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La Dolce Vita

Play trailer 2:05 Poster for La Dolce Vita Released Apr 19, 1960 2h 55m Drama Play Trailer Watchlist
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95% Tomatometer 79 Reviews 90% Popcornmeter 25,000+ Ratings
In Federico Fellini's lauded Italian film, restless reporter Marcello Rubini (Marcello Mastroianni) drifts through life in Rome. While Marcello contends with the overdose taken by his girlfriend, Emma (Yvonne Furneaux), he also pursues heiress Maddalena (Anouk Aimée) and movie star Sylvia (Anita Ekberg), embracing a carefree approach to living. Despite his hedonistic attitude, Marcello does have moments of quiet reflection, resulting in an intriguing cinematic character study.
La Dolce Vita

What to Know

Critics Consensus

An epic, breathtakingly stylish cinematic landmark, La Dolce Vita remains riveting in spite of -- or perhaps because of -- its sprawling length.

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Critics Reviews

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David Stratton The Australian [La Dolce Vita] propelled Fellini into the front rank of international directors. Jun 12, 2020 Full Review Guardian Staff Guardian The western cinema has needed for a long time its own kind of healthy puritanism to counter that from the east - notably Poland - and with directors like Fellini and Karel Reisz it now seems that it is getting it. Apr 10, 2020 Full Review Eric Rhode Sight & Sound Fellini admits to having a confused sense of values, to being as uncertain as a child. Why then does he try to make realist films? It's a great pity; for if La Dolce Vita had beenless grandiose and more private and personal it might have worked. Feb 10, 2020 Full Review Gerri Major Jet Magazine Fellini is noted for his mastery of contrasts, his uncanny ability to find off-beat and bizarre occurrences which expose both the little and gross facets of life... Its impact is violent. Its irony is grim. Its wit is sardonic. Its pathos is awesome. Jan 17, 2024 Full Review Pauline Kael Massachusetts Review La Dolce Vita wants to be a great film -- it cries out its intentions -- and it’s frequently clever, as in the statue hanging from the helicopter, and it’s sometimes effective, as, near the end, when Marcello throws the feathers. And that is all it is. Sep 11, 2023 Full Review Keith Garlington Keith & the Movies With “La Dolce Vita” Federico Fellini has created a masterpiece that feeds off of every aspect of the cinematic experience. Rated: 5/5 Aug 22, 2022 Full Review Read all reviews

Audience Reviews

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Rare T This film is like a time capsule that preserves the Rome of the 1960s: its landmarks, its views, its people, their stories, their fashion, their art and music… It may seem long, but one has to get into the spirit of La Dolce Vita, and that is in reference to the title as much as it is to what it stands for. The cinematography is magnificent, and perhaps that is what preserved Federico Fellini’s masterpiece throughout all these decades. The story lacks structure, but Fellini’s touch is what assures the viewers that that is okay as long as the camera is telling a story, one for each episode. Even if hypothetically the film lacked a story, it would still be worth watching just for the cinematography and camerawork. It may not be the greatest movie of all time, but it is one of the absolute greatest especially in Italian cinema, and for that is a valuable piece of history. Rated 4 out of 5 stars 06/05/24 Full Review Abe A The Italian The Great Gatsby. Actually, change that: The European The Great Gatsby. They both make essentially the same point, in different ways. Fitzgerald the hedgehog; Fellini the fox. The (postwar) Roaring Twenties; The (postwar) Swinging Sixties. Fitzgerald is the poet of one big convergent idea that arrives at a single point; Fellini is the master of scenes and scenecraft (as Dostoevsky does in his novels) that oscillate around the idea and close a circle. You probably won’t see another movie like this again—I haven’t—but my most pressing impression of this is that Fellini is a genius of the cinematic image, of the cinematic scene, of the cinematic idea, of the cinematic symbol, perhaps less so (in this movie) of the rigorous organization of form, nor of the most abstract ideas. With Godard, and perhaps Resnais—Fellini is the most visual, the most ‘cinematic’ of all auteurs. The scene with the character exits near the end, with the crown of feathers, is just one of the truly great scenes that permeate this ‘string of spectacular scenes’ that is La Dolce Vita. Not the greatest, but certainly one of the very greatest, movies ever made. Rated 4.5 out of 5 stars 04/28/24 Full Review Panayiota K I loved the sequence with Anita Ekberg and i appreciate the message of this movie but it was so long. So many longueurs of scenes Rated 2.5 out of 5 stars 07/13/23 Full Review Kev F A unique storytelling style that consistently delivers the same message, La Dolce Vita is still relevant for today's society. It is filled with emotions, varieties, and thoughts. Rated 4.5 out of 5 stars 07/09/23 Full Review Alexsander F Filme espetacular, como sempre diálogos sensacionais sobre à vida e críticas à burguesia da época. Rated 5 out of 5 stars 07/03/23 Full Review Georgan G Felt like I was in a class about cinema getting ready to watch this classic. My best guess is this is about what brings happiness. Certainly, the focus is on one man's life trying the hedonistic route, which absolutely is not the answer. Nice seeing all the women searching for the truth with or without men. Rated 3 out of 5 stars 05/29/23 Full Review Read all reviews
La Dolce Vita

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Movie Info

Synopsis In Federico Fellini's lauded Italian film, restless reporter Marcello Rubini (Marcello Mastroianni) drifts through life in Rome. While Marcello contends with the overdose taken by his girlfriend, Emma (Yvonne Furneaux), he also pursues heiress Maddalena (Anouk Aimée) and movie star Sylvia (Anita Ekberg), embracing a carefree approach to living. Despite his hedonistic attitude, Marcello does have moments of quiet reflection, resulting in an intriguing cinematic character study.
Director
Federico Fellini
Producer
Angelo Rizzoli, Giuseppe Amato
Screenwriter
Federico Fellini, Ennio Flaiano, Pier Paolo Pasolini, Tullio Pinelli
Distributor
Republic Pictures, American International Pictures, Astor Pictures Corporation
Production Co
Cinecittà, Pathé Consortium Cinéma
Genre
Drama
Original Language
English
Release Date (Theaters)
Apr 19, 1960, Original
Release Date (DVD)
Sep 21, 2004
Runtime
2h 55m