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      Critical Condition

      R Released Jan 16, 1987 1 hr. 37 min. Comedy List
      Reviews 35% 2,500+ Ratings Audience Score After faking insanity to avoid jail, a con man (Richard Pryor) poses as a hospital doctor in the chaos of a power failure. Read More Read Less Watch on Fandango at Home Premiered Nov 01 Buy Now

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      Critical Condition

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      Audience Reviews

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      adam b One of those ridiculous 80s films where everyone is as clueless as the main character. Gotta love that classic "said character impersonates someone to either get out of trouble or to exploit, but ends up finding their way along the way, but then eventually is found out and then this said character is forced to tell the truth and redeem themselves" trope. Sadly, this is my first Richard Pryor film (other than the Richard Pryor documentary) but I also know this is one of his weaker films so I will definitely still think highly of the legend. The film itself isn't exactly terrible, there was a couple funny parts and a ok direction but it's definitely still not good Rated 2 out of 5 stars 03/31/23 Full Review Audience Member A fine performance by Richard Pryor surrounded by a solid supporting cast that includes Bob Saget, Garrett Morris, and Ruben Blades cant save this comedy or drama or damedy. It doesn't succeed at any of them. Rated 2 out of 5 stars 02/10/23 Full Review Audience Member It had been awhile since I watched this movie but Richard Pryor was really on his A game back then and a young Bob Saget is just tremendous. Some great 80's laughs to be found here. Rated 3 out of 5 stars 01/29/23 Full Review jesse o This film is proof that sometimes the best stand-up comedians don't really do a great job at making a smooth transition to quality films. For my money, my three favorite stand-up comedians are Bill Hicks, George Carlin and Richard Pryor. The first two aren't in order, but Pryor is. The point is that Richard Pryor, realistically speaking, was probably one of the funniest people to have ever lived and yet you would never know that if you were judging by this movie. And I'm not even saying that this film was bad, surprisingly enough actually. I was surprised to find that I enjoyed some parts of the film. There are parts when Pryor is first mistaken for the ER doctor that are actually pretty manic and I thought that was enjoyable. Pryor having to go from patient to patient and dealing with the ensuing chaos is really where the film is at its best. Of course, it's best isn't ever good enough, but there are some entertaining bits in this movie. Every scene with Garrett Morris, as the helicopter junkie, was entertaining. The hernia scene might have been a little juvenile, but it had its moments. Realistically speaking, Garrett is really the best part about this movie. It's a shame that Garrett never really got much of a break in films, with the exception of some supporting roles here and there, because he is a legit funny dude. And I know he's a cast member on 2 Broke Girls, but I don't watch shit shows. Anyway, the film really doesn't have much of a story and what there is is predictable as all hell. Pryor is, at first, obviously lost since he is not an actual doctor, but as the film progresses his 'unorthodox' methods to the medical profession actually end up helping everyone out. It's a basic story that you've seen and will continue to see for as long as any medium of entertainment exists. It's done no better or worse here, it's just serviceable. Perhaps serviceable isn't even the right term, because it's not like this film offers something where you see that Pryor actually learns something, like maybe the medical profession is more difficult than he made it seem at first. But this movie doesn't even offer that, Pryor learns absolutely nothing about his actions and the fact that he put people's careers and livelihoods at risk due to his ineptitude, if something came to pass to where he messed up majorly, which this film doesn't do, of course. So I felt that they missed a chance to actually do something that resembles actual character development. But they were clearly not interested in that. Which is fine, they were going for something different. The film, much like one would expect, is like a series of skits with a plot thread barely holding it together. And that plot thread is that there's a killer on the loose in the hospital trying to escape from the storm. So, naturally, Pryor saves the day in the climax. It plays out exactly like you would expect. But I liked the film's tone, it's got a light tone and a quick pace, so even though it took me like 4 hours to get through this movie, with various distractions, it never felt like a long movie. Oh and Joe Mantegna has a pretty funny freak-out once he finds out that Pryor's character is running the hospital. That's about it really, I'm kinda surprised that this didn't end up being offensively bad. Again, Richard Pryor's track record, at least in comedies without Gene Wilder, isn't the best. So I was expecting this to be really bad. Color me surprised when I ended up getting a somewhat decent movie. Nothing that I would ever go out of my way to see, but if you've watched every movie in existence except this one, then at least this won't make you pull your hair out or want to punch babies in their fat, stupid faces. That was a joke. Clearly I'm no Richard Pryor. Rated 2.5 out of 5 stars 03/31/23 Full Review Audience Member Cool idea for a movie. Rated 3 out of 5 stars 02/13/23 Full Review william s The jokes are flat and I'm going with the idea Pryor really needed the money as an excuse. Rated 1 out of 5 stars 03/31/23 Full Review Read all reviews Post a rating

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      Critics Reviews

      View All (2) Critics Reviews
      Andrea Beach Common Sense Media Signature crassness serves no purpose in weak '80s comedy. Rated: 2/5 Aug 16, 2016 Full Review Emanuel Levy EmanuelLevy.Com Rated: 3/5 Jun 29, 2005 Full Review Read all reviews

      Movie Info

      Synopsis After faking insanity to avoid jail, a con man (Richard Pryor) poses as a hospital doctor in the chaos of a power failure.
      Director
      Michael Apted
      Screenwriter
      John Hamill, Denis Hamill, David Isaacs, Ken Levine
      Distributor
      Paramount Pictures
      Production Co
      Paramount Pictures
      Rating
      R
      Genre
      Comedy
      Original Language
      English
      Release Date (Theaters)
      Jan 16, 1987, Wide
      Release Date (Streaming)
      May 2, 2008
      Box Office (Gross USA)
      $20.1M
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