Robson C
Uma enfermeira é contratada para cuidar da esposa de um rico fazendeiro no Caribe. A esposa comporta-se como uma zumbi, o que leva a enfermeira tentar usar o vodu para curá-la. Quem espera ver um filme de terror como os atuais, pode se decepcionar. Na verdade, ele encara uma produção B de Hollywood, porém com uma belíssima fotografia, um ambiente de mistério e tensão e uma história de amor. Um romance gótico e noir em pleno Caribe. O terror está em toda a ambientação das práticas vodu que, com certeza, deve ter amedrontado o público da época. Porém o personagem Carrefour ainda impressiona. É o típico romance onde temos uma mulher disputada por dois irmãos e, logo depois, surge uma outra, causando mais tensão. É uma produção classuda e atemporal.
Rated 4/5 Stars •
Rated 4 out of 5 stars
06/09/25
Full Review
Elvis D
Después de que Jacques Tourneur provocara tensión en el público con The Cat People, se aventuró al mundo del vudú con I Walked With A Zombie. Esta película muy rara vez suele ser asociada con el cine zombie debido a cómo la imagen de los muertos vivientes ha cambiado con el pasar de los años. Pero esta es una película destacable por ser uno de los primeros antecedentes de los zombies antes de que llegara la versión de George A. Romero. A pesar de ser una película de bajo presupuesto, Jacques logro producir una interesante historia que involucra el lore de los zombies originales que se basan en el vudú. Al igual que Betsy, nos adentramos en la historia sin saber nada sobre Jessica y su condición. La película brinda indirectas que dan una idea de las razones por la que alguien convirtió a Jessica en zombie. Ya desde el inicio se puede predecir la situación que motivo a alguien a convertir a Jessica en zombie, pero no se sabe exactamente quién es el responsable. Hay que ver toda la película para averiguarlo y se enfoca mayormente en el drama aunque con toques de intriga para entrar en calor. El primer encuentro con Jessica ya es de por sí aterrador y todo sobre el diagnóstico de ella es un misterio hasta que llegar más de la mitad de la película. La historia se torna más oscura y siniestra cuando Betsy decide visitar el houmfort y las siguientes escenas son dignas de pesadilla. Carrefour logra inspirar miedo con su tétrica apariencia y es lo más aterrador de la película. La narrativa tiene un buen ritmo y funciona como si se tratara de una obra de literatura. Aunque no es muy claro cómo Jessica se convirtió en zombie, todo eso solo se puede decir por las indirectas y actitudes de los personajes. El final incluso requiere de lo que se puede entender del comportamiento de los personajes. Además, los últimos diálogos dejan un interesante significado sobre los que es ser un zombie en sentido metafórico. Se podría decir que la película no tiene defectos y es bastante prolija. Nada más está el detalle donde en el ritual usan una muñeca y se nota bastante el hilo que la arrastra. Quizás decir que es una de las mejores películas de zombies sería darle demasiado crédito, pero es una película que vale la pena por su buena representación del mito de los zombies vinculado al vudú. Por eso I Walked With A Zombie es otro de los trabajos más destacables de Tourneur y merece gran parte de su reconocimiento. Mi calificación final para esta película es un 8/10.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/09/25
Full Review
William N
This really is one of my favorite flicks. Val Lewton's RKO stuff is classic psychological horror. Tom Conway has an excellent part in it, Sir Lancelot does a pretty good turn as the singer doing a version of "Shame & Scandal."
Rated 5/5 Stars •
Rated 5 out of 5 stars
10/10/23
Full Review
Matthew B
I Walked with a Zombie firmly belongs to the category of suggestive horror, although there is an argument for saying that it is not a horror movie at all. It deals in voodoo, and it is about a zombie, both familiar elements in horror movies. However the story is more about supernatural than horrific events. The film does have the look of a horror movie however, with its use of shadows and disconcerting effects.
The film was one of many produced by Val Lewton, a man who took a great interest in making understated horror movies that traded in ambiguity rather than outright scares. Made on a very low budget, Lewton's films have come to be seen as some of the best horror movies of the 1940s, and a few of them deserve to be remembered among the greatest horror movies ever made.
The best of Lewton's movies were made by Jacques Tourneur, a talented French film director, I once heard described as a ‘dime store Hitchcock'. Tourneur did not get the same opportunities as Hitchcock, but he had a knack for transforming potentially poor movies into adequate ones, and potentially adequate movies into good ones.
Some of the elements in I Walked with a Zombie threaten to be the ingredients of a poor movie. The acting is only adequate, and sometimes bland. The story is recycled from elements of Jane Eyre with perhaps a hint of East of Eden. The short running time results in a script that is somewhat underwritten.
However, in Tourneur's hands these ingredients are turned into something surprisingly effective. The director builds up an atmospheric tale. Remembering the movie afterwards, I think of the shadows, the sound of the wind in the grasses, the blowing of the conch, and the incessant drumbeat.
Most of all I think about the flowing white dress of the zombie, and her face without expression, looking like somebody who is uninterested in her surroundings or thinking about something else. When she and her nurse pay a visit to the Hounfour (the Voodoo temple), my eyes are drawn to her lifeless immobile face rather than to that of her curious and nervous nurse whose eyes dart anxiously around as she watches the rituals.
One important theme in I Walked with a Zombie is the conflict between scientific rationalism and old-fashioned superstition, and the film offers only an equivocal answer as to which is correct. Is Jessica Holland a zombie or a mental patient? What is the correct way to cure her? Tom Holland is a rationalist who dismissively regards voodoo as a childish fantasy. Wesley Rand and the black population of San Sebastian preserve their belief in the supernatural.
The movie is about one who should be dead yet is somehow living, but the movie is even more about those who should be living but who are dead within their lives. The characters are trapped by their past, and this is preventing them from moving on with their lives.
This even applies to the plantation workers who are descendants of slaves who were brought to San Sebastian against their will to work on the Holland sugar plantation. The natives weep when a child is born because they have not forgotten the ‘miserable burden of slavery' as Paul calls it.
In little more than an hour, I Walked with a Zombie has managed to condense into its running time a number of themes. We have seen how rational scientific beliefs are still being challenged by the superstitious beliefs of old, and how the living are still held in the clutches of those who have died.
These themes are underwritten due to the movie's short running time, but this is not necessarily a weakness. The viewer is left to fill in the gaps, and to consider these issues at their own leisure. Even setting these themes aside the film works well as a creepy and mysterious tale of the supernatural, and Jacques Tourneur makes good use of a small budget to deliver a visually memorable film.
I wrote a longer appreciation of I Walked with a Zombie (with spoilers) on my blog page if you are interested in reading more: https://themoviescreenscene.wordpress.com/2017/11/12/i-walked-with-a-zombie-1943/
Rated 5/5 Stars •
Rated 5 out of 5 stars
08/25/23
Full Review
Leaburn O
Quite a decent horror type film from the 40s. A lot to digest and a quick moving plot help keep you interested. Not great but not bad for an hour.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
05/18/23
Full Review
martin f
For the title alone I was expecting a B-movie but I was all wrong! This movie is an elegant horror movie that built slowly its story, even if the final twist felt a little predictable. Some scene gives you genius thrill, as the director seems to love slow apparition in the dead of the night. For a 40's movie, there is a surprising respect for the voodoo culture here even if we can find some outdated culture commentary toward the African people. It's a zombie movie before The Night of the Living Dead and you can feel that with its more ghostly approach to the genre. The zombies are cold automatons wandering like specters.
Rated 4/5 Stars •
Rated 4 out of 5 stars
03/30/23
Full Review
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