime
1h 44m
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