Mirrormask

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Stephen C @bob25009 Sep 18 Success in 1 hour and 36 minutes!!!!!!!!! Rated PG for Some Mild Thematic Elements and Scary Images!!!!!!!!!!!!!!!!!!!! The USA grossed over $865,000.00!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! See more Nicolette P. @LittleMissActress Jun 30 However beautiful the cinematography is, the movie itself drags on. It’s messy. See more Korra N Jun 29 Wildly inventive, bizarre & just a wonder to watch unfold. See more Sara T 07/12/2024 Love this slightly tilted coming-of-age story with creepy visuals and alluring music. As an elder millennial, for me this movie touches on the feeling of watching Wizard of Oz as a child mixed with Pan’s Labyrinth. A solid favorite of mine. See more CKB 09/16/2023 Mirrormask is worth watching as a celebration of visual creativity in film for its own sake. On a budget of only $4 million, the filmmakers came up with an amazing array of effects on the cheap that beautifully blend live actors with CGI magic. But the storyline is cold and strange, leaving you feeling oddly cheated by the end. Designer/director Dave McKean and writer Neil Gaiman, working with The Henson Company, first considered making a prequel to Dark Crystal or a sequel for Labyrinth, but decided to do something new that was somehow "Jim Hensonish". They cooked up a coming-of-age fantasy about a girl named Helena working out her mother-daughter conflict, which went very much outside the experience of these two men, and it shows. Helena is a compulsive drawer, and her long dream sequence fittingly takes place inside the graphic world she has created. Unfortunately, the filmmakers used artwork by McKean, whose dark, gritty style works far better for Batman graphic novels than for representing the fantasies of an adolescent girl. Thus the extended dream sequence is threatening and creepy in a too-masculine manner. Whereas the girl in Labyrinth clearly wins over a batch of potentially threatening beings with her nice yin approach, the critters helping Helena always seem capable of turning on her the next moment. And there are ever-present cat-thingies with disgusting men's faces -- what girl would ever imagine cats this way? The relationships between people are distant and disconnected, and the mother-daughter exchanges would fit a Dickens novel better than a 21st-century screenplay (at one point the hospitalized mom actually recites the "girl with a curl" nursery rhyme to her distraught daughter). The ending seems very un-right: after Helena's nightmare, she learns her mother is cured and her dreamer dad says everything will be all right, at which a narrator proclaims "And it was!" But this 'all right' means Helena stays with her goofy parents' dumb little circus, and a cute young guy straight out of her dream shows up to join it; in other words, sheer fairy tale stuff. Looks like this girl is never going to grow up -- so much for becoming an independent adult. See more Nawt W 03/13/2023 For being the supposed spiritual descendant of Labyrinth, this movie strangely tries to overcomplicate a coming-of-age story by wrapping it around absolutely frivolous psychological concepts that barely complement the movie's oddball storytelling style. Which is such a weird choice. Why not keep the story simple but visually stylized? Why does this story need egos, shadows, and a bucket of half-assed projections that never amount to anything because every five minutes the plot moves onto another subplot and an outlandish location they made up on a computer? The actors do a good job, though, and the soundtrack is intrusive and memorable and fits the visuals admirably. But nothing in this movie will stick with me because its art style makes the whole thing seem like a blurry slush in the end. See more Read all reviews

Mirrormask

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