Rotten Tomatoes
Cancel Movies Tv shows RT App News Showtimes

Freaks

Play trailer Poster for Freaks 1932 1h 4m Horror Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
95% Tomatometer 59 Reviews 88% Popcornmeter 10,000+ Ratings
When trapeze artist Cleopatra (Olga Baclanova) learns that circus midget Hans (Harry Earles) has an inheritance, she marries the lovesick, diminutive performer, all the while planning to steal his fortune and run off with her lover, strong man Hercules (Henry Victor). When Hans' friends and fellow performers discover what is going on, they band together and carry out a brutal revenge that leaves Hercules and Cleopatra knowing what it truly means to be a freak.
Watch on Fandango at Home Stream Now

Where to Watch

Freaks

Freaks

What to Know

Critics Consensus

Time has been kind to this horror legend: Freaks manages to frighten, shock, and even touch viewers in ways that contemporary viewers missed.

Read Critics Reviews

Critics Reviews

View More (59)
Joe Morgenstern Wall Street Journal [Boasts] some of the most terrifying scenes ever consigned to film. Sep 28, 2015 Full Review Mark Kermode Observer (UK) Browning's sympathies are clear; if there are "freaks" on display here, they are not the versatile performers to whom the title seems to allude. Rated: 4/5 Jun 14, 2015 Full Review Tom Huddleston Time Out One of the most powerful films ever made about the need for humanity and solidarity in the face of cruelty and oppression. Rated: 5/5 Jun 8, 2015 Full Review David Nusair Reel Film Reviews ...an erratic endeavor that grows more and more compelling (and involving) as it unfolds... Rated: 3/4 Nov 7, 2025 Full Review Michael Nordine Film Occasionally That such a daring, transgressive film was made by a major studio in the early ‘30s remains a marvel (thanks, Irving Thalberg); that it irreparably harmed the career of its director is disheartening if not surprising. Oct 24, 2023 Full Review Douglas Davidson Elements of Madness Each one, by nature of the period in which they were released and how audiences responded to them, have a legacy that must be explored, mulled over, and come to terms with if cinema is going to tell honest stories without exploitation. Oct 17, 2023 Full Review Read all reviews

Audience Reviews

View More (1000+)
Rich C. Really liked this film. Rated 4 out of 5 stars 11/05/25 Full Review Isaiah Y One of the most memorable horror films ever made Rated 4 out of 5 stars 10/31/25 Full Review DanTheMan 2 Despite its eleventh-hour butchering by Irving Thalberg, Tod Browning's Freaks does everything in its power to create a sense of community, offering a surprising tenderness and mingling with moments that seem superficial. Still, by the end of the film, one begins to catch their mood, a calm, cold combination of guignol and eerily matter-of-fact. Part of the film's brilliance lies in the fact that the lines between normal and abnormal, us and them, and even morality and immorality, are constantly blurred and reversed. If there are "freaks" on display here, they are not the versatile performers to whom the title seems to allude. Its status as a horror film is dubious at best; a holdover from its contemporary release and disgusting reception, it's more of a character study than anything else. While it does contain some rather horrifying sequences, the film's heart lies in its respect and empathy for such a marginalised group. A genuine rarity about all that is both ugly and beautiful about being human. Something which tragically seemed to have cost Browning his reputation in the process, effectively ending his career. It's disheartening if not at all surprising, given this was an extremely daring and ultimately transgressive film released to an audience from the early 1930s. Combined with Browning's beautifully sympathetic direction and the utterly heart-wrenching performances of Harry Earles and Daisy Earles, Freaks may be one of the most compassionate movies ever made, enough to bring a tear to the eye. Rated 4 out of 5 stars 10/03/25 Full Review Tonatiuh C Tengo la impresión que Freaks es una referencia de culto para los directores de culto, la iconográfía no debería sorprenderme ya con ese status debería haber sido replicada muchas veces en películas, videos musicales e imágenes de todo tipo, el desarrollo de la película es hasta cierto punto aburrido ya que es un poco convencional (para nuestros tiempos), encuadres muy sencillos y el desarrollo de un drama más o menos convencional sólo que con fenómenos de circo hasta que llegan las escenas finales y se nota la diferencia de producción en los efectos de sonido, la posición de la cámara, los planos son más detallados, la escena más memorable para mi fué una que definitivamente fué homenajeada por… Toy Story, mi yo niño habría quedado impactado por la escena final. Rated 4.5 out of 5 stars 09/03/25 Full Review Zeferino P. It wasn’t what I would consider Horror It wasn’t bad It just wasn’t my cup of tea Rated 1.5 out of 5 stars 08/13/25 Full Review Arid S I thought it was ok, plot was not the most entertaining, less about 'freaks' more about some annoying drama. Rated 3 out of 5 stars 09/08/25 Full Review Read all reviews
Freaks

My Rating

Read More Read Less POST RATING WRITE A REVIEW EDIT REVIEW
The Mask of Fu Manchu 78% 51% The Mask of Fu Manchu Watchlist The Devil Doll 79% 71% The Devil Doll Watchlist The Most Dangerous Game 100% 73% The Most Dangerous Game Watchlist Murders in the Zoo 71% 53% Murders in the Zoo Watchlist Mystery of the Wax Museum 93% 63% Mystery of the Wax Museum Watchlist Discover more movies and TV shows. View More

Movie Info

Synopsis When trapeze artist Cleopatra (Olga Baclanova) learns that circus midget Hans (Harry Earles) has an inheritance, she marries the lovesick, diminutive performer, all the while planning to steal his fortune and run off with her lover, strong man Hercules (Henry Victor). When Hans' friends and fellow performers discover what is going on, they band together and carry out a brutal revenge that leaves Hercules and Cleopatra knowing what it truly means to be a freak.
Director
Tod Browning
Producer
Tod Browning, Dwain Esper, Hildegarde Stadie, Irving Thalberg
Screenwriter
Al Boasberg, Willis Goldbeck, Leon Gordon, Edgar Allan Woolf
Distributor
Metro-Goldwyn-Mayer
Production Co
Metro Goldwyn Mayer
Genre
Horror
Original Language
English
Release Date (Theaters)
Feb 20, 1932, Original
Release Date (Streaming)
Oct 18, 2010
Runtime
1h 4m
Sound Mix
Stereo, Mono
Aspect Ratio
35mm, Flat (1.37:1)
Most Popular at Home Now