All That Heaven Allows

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Leaburn O 1d Deemed a classic for challenging a taboo of society at the time. Woman was even guy years older than Hudson in real life and that was deemed sufficient to be a shocking plot. To modern eyes this is overwrought melodrama. There are still taboos around older women in relationships, see Macron for example but it’s hardly worthy of an entire storyline these days. So it gets an average rating from me because it has aged ahah terribly but also because Rock Hudson showed about as much charisma as a rock throughout. Watched on DVD. See more Jace T @CineChamber Sep 19 All That Heaven Allows is a fine movie that is a good and decent time. It is an interesting social commentary on the state of relationships between an older woman and a younger man back in the 50's. Many, many people in the modern world would not care about their relationship in such a vile way anymore, so it made it interesting to see the perspective of a different world. See more b s Feb 3 充满了老电影的舒缓。资产阶级寡妇与园丁的“禁忌之恋”，可以看到上世纪中页的保守思潮和社群影响。人是有多难跳出自己的环境啊。可以从生态批评的角度看待这部电影，Ryne热爱树木，喜欢自然生活，像是自然的化身，他的出现解放了Carry资产阶级的无聊，赋予了她生命的新活力，当他们的爱情被环境和子女所阻碍，Carry就陷入郁闷，甚至开始头疼，就像是人离开了自然而不能生存。结局Ryne因为Carry的出现而负伤，Carry也终于意识到不该让彼此之间横亘那些不重要的人和事，那几句点题的台词，真是充满了时代感。“我终于学会了Ryne的不要让不重要的事影响你的态度。”“我也说过那不会是一夜之间学会的。” See more First name L 06/09/2024 A classic I viewed on a whim, color me impressed. It handles a (still) polarizing narrative, examining it from all sides. Though the script can feel contrived, the staging melodramatic, there are few flaws in this film. See more Alec B 11/10/2023 The plot is sometimes silly, but still effective and Wyman's performance has just the right amount of quiet melancholy but the best reason to see the film is for it's visuals. Even if you aren't paying attention to the dialogue, the imagery will command your attention. Sirk seems to be telling a parallel story through the brightly colored cinematography (which always seems to hint at the character's hidden passions) and various items the characters own or exchange with one another. None of this is exactly subtle, although most people seemed to miss it in the 50s. These touches make what could have been a second rate melodrama into a beautiful film. See more Reuben M 06/23/2023 ALL THAT HEAVEN ALLOWS was made in 1955 and is a commentary on a particular portion of America in that time. I suspect that in its time, it seemed more subtle and even provocative than it does 60 years later. So watching this felt a bit more like a "project" than an immersive experience. But it was still enjoyable, and at all times, it was an amazing film to look at. (I have the Criterion Blu Ray...the work they've done on this film is just gorgeous. The colors, especially when it's autumn, are so rich.) Recently widowed Cary (Jane Wyman) lives in her solidly upper middle class home in suburbia in New York, visited on weekends by her college aged son and daughter (although the actors clearly look every year of their actual 24 years, rather than 18 or 19). Her friends (best represented by Agnes Moorehead) are pushing her into selecting a new husband...and the suitors are lined up. Cary is attractive and younger than most of the available women. In an early, startling scene, she attends a country club party where the harassment she faces from some of the bachelors is presented as a kind of horrible dance she has to make it through. Cary navigates it well enough (and I guess in the 50's, it just comes with the territory), but she is a) clearly uninterested in all of these men and b) still has plenty of life left in her. Her daughter, a psych major, talks about the "fact" that with older adults, sexual desire naturally falls by the wayside. Well, not for her mom! Rock Hudson plays Ron, the gardener, who aspires to run a tree farm and live away from societal pressures. He believes a man should live how he wants to and not be ashamed. He also has an eye for the window Cary, and Cary sure has an eye for him. I'll say right here that Rock Hudson is not the world's greatest actor, and most of the chemistry this film generates comes from Wyman. I don't think it has anything to do with what we all found out decades later (Hudson is gay!!), but just that he's a bit wooden in dramas. His lighter films with Doris Day were more in his wheelhouse. However, the two embark on a pretty steamy affair, and eventually, marriage is on the table. Cary has to face the enormous disrespect of her peers the derision of her children and is essentially torn between two choices that seem irreconcilable. To the credit of the film, Wyman's choices actually do seem fraught. It's not so easy for her to cast of what she has known to follow her heart. There are twists and turns of a kind, until a somewhat clunky final few minutes. I realize my tone implies that I didn't care for the film or my experience of it. Despite many flaws, it's an oddly compelling piece. First, it comes in at a brisk 89 minutes...it almost never drags in its pace. Director Douglas Sirk seemed to understand that he could not let this movie become ponderous; it would not bear the weight of too much seriousness. It is also full of irony. The social norms being explored come under pretty harsh but sharp scrutiny. These aren't easy jabs; they are pretty pointed and I found myself really enjoying these moments, especially when Cary is just as aware of the irony as the audience. As I mentioned, the film is gorgeous to look at; please see the Criterion version if you can. During the bonus segments, we see some scenes of the film again, but taken, obviously, from old video tape and we can see just how amazingly this film has been restored. Sirk was known for his careful lighting and design...it shows in all its glory here. And finally, I'd say the film is worth watching for Jane Wyman's performance (and to a far lesser degree, Moorehead). It took me a few minutes to warm to her Cary, but before long, I was rooting for her all the way. And it's a role that could have been done with lots of histrionics and showy acting. But Wyman, guided by Sirk, who actually wanted her sense of stillness specifically, makes Cary a remarkable strong women. Yes, she is torn as to what to do, but her struggles are internal and real. We understand the choices she feels she must make, and with few exceptions, Wyman puts it all out there with remarkable restraint and intelligence. She makes Cary both very "ordinary" and very exceptional at one time. The bonus materials are generally pretty good. There are several longer interviews with an aging Sirk. He's an interesting guy. He rarely smiles or looks back on his life with humor. But he is also brutally honest about evaluating his work, and certainly for someone interested in learning about "auteurs", the bonus info is very worthwhile. See more Read all reviews

All That Heaven Allows

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