Rudolph Maté
Distinguished cinematographer of Hungarian parentage who began his career in Germany in the 1920s. Mate shot several films for Carl Theodor Dreyer, notably the dream-like masterpiece "Vampyr" (1932), before moving to Hollywood in 1934. His expressionist sensibility redeemed several lesser films, like Tay Garnett's "Professional Soldier" (1935), as well as making significant contributions to classics such as Charles Vidor's "Gilda" (1946). Mate turned to directing in 1947, with results ranging from the highly competent to the forgettable; his most famous directorial effort is the riveting 1949 noir standard "D.O.A."
Photos
Rudolph Maté
Filmography
Movies
Credit | |||||
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No Score Yet | No Score Yet | Seven Seas to Calais | Director | - | 1963 |
No Score Yet | No Score Yet | Aliki My Love | Director | - | 1963 |
No Score Yet |
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The 300 Spartans | Director | - | 1962 |
No Score Yet | No Score Yet | The Barbarians | Director | - | 1960 |
No Score Yet |
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For the First Time | Director | - | 1959 |
No Score Yet |
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The Deep Six | Director | - | 1958 |
No Score Yet |
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Three Violent People | Director | - | 1956 |
No Score Yet | No Score Yet | The Rawhide Years | Director | - | 1956 |
No Score Yet |
|
Miracle in the Rain | Director | - | 1956 |
No Score Yet | No Score Yet | Port Afrique | Director | - | 1956 |
No Score Yet |
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The Violent Men | Director | - | 1955 |
No Score Yet |
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The Far Horizons | Director | - | 1955 |
No Score Yet |
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The Black Shield of Falworth | Director | - | 1954 |
No Score Yet |
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The Siege at Red River | Director | - | 1954 |
No Score Yet |
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Second Chance | Director | - | 1953 |
No Score Yet |
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The Mississippi Gambler | Director | - | 1953 |
No Score Yet | No Score Yet | Forbidden | Director | - | 1953 |
No Score Yet |
|
The Green Glove | Director | - | 1952 |
No Score Yet | No Score Yet | Sally and Saint Anne | Director | - | 1952 |
No Score Yet | No Score Yet | Paula | Director | - | 1952 |
81% |
|
When Worlds Collide | Director | - | 1951 |
No Score Yet | No Score Yet | The Prince Who Was a Thief | Director | - | 1951 |
No Score Yet |
|
No Sad Songs for Me | Director | - | 1950 |
80% |
|
Branded | Director | - | 1950 |
No Score Yet |
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Union Station | Director | - | 1950 |
88% |
|
D.O.A. | Director | - | 1949 |
50% |
|
The Dark Past | Director | - | 1949 |
No Score Yet |
|
It Had to Be You | Director | - | 1947 |
90% |
|
Gilda | Cinematographer | - | 1946 |
No Score Yet | No Score Yet | Over 21 | Cinematographer | - | 1945 |
No Score Yet |
|
Address Unknown | Cinematographer | - | 1944 |
92% |
|
Sahara | Cinematographer | - | 1943 |
96% |
|
To Be or Not to Be | Cinematographer | - | 1942 |
No Score Yet |
|
It Started With Eve | Cinematographer | - | 1941 |
29% |
|
The Flame of New Orleans | Cinematographer | - | 1941 |
95% |
|
Foreign Correspondent | Cinematographer | - | 1940 |
86% |
|
My Favorite Wife | Cinematographer | - | 1940 |
80% |
|
Seven Sinners | Cinematographer | - | 1940 |
92% |
|
Love Affair | Cinematographer | - | 1939 |
80% |
|
The Real Glory | Cinematographer | - | 1939 |
No Score Yet |
|
Blockade | Cinematographer | - | 1938 |
No Score Yet | No Score Yet | Youth Takes a Fling | Cinematographer | - | 1938 |
82% |
|
Stella Dallas | Cinematographer | - | 1937 |
91% |
|
Come and Get It | Cinematographer | - | 1936 |
No Score Yet |
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Our Relations | Cinematographer | - | 1936 |
60% |
|
Charlie Chan's Secret | Cinematographer | - | 1936 |
No Score Yet |
|
Dante's Inferno | Cinematographer | - | 1935 |
100% |
|
Liliom | Cinematographer | - | 1934 |
98% |
|
Vampyr | Cinematographer | - | 1932 |
80% |
|
Beauty Prize | Cinematographer | - | 1930 |
98% |
|
The Passion of Joan of Arc | Cinematographer | $6.4K | 1928 |
94% |
|
Michael | Cinematographer | - | 1924 |
TV
Credit | ||||
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No Score Yet | No Score Yet | Zane Grey Theatre | Director | 1960 |
No Score Yet | No Score Yet | Letter to Loretta | Director | 1959 |