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The Brother From Another Planet

Play trailer Poster for The Brother From Another Planet R Released Sep 7, 1984 1h 44m Sci-Fi Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
89% Tomatometer 28 Reviews 75% Popcornmeter 2,500+ Ratings
"The Brother" (Joe Morton) is an alien and escaped slave on the run from his home planet. After he lands in New York City, he tries to adapt to life on the streets of Harlem. Although the Brother is mute, he does have great abilities at fixing machines, and he gets a job. As the Brother tries to blend in with his new culture, he finds an apartment and gradually makes friends. Meanwhile, he is pursued by two agents from his home world who are intent on returning there with him.

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The Brother From Another Planet

The Brother From Another Planet

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Critics Consensus

Featuring director John Sayles trademark humanity and an expressive performance from Joe Morton, The Brother from Another Planet is an observant, dryly comic sci-fi gem.

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Critics Reviews

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Paul Attanasio Washington Post Sayles is no storyteller; despite the verve of its language, "The Brother From Another Planet" eventually sags of its own weight. Jan 4, 2018 Full Review Dave Kehr Chicago Reader The two different ends require shifts in point of view that are beyond Sayles's talent as a visual storyteller, and the film does not cohere. Jun 4, 2007 Full Review Variety A vastly amusing but progressively erratic look at the Harlem adventures of an alien, a black E.T. Jun 4, 2007 Full Review Tom Meek Cambridge Day ...this one, something of a B-ish sci-fi dramadey, provides laughs as it provokes. Rated: 3/4 Aug 7, 2020 Full Review M.V. Moorhead Phoenix Magazine [A] charmingly low-tech sci-fi indie. Feb 18, 2020 Full Review Josh Larsen LarsenOnFilm ...nearly topples over from the weight of its social commentary. Rated: 3/4 May 19, 2017 Full Review Read all reviews

Audience Reviews

View All (192) audience reviews
Audience Member Joe Morton is an alien in an unknown world….literally! He plays an extraterrestrial escaping from his home planet from slavery and ends up on Earth in NYC Everything is foreign to him and he’s mute He makes his way around but is rather skilled at fixing machinery as well as being an expert seducing women But two bounty hunters from his same planet track him down to take him back Morton really sells this character relying entirely on facial expressions and hand gestures thanks to John Sayles’ direction There’s a lot of personality he coveys without being verbal This shows that even an individual from somewhere far away can find peace and freedom re-looking at our own society It’s more low-tech sci-fi than anything yet has enough of its social commentary of racial prejudice to stand on its own It’s the immigrant experience of assimilation as it were Rated 4 out of 5 stars 09/08/24 Full Review Audience Member The Brother From Another Planet R (nudity and killing) - fantasy and action Sciencefiction Aliens Rated 5 out of 5 stars 05/28/24 Full Review kev k In comparison to modern movies, should be ten stars out of five. You actually care whether the MC lives or dies. The movie has a message, yes, but it makes it's points while never forgetting someone bought a ticket expecting to be entertained. The kind of movie no one in Hollywood is capable of making today Rated 5 out of 5 stars 08/27/23 Full Review Taylor L The Brother from Another Planet is chock full of acting talent that would come into their prime once they were firmly middle-aged - Joe Morton in the lead role, with minor performances from a screeching David Strathairn and even an uncredited Giancarlo Esposito. Extras working on this film reportedly called it "the black E.T. movie", and that's not exactly an unfair comparison to make (and not just because he can make his hands glow and can't speak English). A mute alien slave crash lands on Earth, trying to make his way in society as his story parallels the broad strokes of the immigrant experience, or a modern slave flight. It's not the only movie to make the connection that "illegal alien = actual alien", with stories like Alien Nation and District 9 following similar paths. There's a bit of a modern bent to it (scenes of drug addiction and the general malaise of the working class in the '80s), and the film really has an empathetic portrayal with the confused perspective of Morton's nameless extraterrestrial. Seeing the welcoming pull of a local bar where he's affectionately called "brother" despite acting oddly and nobody there actually knowing him is one of the more sincere portrayals of the first-generation immigrant experience you can hope to see. The film gets a bit sloppy later on, not only with a pair of black-clad, greasy-hair alien slavecatchers that are oddly comical instead of intimidating, but when the film turns more into a series of loose vignettes rather than a really cohesive or impactful story. Still a neat concept. (3/5) Rated 3 out of 5 stars 01/24/23 Full Review georgan g This older film is still the most unique combo of sci fi and anti-racism I've ever seen. It's low budget so don't expect exciting special effects. The main character never speaks but still does some great acting. Rated 3.5 out of 5 stars 03/31/23 Full Review adam j. p Cult classic. Truly enjoyed this years ago, and still think it stands the test of time. Rated 4 out of 5 stars 03/30/23 Full Review Read all reviews
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Movie Info

Synopsis "The Brother" (Joe Morton) is an alien and escaped slave on the run from his home planet. After he lands in New York City, he tries to adapt to life on the streets of Harlem. Although the Brother is mute, he does have great abilities at fixing machines, and he gets a job. As the Brother tries to blend in with his new culture, he finds an apartment and gradually makes friends. Meanwhile, he is pursued by two agents from his home world who are intent on returning there with him.
Director
John Sayles
Producer
Peggy Rajski, Maggie Renzi
Screenwriter
John Sayles
Distributor
IFC Films
Production Co
A-Train Films
Rating
R (Some Drug Content|Language|Brief Nudity)
Genre
Sci-Fi
Original Language
English
Release Date (Theaters)
Sep 7, 1984, Wide
Rerelease Date (Theaters)
Apr 5, 2002
Release Date (Streaming)
Jan 19, 2017
Runtime
1h 44m
Sound Mix
Stereo
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