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      Not Quite Hollywood: The Wild, Untold Story of Ozploitation!

      R Released Jul 31, 2009 1 hr. 43 min. Documentary List
      95% 65 Reviews Tomatometer 80% 1,000+ Ratings Audience Score As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves. Read More Read Less Watch on Fandango at Home Premiered Nov 22 Buy Now

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      Not Quite Hollywood: The Wild, Untold Story of Ozploitation!

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      Not Quite Hollywood: The Wild, Untold Story of Ozploitation!

      What to Know

      Critics Consensus

      A raucous, fast-paced celebration of the Ozploitation films that came out of Australia in the 1970s and 1980s.

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      Audience Reviews

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      michael d Some entertaining stories for sure but overall kinda meh. Rated 2.5 out of 5 stars 03/30/23 Full Review Audience Member Great documentary about some amazing films out of Australia. Great presentation. Amazing content. Rated 5 out of 5 stars 02/15/23 Full Review Audience Member A mediocre documentary about old B movies from Australia. It's certainly niche, and was fun enough, but it wasn't particularly educational in anything that I personally cared to learn about. Rated 3 out of 5 stars 02/19/23 Full Review Audience Member The Ozploitation explosion from the 1960's to the 1980's brought about some of the best underground filmmaking that cinema had to offer. Whether it be action-oriented, horror-themed, pornographic, or just downright gonzo, the underground Australian film community had it going on, pumping out gem after gem. Not Quite Hollywood takes a look at that timeframe, with gusto. It focuses on the filmmakers and not necessarily the effects of the films that they made, although they do touch on that just a bit. There are a great number of interviewees, including Brian Trenchard-Smith, Quentin Tarantino, George Miller, Jamie Lee Curtis, Stacy Keach, George Lazenby, Russell Mulcahy, James Wan, and many of the people (actors, directors, and film critics alike) involved in the Australian film industry at the time. It doesn't attempt to provide an argument about these films in either a positive or negative light. While the film critics that are interviewed give their brutally honest opinions, others might praise the films. In other words, it allows the films to speak for themselves. The film is a well-oiled machine with nothing taken for a granted. Because of the deliberate pace of the editing, you're constantly engaged at all times and there's hardly ever a shot that lasts more than five seconds. It's a terrific documentary overall. Rated 4.5 out of 5 stars 01/26/23 Full Review sean l A quick-hits love letter to "Ozploitation" films, the stampede of cruddy cut-rate B movies bred by the Australian cultural craze of the 70s and 80s. It's well-produced, with loads of shiny transitions and a few familiar faces on the couch (Quentin Tarantino, unsurprisingly, is an energetic fan) but it's all cut together with the short attention span you might expect from an episode of VH-1's I Love the 80s. A bunch of talking heads, mostly non-celebrities, gushing about their favorite cinematic turds like a kid on a sugar rush. At least they're passionate about the subject. That whirlwind of mid-sentence breaks left me feeling dizzied and weary, though, with its constant, breakneck topic shifts, and eventually drained the premise dry. The clips can be very funny, in a "how did that get filmed" sense, but it's easy to get the impression that we're really seeing the only worthwhile shreds of these bombs, and by the end it was all starting to feel a bit boring and redundant. Still, true to the era, there's plenty of footage to fill a solid fifteen-minute devotion to gratuitous nudity, so it does have that going for it. Rated 2.5 out of 5 stars 03/30/23 Full Review Audience Member A documentary about Australian exploitation film boom of the 70s. Hilarious and absolutely wild. I think pretty much everyone involved with every film, cast or crew, was interviews. Occasionally it becomes too much and moves too fast. First 20 minutes have more nudity than I've seen in years of films combined. The whole thing is a wild ride. RECOMMENDED. Rated 3.5 out of 5 stars 02/16/23 Full Review Read all reviews Post a rating

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      Critics Reviews

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      Wesley Morris Boston Globe This is as insightful a glimpse into a country's cinema as you're likely to see at this running time. Rated: 3/4 Aug 20, 2009 Full Review Peter Hartlaub San Francisco Chronicle It's all very foul, and completely entertaining. Rated: 3/4 Aug 14, 2009 Full Review John Hartl Seattle Times Not Quite Hollywood is jammed with well-preserved clips of the Aussie movies that started pushing the limits after censorship was essentially dropped in 1971. Rated: 3/4 Aug 14, 2009 Full Review Nikki Baughan Roll Credits It's a triumph of documentary making, and a truly entertaining movie in its own right. Rated: 5/5 Nov 4, 2019 Full Review David Harris Spectrum Culture An entertaining love letter to the sex and slasher films that emerged from the land down under. Rated: 3/5 Oct 9, 2019 Full Review Martin Unsworth Starburst This is a documentary worth checking out. If you're remotely interested in exploitation movies, or indeed, world cinema itself, it's invaluable and thoroughly entertaining. Rated: 9/10 Dec 15, 2017 Full Review Read all reviews

      Movie Info

      Synopsis As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
      Director
      Mark Hartley
      Executive Producer
      Nick Batzias, Bruno Charlesworth, Jonathan Shteinman, Paul Wiegard
      Screenwriter
      Mark Hartley
      Distributor
      Magnolia Pictures
      Production Co
      Magnolia Pictures, Film Victoria, Australian Film Finance Corporation, Madman Entertainment, SBS Independent, City Films Worldwide, Melbourne International Film Festival
      Rating
      R (Sexuality|Graphic Nudity|Drug Use|Some Language|Violence and Gore)
      Genre
      Documentary
      Original Language
      English
      Release Date (Theaters)
      Jul 31, 2009, Limited
      Release Date (Streaming)
      May 8, 2012
      Box Office (Gross USA)
      $19.4K
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