Rotten Tomatoes
Cancel Movies Tv shows RT App News Showtimes

Wes Craven's New Nightmare

Play trailer 2:30 Poster for Wes Craven's New Nightmare R Released Oct 14, 1994 1h 52m Horror Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
77% Tomatometer 47 Reviews 67% Popcornmeter 50,000+ Ratings
Reality and fantasy meet in unsettling ways in this installment of the long-running horror series, which finds director Wes Craven and actors Heather Langenkamp and Robert Englund all portraying themselves. As Heather (Heather Langenkamp) considers making another film with Craven, her son, Dylan (Miko Hughes), falls under the spell of the iconic disfigured villain Freddy Krueger (Robert Englund). Eventually, Langenkamp must confront Freddy's demonic spirit to save the soul of Dylan.
Watch on Fandango at Home Stream Now

Where to Watch

Wes Craven's New Nightmare

Wes Craven's New Nightmare

What to Know

Critics Consensus

Wes Craven's New Nightmare adds an unexpectedly satisfying - not to mention intelligent - meta layer to a horror franchise that had long since lost its way.

Read Critics Reviews

Critics Reviews

View More (47)
Jonathan Rosenbaum Chicago Reader This one's defeated by the rigid formula. Apr 5, 2010 Full Review Joe Leydon Variety Englund once again is in bravura form as Freddy, playing as much for nasty laughs as unnerving shocks. Mar 26, 2009 Full Review Time Out The climactic punch-up fails to match the power of the first film's true ending, but in deconstructing his own bastardised creation, Craven redeems both the series and his own tarnished reputation. Jun 24, 2006 Full Review Sarah Marloff Washington City Paper A masterpiece in tastemaking. Sep 15, 2025 Full Review Patrick Cavanaugh The Wolfman Cometh It might not satisfy the most devout Freddy Krueger fans, but Craven's meta experimentation make it something way more satisfying than a standard sequel. Rated: 3/5 Sep 11, 2025 Full Review Sharai Bohannon A Nightmare On Fierce Street Podcast 'New Nightmare' is the best sequel of the Elm Street franchise and the reason my generation knows what a meta moment should look like. One of Wes Craven's best. Rated: 4/5 Aug 15, 2025 Full Review Read all reviews

Audience Reviews

View More (1000+)
Rick W Grew up watching this movie and I always wanted to see it on a big screen and am eternally grateful to the Alamo Drafthouse for screening it this October. Quality was outstanding and the quality served to immerse me so sufficiently that it took me back to being a kid. Rated 5 out of 5 stars 10/30/24 Full Review Diane Loved every moment of it!!! Rated 5 out of 5 stars 10/17/24 Full Review TheMovieSearch R Wes Craven’s New Nightmare is not just another installment in the Nightmare on Elm Street franchise—it is a masterclass in psychological horror that redefines everything audiences thought they knew about Freddy Krueger. Unlike other films in the series, which often tiptoe between genuine terror and over-the-top fantasy, this 1994—or, for re-releases, modern audience—interpretation is deeply unsettling, intelligent, and relentlessly frightening. It’s a film that doesn’t just show horror—it immerses you in it, making you question where reality ends and the nightmare begins. Robert Englund’s Freddy Krueger is more terrifying than ever. His presence in this film is almost tangible; he doesn’t just stalk characters on-screen—he stalks the audience’s psyche. Englund expertly blends menace with malevolent charm, creating an entity that feels disturbingly alive. Every glance, every taunt, and every surreal moment feels designed to get under your skin. Freddy isn’t just a cinematic villain here—he is an almost supernatural force that exists outside of the film, a predator who transcends the screen. Heather Langenkamp’s return as herself, rather than Nancy, is a stroke of narrative genius. Craven blurs the line between actor and character in a way that feels unsettlingly real. Freddy’s perception of Heather as Nancy adds layers of dread, making viewers feel complicit in the horror. This meta approach isn’t just clever—it amplifies the fear because it feels like the nightmare could reach into the real world, touching anyone who dares watch. It’s one of the most chilling twists in modern horror storytelling. The supporting cast elevates the film further. Mike Hughes, portraying Dylan, delivers a hauntingly believable performance, capturing the vulnerability and terror of a child caught in forces he cannot comprehend. Tracy Middendorf as Julie gives a powerhouse performance, bringing emotional depth to the horror. Her hospital sequence is nothing short of legendary—every shadow, every sudden movement, every scream is meticulously crafted to leave the audience breathless. These performances make the terror feel grounded, real, and impossible to ignore. Craven’s direction is impeccable. Every frame is designed to unsettle, from the subtle use of shadows and sound to the surreal visual effects that distort reality. The tension is constant, building in layers that never feel forced. Unlike many horror films where scares are predictable or overly reliant on cheap shocks, New Nightmare lets the fear creep in slowly, making each jump, each whispered line, and each flicker on the screen feel earned and horrifying. It’s the kind of film where even the quietest moments make you hold your breath in anticipation. Moreover, the film is a meta-commentary on horror itself, exploring how stories, myths, and cinematic nightmares infiltrate the real world. Craven brilliantly plays with this concept, reminding audiences that fear is not just a reaction—it’s a living, breathing force that thrives on attention. Watching Freddy manipulate reality and terrorize Heather, her son Dylan, and those around them is terrifying in a way that resonates long after the credits roll. It’s a horror experience that stays with you, haunting your thoughts and dreams. In short, Wes Craven’s New Nightmare is essential viewing for any horror fan. It’s more than a film—it’s an experience, a journey into the mind of one of cinema’s most iconic villains. It’s frightening, intelligent, and horrifyingly immersive, reminding us why Freddy Krueger remains a cornerstone of horror. If you care about horror, psychological tension, or simply want to witness one of the most innovative, terrifying films ever made, this is a movie you cannot afford to miss. Every scene is a lesson in dread, every performance a showcase of terror, and every moment a reason to keep the lights on at night. Rated 4.5 out of 5 stars 10/05/25 Full Review Rafael S Wes Craven made a brilliant masterpiece, a creative film Rated 5 out of 5 stars 10/02/25 Full Review DanTheMan 2 Just when you thought Freddy's antics were over, Wes Craven conjures a New Nightmare, recapturing the dark essence of the original but with a pre-Scream metatextual twist. An inventive, almost cathartic exploration of illusion and fear, the film gives us all the terror without any of the sarcasm, deconstructing Craven's own bastardised creation with a twisted sense of intrigue. It works as a criticism of what the franchise had become; Freddy is far more straightforward, he doesn't manifest elaborate scenarios for each death, instead relying on pure intimidation and an overwhelming presence. Hence why he barely appears in the film itself, but that's by design. Craven's direction is certainly more muted than his other films, with an almost semi-documentary style. The production design has a suitably nightmarish look, the special effects are excellent, and J. Peter Robinson's score is suitably haunting. The film may lack the trancelike dread and surreal tone of Craven's other contributions to the series, with the climax almost tipping it back into ridiculously goofy territory, but it ultimately makes me wish Craven had directed at least one more proper Elm Street before his passing. The acting is a bit of a weird mix; Heather Langenkamp seems rather lifeless, although her relationship with John Saxon is exceptionally heartwarming, Robert Englund is great, while the other members of the cast are servicable. The self-reflexive nature of New Nightmare leads it to serve as a worthy epilogue to the Elm Street franchise, delivering on shocks, suspense and creepiness even if the execution lacks the stuff it struts in conception. Rated 3.5 out of 5 stars 09/19/25 Full Review Munchie A The entire movie is a 4th wall break and it works very well. It changes the game for exactly what Freddy is and makes the opportunities for more movies endless. Pacing is a bit slow but it also keeps you wondering what’s going to happen next. Rated 3 out of 5 stars 09/13/25 Full Review Read all reviews
Wes Craven's New Nightmare

My Rating

Read More Read Less POST RATING WRITE A REVIEW EDIT REVIEW
Freddy's Dead: The Final Nightmare 23% 32% Freddy's Dead: The Final Nightmare Watchlist A Nightmare on Elm Street 5: The Dream Child 32% 31% A Nightmare on Elm Street 5: The Dream Child Watchlist In the Mouth of Madness 59% 73% In the Mouth of Madness Watchlist A Nightmare on Elm Street 3: Dream Warriors 68% 68% A Nightmare on Elm Street 3: Dream Warriors Watchlist Jason Goes to Hell: The Final Friday 15% 23% Jason Goes to Hell: The Final Friday Watchlist TRAILER for Jason Goes to Hell: The Final Friday Discover more movies and TV shows. View More

Movie Info

Synopsis Reality and fantasy meet in unsettling ways in this installment of the long-running horror series, which finds director Wes Craven and actors Heather Langenkamp and Robert Englund all portraying themselves. As Heather (Heather Langenkamp) considers making another film with Craven, her son, Dylan (Miko Hughes), falls under the spell of the iconic disfigured villain Freddy Krueger (Robert Englund). Eventually, Langenkamp must confront Freddy's demonic spirit to save the soul of Dylan.
Director
Wes Craven
Producer
Marianne Maddalena
Screenwriter
Wes Craven
Distributor
Roadshow Home Video [au], New Line Cinema
Production Co
New Line Cinema
Rating
R
Genre
Horror
Original Language
English
Release Date (Theaters)
Oct 14, 1994, Wide
Release Date (Streaming)
Sep 1, 2008
Box Office (Gross USA)
$18.1M
Runtime
1h 52m
Sound Mix
Surround, Stereo, DTS
Most Popular at Home Now