Rotten Tomatoes
Cancel Movies Tv shows FanStore News Showtimes

Poor Cow

Play trailer Poster for Poor Cow Released Jan 31, 1968 1h 41m Drama Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
50% Tomatometer 16 Reviews 79% Popcornmeter 250+ Ratings
A young woman has many failed relationships, including a union with a thief that produces a son.

Critics Reviews

View All (16) Critics Reviews
Pauline Kael New Yorker The low life is suffocated in tastefulness. Jul 6, 2022 Full Review Richard Roud Guardian If I hadn't seen Poor Cow with my own eyes, I would never have believed that a film with so much to offer could ultimately be so downright awful. Mar 20, 2018 Full Review David Jenkins Little White Lies Moody, poetic and artful. Another side of Ken Loach. Rated: 4/5 Jun 26, 2016 Full Review James Mottram Total Film As a portrait of a struggling mum it's spot-on. Rated: 3/5 Jan 3, 2017 Full Review MFB Critics Monthly Film Bulletin Not even Carol White as Joy, glowing with vitality and beautifully modulating the heroine's different moods, can make of Poor Cow more than a superficial, slightly patronising incursion into the nether realms of social realism. Mar 14, 2015 Full Review Amber Wilkinson Eye for Film Poor Cow is certainly a gritty portrayal of life on the breadline in the late Sixties, shot in a documentary style, but that does not mean that it is wholly downbeat. Rated: 3.5/5 Mar 14, 2015 Full Review Read all reviews

Audience Reviews

View All (17) audience reviews
Audience Member Carol White stars as a young working class woman with a new child and married to John Bindon, a callous young thief who shows her little affection or regard. Bindon ends up going to jail and she takes up with Terence Stamp, a friend of Bindon's who's also a thief, but shows her legitimate affection. They are happy for a while, but he's arrested and sentenced to a few decades in jail. She drifts around with several jobs and men until Bindon gets out and she moves back in with him. Ken Loach's first feature film is a fairly rambling and clearly improvised film that paints a pretty grim and remorseless picture of a class of people that seem to have literally no options. It's best known these days for being used in "The Limey" as flashbacks to Stamp's past. Rated 3.5 out of 5 stars 02/01/23 Full Review Audience Member Damning representation of what being poor means in 60's Britain. The constant struggle of the single mum is superbly represented in a pseudo documentary style. Rated 3.5 out of 5 stars 02/06/23 Full Review Audience Member Typical British kitchen sink drama as a young woman goes from one bad relationship to another Rated 3 out of 5 stars 02/10/23 Full Review Audience Member A young mother from the poor side of England struggles to find some happiness by falling in love with the wrong men and making the wrong decisions. Despite Ken Loach's affinity to working class storytelling and a stand out music score by none other than Donovan, this film cannot get past its unlikeable characters and its dead moments that make the film inevitably seem a little overstretched. Rated 3 out of 5 stars 01/24/23 Full Review eric b Director Ken Loach's first feature is an insightful but somewhat shapeless portrait of a vivacious young woman (Carol White) struggling to raise a baby in a dingy English neighborhood. Within the opening minutes, her husband is sent to prison after a bungled robbery. She soon latches onto a second man (Terence Stamp) but, unfortunately, he too has been pressed into a life of crime. He is more sensitive to her needs but also is sentenced before long, which means Stamp fans may be frustrated with his lack of screen time. From there, our heroine takes a job in a rowdy pub, dabbles in cheesecake modeling and tries to fill her relationship void with casual lovers. There is no moral lesson here -- this is just how a woman on her own manages to stay afloat. The story fades out inconclusively. Donovan provides a few tunes for the soundtrack (Stamp himself sings "Colours"), and various other pop songs are heard throughout -- almost as if a crew member's transistor radio is randomly playing in the background. The effect is a bit ragged, and further shaky elements include the girl's sporadic narration, an odd decision to close with a documentary-style interview and some awkward title cards that rarely add useful information. The lighting often seems too warm and pleasing for the story's gritty tone, but an initial childbirth scene and an overgenerous amount of toddler nudity add some controversy. "Poor Cow" usually gets lumped with its era's "kitchen-sink" movement, but there are much better examples of the genre to seek out. Rated 3 out of 5 stars 03/31/23 Full Review Audience Member Interesting older movie. Main character, Joy, manages to be equally sympathetic and unlikeable! You watch this girl make one bad choice after another, yet the consequences aren't quite as bad as you are waiting for. In one way it is good, she is a stupid girl, but you can't seriously wish bad on her, even when she kind of deserves it. On the other, you wait for a culmination of her actions which doesn't quite pay off. I guess it is lifelike in that way. On a shallow note, I enjoyed the 60's hair and make up. Very glam too look at, even though the story was definitely not! Rated 3.5 out of 5 stars 02/22/23 Full Review Read all reviews
Poor Cow

My Rating

Read More Read Less POST RATING WRITE A REVIEW EDIT REVIEW

Cast & Crew

Flesh 75% 51% Flesh Watchlist Therese and Isabelle 55% 58% Therese and Isabelle Watchlist Oedipus Rex 89% 77% Oedipus Rex Watchlist Faces 85% 87% Faces Watchlist Discover more movies and TV shows. View More

Movie Info

Synopsis A young woman has many failed relationships, including a union with a thief that produces a son.
Director
Ken Loach
Producer
Joseph Janni
Screenwriter
Ken Loach, Nell Dunn, Nell Dunn
Distributor
National General Pictures, Universal Pictures
Production Co
Vic Films Productions Ltd., Anglo-Amalgamated Productions, The National Film Finance Corp., Fenchurch
Genre
Drama
Original Language
British English
Release Date (Theaters)
Jan 31, 1968, Wide
Runtime
1h 41m