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Arthur J. Ornitz
Has worked with independent filmmakers such as Shirley Clarke ("The Connection" 1961) and Russ Meyer ("Sweet Suzy/Blacksnake" 1973) and is best known for his many captivating images of New York City, in both black-and-white ("A Thousand Clowns" 1965) and color ("Serpico" 1973).
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 45% |
|
Hanky Panky | Cinematographer | - | 1982 |
| No Score Yet |
|
Playing for Time | Cinematographer | - | 1980 |
| No Score Yet | No Score Yet | Hardhat and Legs | Cinematographer | - | 1980 |
| 25% |
|
Oliver's Story | Cinematographer | - | 1978 |
| 40% |
|
Law and Disorder | Cinematographer | - | 1974 |
| No Score Yet |
|
Badge 373 | Cinematographer | - | 1973 |
| 93% |
|
Serpico | Cinematographer | - | 1973 |
| No Score Yet |
|
Honor Thy Father | Cinematographer | - | 1973 |
| 82% |
|
Minnie and Moskowitz | Cinematographer | - | 1971 |
| 33% |
|
House of Dark Shadows | Cinematographer | - | 1970 |
| No Score Yet |
|
Me, Natalie | Cinematographer | - | 1969 |
| No Score Yet |
|
Carol for Another Christmas | Cinematographer | - | 1964 |
| 91% |
|
The World of Henry Orient | Cinematographer | - | 1964 |
| No Score Yet |
|
Act One | Cinematographer | - | 1963 |
| No Score Yet | No Score Yet | Jacktown | Cinematographer | - | 1962 |
| 89% |
|
Requiem for a Heavyweight | Cinematographer | - | 1962 |
| 95% |
|
The Connection | Cinematographer | - | 1961 |
| No Score Yet | No Score Yet | Kiss Her Goodbye | Cinematographer | - | 1958 |
| 57% |
|
The Goddess | Cinematographer | - | 1958 |
| No Score Yet | No Score Yet | Wanted: A Master | Director | - | 1936 |