Otoshiana

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10/27/2020 Neorealist yet also surreal. It's a unique blend of social criticism and the paranormal, all tied together artfully. See more 12/18/2016 Teshigahara's first feature is strikingly original, from the impressive blend of long shots and unusual angles to the very strange plot. The latter involves a war deserter turned labouring miner who finds himself in the wrong place at the wrong time and is stabbed to death by a mysterious man in a white suit and gloves. Rising as a ghost, he observes (but can't interfere with) the efforts of the press and police to find his killer - and suspicion naturally falls on his identical double, a union official. If it sounds as though I've given away too much about the plot, this probably doesn't matter because the film continues to surprise (and delight) with its weirdness. Teshigahara called it documentary-fantasy and perhaps it does take a rather matter-of-fact approach to the proceedings (unique camera moves aside, of course), even when they are unrealistic. He followed up with Woman in the Dunes (1964) and Face of Another (1966), both highly stylized and also scripted by novelist Kobo Abe, who wrote Pitfall as well. A sixties artefact to be sure but still refreshing today. See more 01/07/2015 for the epic ending, this is realy a good movie, it was confused at the beginig while the director focus on the workers and the painful work they do as sleeves. but it takes to another subject. i loved the child. that instinict he has, and it had been completly explained at the ending scene. See more 08/28/2013 Director Teshigahara's movie is filled with dark metaphoric symbolism about afterlife in a wasteland. See more 12/29/2012 A social/political drama involving a mysterious murder plot and the ghost of the man killed trying to figure out what happened to him. Strange, but very interesting. See more 06/21/2012 "Otoshiana (Pitfall)" [1962] was the feature film debut of avant-garde Japanese filmmaker Hiroshi Teshigahara (1927-2001). It is the direct precursor to his masterpiece "The Woman in the Dunes (Suna no onna)" [1964]. Although not quite as poetic as its immediate successor, "Pitfall" is no less complex, but moves much more quickly, and clearly displays the influence of the Spanish surrealists on Teshigahara, especially filmmaker Luis Bunuel and artist Salvador Dali. The film is a delectable stew of genres, mixing documentary-fantasy with ghost story with social realism with political critique with allegory with investigative procedural with murder mystery with conspiracy thriller...all done to interesting and rewarding effect. A typically haunting and resonating score from Toru Takemitsu perfectly complements Kobo Abe's screenplay, Hiroshi Segawa's cinematography, and Teshigahara's direction. Great for repeat viewings. See more Read all reviews

Otoshiana

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