Walkabout

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jacob c Hauntingly beautiful and terrifying at once, Walkabout presents a modern culture engaging with a primitive one, making for a brutal, enticing, and exquisitely shot journey through the Australian Outback. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 04/22/25 Full Review Wayne K On some levels, a simple story about survival in a harsh environment, and on other a metaphor for the flaws of civilization, and possibly other deeper meanings, Walkabout occasionally suffers from Roeg’s characteristic deliberate pacing, as life or death situations are not given the weight they should be. As someone who worked in the outback, I can confirm that its as beautiful and daunting as depicted: A gargantuan expanse of rich, vivid colours and wild, dangerous animals and unforgiving weather conditions. But there are times when the leads are on the verge of death, and nothing is really made of it. This might have been intentional, but apathetic characters is a tough thing to do right, and something I always have a hard time accepting, so maybe this one is a failing in my part. I liked the relationship the leads share with their Aboriginal companion, or rather, saviour. It’s beautifully shot, and the bond between the siblings goes through the machinations you’d expect. Its hypnotic in a sense, replicating the feeling you get when you’ve been in the blazing sun too long and everything starts to go hazy. It doesn’t have the same punch as other Australian New Wave films like Long Weekend or Wake In Fright, both of which paint a much starker picture of life Down Under, but it’s an important film made at just the right time, and if you can stick with it during its slower moments then you’ll be treated to a powerful, multi-layered experience. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 03/24/25 Full Review Teddy B Dreamlike and terrifying, 'Walkabout' displays both the beauty and power of the Australian Outback. Rated 4/5 Stars •  Rated 4 out of 5 stars 01/10/25 Full Review helder f A movie of great sensitivity about a little boy and his older sister who are abandoned in the Australian desert and eventually find an aboriginal adolescent, who was on a path of his own. The movie progresses at a slow pace which is surprisingly tolerable. In great part, this has to do with The relationship between the siblings which is very tender and the two are very likable at first. Once they encounter the aboriginal male teenager, it is clear the young boy is more readily able to connect with him than the sister. At that point, she definitely becomes less likable. Despite the movie’s sensitivities, it is shot from the siblings’s perspective in that we never understand what the aboriginal young man says. This ought to be the least positive aspect of the movie, as it feels very dismissive towards the young man. It feels as though he was just a prop in their adventure while in fact he was on a journey of his own. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 01/05/25 Full Review Guayabito Bro, this movie is garbashhhh Rated 0.5/5 Stars •  Rated 0.5 out of 5 stars 07/04/23 Full Review Shioka O A pure 1970s gem dealing with the cultural complex in Australia. The director did cinematography as well and the result is superb than its context. I like the way to depict the small lives in desert... as if the two main character. Highly graphical, the director carefully placed the symbolic elements within the frame. Rated 4/5 Stars •  Rated 4 out of 5 stars 04/28/23 Full Review Read all reviews

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