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Mario Chiari
Trained as an architect, he entered films as an assistant director and scenarist in 1940, but established himself as a leading art director in the following decade. Most closely associated with the work of Luchino Visconti, Chiari first created sets and costumes for his stage plays beginning in 1947, then designed several of his films ("Le Notte Bianche/White Nights" 1957, "Ludwig" 1972) while evolving the lush, ornate style for which he is best known.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| No Score Yet |
|
Yuppies 2 | Art Director | - | 1986 |
| No Score Yet |
|
Clair de Femme | Production Design | - | 1979 |
| 55% |
|
King Kong | Production Design | - | 1976 |
| No Score Yet |
|
Morel's Invention | Film Editing | - | 1974 |
| 94% |
|
The Garden of the Finzi-Continis | Production Design | $753.7K | 1971 |
| No Score Yet |
|
A Man Called Sledge | Production Design | - | 1971 |
| 29% |
|
Doctor Dolittle | Production Design | - | 1967 |
| 33% |
|
The Bible | Art Director | - | 1966 |
| No Score Yet |
|
The Ghost | Art Director | - | 1963 |
| 89% |
|
Barabbas | Art Director | - | 1962 |
| No Score Yet | No Score Yet | Five Branded Women | Art Director | - | 1960 |
| No Score Yet | No Score Yet | Son of the Red Corsair | Production Design | - | 1959 |
| No Score Yet | No Score Yet | Tempest | Production Design | - | 1958 |
| No Score Yet | No Score Yet | This Angry Age | Art Director | - | 1958 |
| No Score Yet | No Score Yet | Mid-Century Loves | Director | - | 1954 |
| 100% |
|
The Golden Coach | Production Design | - | 1953 |
| 100% |
|
I Vitelloni | Production Design | $97.9K | 1953 |
| No Score Yet | No Score Yet | Lawless Cowboys | Film Editing | - | 1951 |
| No Score Yet |
|
Volcano |
Art Director, Set Decoration, Costume Design |
- | 1950 |