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Harrison B NOT A COMEDY AT ALL!!!!! Sad (not depressing), mostly, and a little moving and uplifting. But it has the mildest amount of comic relief like normal dramas do. Rated 4/5 Stars •  Rated 4 out of 5 stars 05/05/25 Full Review thiago s Filme mais ou menos, o roteiro é ruim, o elenco é fraco e ninguém ajuda a melhorar o filme, a história é fraca, mas o que salva o filme é a atuação da penélope Cruz, mas mesmo com isso, o filme não dá uma alavancada As cenas são fracas e nenhuma cena relevante e boa para fazer o filme ser bom. Rated 1/5 Stars •  Rated 1 out of 5 stars 03/13/25 Full Review ceci h Amazing. It’s such a beautiful story, with that mix of drama and humor that only Almodóvar can do. The actresses are incredible (Penélope Cruz is just perfect), and the story about women and their secrets pulls you in from the start. Rated 4/5 Stars •  Rated 4 out of 5 stars 02/28/25 Full Review beatriz m Visualmente Lindo e com uma história emocionante e cômica em alguns momento. Volver consegue surpreender nas atuações e um roteiro ótimo! Apenas senti falta de finalizarem o romance que tinham começado entre Raimunda e o diretor do filme. Rated 4/5 Stars •  Rated 4 out of 5 stars 03/03/25 Full Review Jerod S Cruz is on her best game while playing a wayward daughter, married to a man that attempts to abuse her daughter. When her mom comes back to town (from the dead) - the family's story finally sees some resolution. Rated 4/5 Stars •  Rated 4 out of 5 stars 01/07/25 Full Review Matthew B Within Volver is the material for two highly charged films – a Hitchcockian thriller about murder, complete with an oversized knife as the murder weapon, and a melodramatic ghost story about a mother returning from the dead to complete unfinished business with her two daughters. That is not the impression that the film leaves us with however. As a filmmaker, Pedro Almodovar is not always known for his restraint, but Volver is strangely muted. Sex barely features in the film at all. The film is still brightly-coloured, but the focus on red seems appropriate in a film about blood, love and murder. There is less of the obtuse morality that often marks Almodovar's movies, though admittedly three murders occur, and we are encouraged to hope that they go unpunished. In an earlier film, What Have I Done to Deserve This?, a mother has no hesitation in allowing her 12-year-old son to live with an older man in order to pay for dental treatment. In Volver, a paedophile is killed, and no sympathy is expressed for him. On this occasion, Almodovar's morality is almost conventional. In a diary that Almodovar wrote for Volver, he said that the film is about death, and the way that the women in the La Mancha region deal with the culture of death. I say women because the men in this community die young, so the film's focus is on the women left behind. Death does feature strongly in the film. An old woman dies; a man is murdered; a neighbour is dying; a woman who is thought to be dead reappears with information concerning two other murders. This might make Volver sound like a depressing film, but that is not the case. It is a film as much about life as it is about death. The women in Volver take death in its stride. We see this in the opening scene set in a graveyard. Here there are no tearstained women delivering elegies over the tombstones of their dead. On the contrary, they are hard at work scrubbing the stones to make them look presentable. The movie's two heroines are Raimunda (Penélope Cruz) and Sole (Lola Dueñas). These two sisters have to deal with unusual situations concerning death, but they handle them by behaving in a brisk and business-like manner. There are no breakdowns or hysterics – a quick scream at best, after which they settle down and find prosaic solutions to the problems they face. This is not a film in which women are catty or vicious to one another. We see here the best in women, and their capacity to form close bonds. There is a lot of kissing in the film, and it is mostly between women. There is no need for a romantic plot in this film, as the women are self-sufficient, and do not need a man to complete them. The two sisters may squabble, but they look out for one another. Raimunda goes to great lengths to protect her daughter. Sole and Irene care for each other. The plot concerns the notion of returning. The very word Volver means ‘to return', and it is the subject of a song that Raimunda sings. The words of the song are about the need to stay hopeful amidst disillusion. One of the recurring images in Volver is that of the local windmills rotating. Volver achieved great box office success and widespread acclaim. Cruz became the first Spanish woman to be nominated for an Oscar, and many critics consider it to be Almodovar's best film. After Almodovar's early vulgar, brassy and lively comedies, films such as Volver, Talk to Her and All About My Mother showed a new maturity. For the first time, Almodovar was able to combine his mixture of soap opera, Grand Guignol, and camp and kitsch humour into a new form that touched on deeper and more universal issues. I wrote a longer appreciation of Volver on my blog page if you would like to read more: https://themoviescreenscene.wordpress.com/2018/12/17/volver-2006/ Rated 5/5 Stars •  Rated 5 out of 5 stars 09/26/23 Full Review Read all reviews

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