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State of Siege

Play trailer Poster for State of Siege 1972 2h 0m Mystery & Thriller Drama Play Trailer Watchlist
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75% Tomatometer 8 Reviews 89% Popcornmeter 500+ Ratings
Assigned to work in South America, United States official Philip Michael Santore (Yves Montand) is employed by an agency involved in counterinsurgency tactics. Santore's position makes him a target for a local band of guerrillas, and, before long, he is kidnapped. As a prisoner, Santore undergoes interrogation, shedding light on the violent situation in the country. Once the insurgents are done with their questioning, they must decide whether Santore lives or dies.
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State of Siege

Critics Reviews

View All (8) Critics Reviews
Penelope Gilliatt The New Yorker The picture deliberately hacks away all possibility of plot suspense. The grip of the story is in the possible twists and turns that casuistry can take, and it has two fine, inquiring minds controlling it. Jan 23, 2024 Full Review David Wilson Sight & Sound Characteristically, Costa-Gavras is unable to resist the opportunist tricks of the skilled exponent of political melodrama. Mar 18, 2020 Full Review Noel Murray The Dissolve Costa-Gavras captures how it feels to live under martial law, and how even some committed populists will scrap their ideals to protect their comfort and privilege. Rated: 4/5 Jun 2, 2015 Full Review Cole Smithey ColeSmithey.com Living by the sword always means dying by the same blade... Rated: FIVE STARS Mar 29, 2022 Full Review James Kendrick Q Network Film Desk Rather than playing into the prejudices and biases of any one political stripe, State of Siege boldly dares to look at both sides, finding both fault and virtue. Rated: 3.5/4 Jun 22, 2015 Full Review Fernando F. Croce CinePassion Purposefully frustrating Yankee-Go-Home pamphlet Jun 11, 2012 Full Review Read all reviews

Audience Reviews

View All (21) audience reviews
Audience Member Critique of "State of Siege" (1972): Sloganeering and Formal Bias The 1972 film State of Siege, while attempting to depict a crisis within the political and social landscape of its time, suffers from numerous structural and conceptual shortcomings. Its character development is excessively shallow and clichéd, with characters defined more by lifeless, slogan-like dialogues than by dramatic actions. This approach prevents the audience from forming a deep emotional connection with the characters, leaving the story devoid of human and psychological complexity. In terms of narrative, the film relies too heavily on dialogue and fails to provide a deeper analysis of the socio-political situations it seeks to portray. It appears that the filmmaker, instead of weaving a multilayered story, aimed to convey a specific message in a direct and unsubtle manner. This approach not only diminishes the film's impact but also renders many scenes artificial and unconvincing. One of the film's noteworthy formal elements is its visual depiction of murder scenes. In these moments, the victims are often shown in long or medium-long shots, while the perpetrators are captured in close-ups. This stylistic choice could reflect the filmmaker's inclination toward empathy with the killers or, at the very least, a focus on their motivations and circumstances. Such a portrayal pushes the victims into the background, placing the killers at the forefront of attention. This technique invites various interpretations regarding the filmmaker's political and ideological leanings. Nevertheless, the lack of balance in the depiction of these scenes and the absence of comprehensive analysis prevent the film from presenting a clear and convincing stance on violence and power. Ultimately, State of Siege is a film that, due to its sloganeering and weaknesses in dramatic structure, fails to achieve lasting resonance. Instead, it serves primarily as a historical document reflecting the political cinema trends of the 1970s. Rated 2 out of 5 stars 12/10/24 Full Review acsdoug D Purveys the tired leftist trope that a handful of Americans can show up and take a country of millions of people where it doesn't want to go. it wasn't true then, it isn't true now, and it is incredibly insulting to the citizens of those countries. Still, a good story could be told from that viewpoint - Oliver Stone's "Salvador" is a an excellent film. This film, however, lacks nuance, all the members of the government are evil incarnate. It makes for a rather dull two hours. Rated 2 out of 5 stars 02/29/24 Full Review Joel C A very politically driven film about South American guerrillas kidnapping targets who they believe are involved in torture tactics, in particular a US communication specialist. The film moves fast and talks faster, relying on the viewer to keep up. Almost a documentary feel it tells the story well with sometimes hundreds of extras on screen moving with seemingly un-choreographed fashion. Rated 3.5 out of 5 stars 03/20/21 Full Review Audience Member Loved it! Such a great dramatic history of covert US interference in repressive puppet regimes of South America Rated 5 out of 5 stars 02/23/23 Full Review Audience Member State of Siege has the usual rhythm of any other Gavras affair, but fails in comparison to Z and The Confession for its emotional nakedness and considerable lack of tension in comparison. Rated 4 out of 5 stars 01/14/23 Full Review Audience Member Neatly put together from realistic events. Another great political thriller, in the vein of corrupted government and the revolutionare "spanish" coffee terrorists. Rated 4 out of 5 stars 02/27/23 Full Review Read all reviews
State of Siege

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Movie Info

Synopsis Assigned to work in South America, United States official Philip Michael Santore (Yves Montand) is employed by an agency involved in counterinsurgency tactics. Santore's position makes him a target for a local band of guerrillas, and, before long, he is kidnapped. As a prisoner, Santore undergoes interrogation, shedding light on the violent situation in the country. Once the insurgents are done with their questioning, they must decide whether Santore lives or dies.
Director
Costa-Gavras
Screenwriter
Franco Solinas, Costa-Gavras
Genre
Mystery & Thriller, Drama
Original Language
Canadian French
Release Date (Streaming)
May 27, 2015
Runtime
2h 0m
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