Clint Mansell
Highest Rated: 98% The Wrestler (2008)
Lowest Rated: 16% Abandon (2002)
Birthday: Jan 7, 1963
Birthplace: Coventry, England, UK
Even though Danny Elfman seemingly had the market cornered on rock-stars-turned-film-composers, that all changed when Clint Mansell was hired by friend and director Darren Aronofsky to compose his first score. Mansell's first brush with fame came as the frontman/guitarist of English alt-rock group, Pop Will Eat Itself. When the band broke up in 1996, he moved to the United States where he almost immediately became the de facto composer for up-and-coming director Aronofsky, who hired him to write the music for his 1998 debut, "Pi." Mansell soon served as the go-to composer for Aronofsky in much the same way that John Williams does for Steven Spielberg. He's written the music for the filmmaker's subsequent projects "Requiem for a Dream," "The Fountain," "The Wrestler," and "Black Swan." Mansell's work with Aronofsky also got him hired to create a reworked version of "Lux Aeterna" from "Requiem for a Dream" for use in a number of film trailers ("The Lord of the Rings: The Two Towers"; "Zathura"; "The Da Vinci Code"). Even though Mansell participated in a brief 2005 PWEI reunion, his return to film scoring took a slightly lighter turn. Counterbalancing the heavier subject matter often at the heart of Aronofsky's work, Mansell worked on a number of romantic comedies including "Definitely, Maybe," "Trust the Man," and "The Rebound."
Photos
Filmography
Movies
Credit | |||||
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94% | 82% | Love Lies Bleeding | Original Music | $7.7M | 2024 |
69% | 73% | Sharper | Original Music | - | 2023 |
80% | 24% | In the Earth | Original Music | $1.1M | 2021 |
38% | 38% | Rebecca | Original Music | - | 2020 |
86% | 54% | Happy New Year, Colin Burstead | Original Music | - | 2018 |
21% | 47% | Mute | Original Music | - | 2017 |
58% | 67% | The New Radical | Original Music | - | 2017 |
42% | 51% | Ghost in the Shell | Original Music | $40.5M | 2017 |
16% | 59% | Man Down | Original Music | - | 2015 |
60% | 38% | High-Rise | Original Music | $343.1K | 2015 |
75% | 41% | Noah | Original Music | $101.2M | 2014 |
67% | 67% | Filth | Original Music | $34.3K | 2013 |
70% | 60% | Stoker | Original Music | $1.7M | 2013 |
54% | 46% | Last Night | Original Music | $99.0K | 2010 |
85% | 84% | Black Swan | Original Music | $107.0M | 2010 |
41% | 52% | Faster | Original Music | $23.2M | 2010 |
41% | 46% | The Rebound | Original Music | - | 2009 |
86% | 75% | Farewell | Original Music | - | 2009 |
90% | 89% | Moon | Original Music | $5.0M | 2009 |
25% | 33% | Blood: The Last Vampire | Original Music | $256.7K | 2008 |
98% | 88% | The Wrestler | Original Music | $26.2M | 2008 |
71% | 72% | Definitely, Maybe | Original Music | $32.0M | 2008 |
44% | 31% | Wind Chill | Original Music | $20.1K | 2007 |
31% | 62% | Smokin' Aces | Original Music | $35.6M | 2007 |
53% | 74% | The Fountain | Original Music | $10.1M | 2006 |
29% | 35% | Trust the Man | Original Music | $1.5M | 2005 |
18% | 34% | Doom | Original Music | $28.0M | 2005 |
18% | 38% | Suspect Zero | Original Music | $8.7M | 2004 |
92% | 76% | 11:14 | Original Music | - | 2003 |
16% | 31% | Abandon | Original Music | $10.7M | 2002 |
30% | 49% | Murder by Numbers | Original Music | $31.9M | 2002 |
21% | 51% | Knockaround Guys | Original Music | $11.6M | 2001 |
34% | 36% | World Traveler | Original Music | $98.0K | 2001 |
78% | 93% | Requiem for a Dream | Original Music | $3.6M | 2000 |
88% | 85% | Pi | Original Music | $3.2M | 1998 |