Ismail Merchant
Bombay-born producer Ismail Merchant was one half of the prolific Merchant/Ivory team, responsible for an oeuvre of handsome and thoughtful independent films reflecting an eye for the beautiful and an ear for the carefully wrought line of dialogue. Along with Oregon-raised director James Ivory and the German-raised screenwriter Ruth Prawer Jhabvala (a Polish Jew educated in Britain and married to an Indian), he is actually part of a triumvirate, perhaps best described by the Hindi word "sangam," meaning "meeting of three rivers," in this case Asia, Europe and North America. Merchant was introduced to Ivory in 1961 when the producer was 24 and the director was 32. The pair shared a common collaborator, Saeed Jaffrey, who had narrated both Merchant's Oscar-nominated 1960 short "The Creation of Woman" and Ivory's short film "The Sword and the Flute" (1961). Meeting at a screening for the latter, the two eventually formed Merchant-Ivory Productions (MIP) to make English-language features in India for the international market. Their first film, "The Householder" (1963) was adapted by Jhabvala from her novel.
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Ismail Merchant
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
51% |
|
The White Countess | Producer | $1.7M | 2005 |
63% |
|
Heights | Producer | $1.2M | 2005 |
35% |
|
Le Divorce | Producer | $9.1M | 2003 |
0% |
|
Merci Docteur Rey | Executive Producer | $19.6K | 2002 |
51% |
|
The Mystic Masseur | Director | $398.6K | 2001 |
54% |
|
The Golden Bowl | Producer | $3.0M | 2000 |
36% |
|
Cotton Mary |
Director, Producer |
$299.4K | 1999 |
No Score Yet | No Score Yet | Side Streets | Executive Producer | - | 1998 |
80% |
|
A Soldier's Daughter Never Cries | Producer | $1.8M | 1998 |
No Score Yet | No Score Yet | The Tree | Executive Producer | - | 1997 |
32% |
|
Surviving Picasso | Producer | $2.0M | 1996 |
No Score Yet | No Score Yet | The Proprietor | Director | $113.6K | 1996 |
60% |
|
Feast of July | Executive Producer | $292.8K | 1995 |
31% |
|
Jefferson in Paris | Producer | $2.5M | 1995 |
67% |
|
In Custody | Director | - | 1993 |
96% |
|
The Remains of the Day | Producer | $23.0M | 1993 |
94% |
|
Howards End | Producer | $157.9K | 1992 |
82% |
|
Mr. & Mrs. Bridge | Producer | $5.0M | 1990 |
22% |
|
Slaves of New York | Producer | $294.4K | 1989 |
82% |
|
Maurice | Producer | $45.9K | 1987 |
100% |
|
A Room With a View | Producer | $12.0M | 1986 |
No Score Yet |
|
My Little Girl | Executive Producer | - | 1986 |
79% |
|
Heat and Dust | Producer | $19.9K | 1983 |
No Score Yet | No Score Yet | The Courtesans of Bombay |
Director, Screenwriter |
- | 1983 |
44% |
|
Quartet | Producer | $12.0K | 1981 |
No Score Yet |
|
Roseland | Producer | - | 1977 |
No Score Yet |
|
The Wild Party | Producer | - | 1975 |
33% |
|
Savages | Producer | - | 1972 |
No Score Yet |
|
Bombay Talkie | Producer | - | 1970 |
No Score Yet | No Score Yet | The Guru | Producer | - | 1969 |
89% |
|
Shakespeare Wallah | Producer | $3.6K | 1965 |
No Score Yet |
|
The Householder | Producer | - | 1963 |