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Barcelona

Play trailer Poster for Barcelona PG-13 Released Jul 29, 1994 1h 40m Drama Play Trailer Watchlist
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83% Tomatometer 36 Reviews 80% Popcornmeter 2,500+ Ratings
During the 1980s, uptight Ted Boynton (Taylor Nichols) is a salesman working in the Barcelona office of a Chicago-based company. He receives an unexpected visit from his cousin Fred (Chris Eigeman), a naval officer who has come to Spain on a public relations mission for a U.S. fleet. Not exactly friends in the past, Ted and Fred strike up relationships with women in the Spanish city and experience conflicts -- Ted with his employer, and Fred with the Barcelona community.
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Barcelona

Critics Reviews

View All (36) Critics Reviews
Richard Brody New Yorker An exquisitely composed yet fiercely combative satire (set in the eighties) of European mores as seen through the eyes of two young exemplars of the American establishment. Apr 2, 2012 Full Review Jonathan Rosenbaum Chicago Reader This is fairly amusing stuff-brittle, fresh, and impudent - if you can stomach all the upscale arrogance. Mar 23, 2010 Full Review David Ansen Newsweek The prickly, conservative, jacket-and-tie iconoclasm of Barcelona is like nothing else around. Mar 31, 2008 Full Review Alison Jones and Russell Rhodes Birmingham Mail The movie equivalent of sparkling after-dinner conversation, it's a must for audiences who appreciate cultural observations and scintillating dialogue. Rated: 3/5 Feb 10, 2024 Full Review Nicholas Bell IONCINEMA.com Though reflecting the superficial antics of two self-involved men, Barcelona is a comical analysis of privileged perspectives. Rated: 3.5/5 Oct 8, 2020 Full Review Witney Seibold CraveOnline Stillman's films tend to be about that magical moment when you realize people might actually start calling you on your s***. Jun 3, 2016 Full Review Read all reviews

Audience Reviews

View All (128) audience reviews
Alain E I loved Metropolitan and have rewatched it a couple times since its original release. I never came across this movie until now and I can understand why. The first half effortlessly creates situations that have young people interact, this time including the element of the two American protagonists being in Barcelona and coming in contact with local, mostly female, population. Then, something almost tragic happens. The second half fell flat to my eyes. The acting is okay and the cinematography serviceable. Rated 2.5 out of 5 stars 10/28/24 Full Review Transfer H Was a nice to watch movie Rated 3.5 out of 5 stars 08/21/24 Full Review Diane E I loved this movie! An unexpected gem. The characters were realistic and likable. I wanted to see them find the right romantic partners and find happiness. The one frustration I had with it was right at the end. It all got wrapped up too quickly. I wanted to see a bit of the romance between Ted and Greta developing. Also to see the romance between Fred and Montserrat developing. The whole movie shows the problems they had when they were with the wrong people. Finally they end up with the right people. Yahoo! But the movie doesn't show this happen. It just has a final scene with the couples paired off as they should have been all along, up at The Lake, eating delicious American hamburgers. We're left to fill in all the blanks ourselves. Rated 4 out of 5 stars 07/22/24 Full Review Alec B An examination of a very specific and odd culture clash. Stillman deserves a lot of credit for being able to easily shift from observational comedy to a number of tension fueled sequences Rated 4 out of 5 stars 01/10/24 Full Review Matthew D Effortlessly intelligent and witty with a playful whimsy. Director Whit Stillman's indie romantic comedy-drama Barcelona (1994) is wonderful. Stillman's direction brings a calm atmosphere as we're essentially relaxing in Barcelona, Spain. His structure is fascinating as Barcelona is all dates and hang outs with Spanish girls and conversations between these American cousins, who sort of loathe one another, but remain close as they're quite similar in their uptight manner. I loved the Barcelona scenery in the background with ancient buildings and flamenco and jazz music. The Spanish open sexual culture of casual sleeping around, intellectual conversations, and fun dancing is fascinating. It's a fun film with a serene vibe. Writer Whit Stillman's script is perfect with tons of subtle jokes as these Americans work in Barcelona and romance ladies, while having inane conversations about very complex, adult topics. Barcelona feels mature, but also self aware enough to lambast American yuppies in style. I like how he keeps these romantic affairs very lighthearted with super serious conversations about business, politics, culture, music, history, religion, and philosophy going on and on to the point of absurdity. I found Stillman's writing incredibly intelligent as he clearly has researched these topics extensively, while understanding them enough to make quaint observational jokes about anything discussed. Barcelona is all about these straight laced yuppies talking about serious subject matter in silly ways, while romancing beautiful Spanish women to find their true love. Sillman's delightfully quaint and cozy direction with a brilliant and clever script find their way into my heart. It's so smart and playful. Good on Whit Stillman for producing his own movie and getting something so strange like Barcelona created. I'd recommend Barcelona for fans of Martin Scorsese's After Hours or Greg Mottola's The Daytrippers. Casting directors Billy Hopkins, Simone Reynolds, Consol Tura, Kathleen Chopin, and Marta Valsecchi got two very straight laced American guys and several gorgeous actresses from around the world to play the Spanish ladies in Barcelona. American actor Taylor Nichols is a riot as the ultra awkward American abroad on business Ted Boynton. His stuttering, insecure romantic hero keeps a straight face the entire film. I honestly don't think he smiles ever in Barcelona. He's quite fun when he tries to dissect romantic relationships of American imperialism in business terms or by way of an ant analogy. American actor Chris Eigeman's fast talking Navy man, a constant thief and womanizer, Fred Boynton is the quintessential American yuppie in cinema. He also plays his character straight, only getting upset when the Spanish characters insult America and insinuate they're all violent, stupid, or vulgar. His sensitivity is so pathetic that he is hilarious. Australian actress Tushka Bergen is lovely as the blonde Spanish lady Montserrat Raventos. I was mesmerized by her longing glances and curious nature, but her femme fatale clearly feels mysterious to allure you. Her freewheeling romantic interest is fascinating as she's intelligent, beautiful, but has no interest in leaving her sleazy boyfriend Ramon. I loathed Spanish actor Pep Munné's philandering philosopher and pretentious journalist Ramon. He plays it very well. American actress Mira Sorvino is drop dead gorgeous as the Spanish girl Marta Ferrer. I was amazed by Sorvino's flawless Spanish accent and her enchanting charisma. Her playful personality and enticing flirtiness are delightful. Mira Sorvino makes Marta likable, but also clearly out for herself in the end. English actress Hellena Schmied is pretty and lovable as the sweet natured and loyal Spanish girl Greta. She's clearly a nice love interest for Taylor Nichols' Ted when we meet her. Spanish actress Nuria Badia is beautiful as the Spanish girl Aurora. Her pleasant and eager Aurora Boval, who desires a dangerous love affair, is a blast. American actor and Betty Gilpin's father, Jack Gilpin, is fun as the amiable Consul member, who Fred hates and has to report to in Barcelona. Thomas Gibson gets a funny cameo as Chicago business partner Dickie Taylor Laura López is very cute and friendly as Ted's nice assistant in Barcelona. Edmon Roch's cameo as Javier is funny as he keeps insisting that all is well, even with his sister being late to her own wedding. Editor Christopher Tellefsen's slick cuts breeze through conversations and dates alike for a briskly paced 101 minutes. Cinematographer John Thomas shoots these genuinely breathtaking wide shots of Barcelona, then will give us focused medium shots during the many conversations in Barcelona. I loved his smooth panning and tracking shots that felt slick with a flourish of style. Production designer José María Botines makes Ted's lavish apartment set look cozy and expensive. I loved all the party locations and real historical parts of Barcelona in the backdrop. Composer Mark Suozzo creates tons of dance, classical, flamenco, and jazz music for Barcelona for an eclectic variety of music. Sound designers Licio Marcos de Oliveira and Catherine Benedek make the voices sound clear and the bomb explosions, celebratory fireworks, and sudden gunshots burst into life. Costume designer Edi Giguere really goes over the top with tailored suits, ornate dresses, fitted blouses, and colorful outfits in every scene. Makeup artists Pilar Gatius and Chass Llach ensure each actress looks even more stunning than they already do alongside hairstylists Rose Benavides and Margarida Font's work on the ladies' vivid tresses. In all, Barcelona is a sheer pleasure with clever wit and cute dates. I loved the absurdist humor that makes Whit Stillman's smart writing easy to follow and fun to hear. All of the actresses are charismatic and playful for a very pleasant romantic comedy among the dramatic moments. Rated 5 out of 5 stars 04/06/23 Full Review Steve D No one handles these kinds of characters better than Whit Stillman. completely hilarious. Rated 4 out of 5 stars 02/19/23 Full Review Read all reviews
Barcelona

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Cast & Crew

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Movie Info

Synopsis During the 1980s, uptight Ted Boynton (Taylor Nichols) is a salesman working in the Barcelona office of a Chicago-based company. He receives an unexpected visit from his cousin Fred (Chris Eigeman), a naval officer who has come to Spain on a public relations mission for a U.S. fleet. Not exactly friends in the past, Ted and Fred strike up relationships with women in the Spanish city and experience conflicts -- Ted with his employer, and Fred with the Barcelona community.
Director
Whit Stillman
Producer
Whit Stillman
Screenwriter
Whit Stillman
Production Co
Castle Rock Entertainment, Fine Line Features, Westerly Films
Rating
PG-13
Genre
Drama
Original Language
English
Release Date (Theaters)
Jul 29, 1994, Limited
Release Date (Streaming)
Apr 27, 2016
Box Office (Gross USA)
$7.3M
Runtime
1h 40m
Sound Mix
Surround, Stereo
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