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The Devil, Probably

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85% Tomatometer 20 Reviews 77% Popcornmeter 500+ Ratings
The film journeys back to explore the lead-up to Charles' (Antoine Monnier) death after his body is found in a cemetery, shot in the head. Increasingly frustrated by life and the world around him, Charles finds no respite in the work of his environmental activist friend, Michel, shown through mini-documentaries. He sleeps with Michel's girlfriend, Alberte, finding a similar void. Religion and psychoanalysis fail to repair Charles' nihilist outlook, and he hires a gunman to end his life.
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Critics Reviews

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J. Hoberman ARTINFO.com One of the great Robert Bresson's greatest, and least-seen, movies. May 22, 2014 Full Review Jonathan Rosenbaum Chicago Reader Not a masterwork perhaps, but certainly the work of a master, and, judging from the work of many of his young French disciples (including Leos Carax), one of his most influential features. Mar 5, 2013 Full Review Michael Wilmington Chicago Tribune Bresson, as always, holds on to that grace, gives us that beauty. While watching this great rapt film, with its hideous vision of a moral void, we almost can see light flickering in darkness, feel a spirit descending. Rated: 4/4 Mar 5, 2013 Full Review Armond White National Review Moral mystery and theological speculation set Bresson apart from slasher-movie schlockmeisters. The stark, edgy yet sensual style is bracing, not spooky. Sep 28, 2024 Full Review Sean Burns Crooked Marquee If you find your way onto Bresson’s frequency, his films can feel like they’ve transcended cinema’s inherent artifice and found a purer, more exaltedly spiritual mode of storytelling. Oct 17, 2023 Full Review Jesús Fernández Santos El Pais (Spain) Robert Bresson works with ideas first and actors second, therefore, his characters chat, love, and confess like ambiguous intellectual beings. They never thrill or move us. [Full Review in Spanish] Jul 31, 2019 Full Review Read all reviews

Audience Reviews

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Dmitriy A good movie, recommended Rated 4 out of 5 stars 09/19/24 Full Review Audience Member Robert Bresson was known for his austere style, which focused the camera on the hands and feet of people doing actions and avoided psychologizing. His films often raised spiritual questions and he seemed particularly interested in the problem of undeserved suffering. One of his most famous films, Au Hasard Balthazar, 1966, is about a donkey and its harsh existence. Bresson seems to be in awe of those who persist through suffering unbowed although they may end defeated or dead (or very occasionally they succeed, as in A Man Escaped, 1956, about a prison break). However, The Devil, Probably, is a more difficult case. In this film, the young protagonist, Charles, doesn't actually suffer much himself - however, he sees the environmental degradation of the world around him (pollution, unrestricted logging, nuclear weapons, etc.) and he knows that it will lead to the suffering of all humankind. He investigates various solutions, religion, political action, marriage, escape into sex/drugs but finds them wanting, although his friends vary in terms of their reactions to the oncoming despair. None of them, however, show any emotion, which is another aspect of Bresson's style (said to heighten the viewer's reactions); the actors are taught to be as inexpressive as possible, and here they are nearly somnambulant. In the end, Charles chooses suicide, not because his own life is hopeless but because the world is a dead end. Or so we can conclude from what is really a very sterile (and bleak) intellectual exercise. The young people around him are concerned about Charles (whose fate we know from the very start of the film) but they seem powerless to stop him (or perhaps they understand him all too well). The ending is rather horrific after a sombre 90 minutes of mundane actions and some ambiguous talk. Only a brief scene on a bus where a few other riders chime in, like a Greek chorus, to suggest that it is the Devil (probably) who is responsible for the world's decline, contains any spark -- and if by Devil, we mean human weakness, then I would elevate the level of probability to certainty. Depressingly relevant, forty years on. Rated 3.5 out of 5 stars 02/04/23 Full Review Audience Member Bresson's style is all there and it is clear that he wants to make a direct statement in what turns out to be a very political film, but sadly his usual austerity feels a bit off with the kind of story he wants to tell, and so the result seems more pretentious than it is compelling. Rated 2.5 out of 5 stars 02/14/23 Full Review Audience Member 7.0/10, my review: http://wp.me/p1eXom-2gC Rated 3.5 out of 5 stars 02/16/23 Full Review Audience Member Dire, depressing film much admired by some. Rated 3 out of 5 stars 02/27/23 Full Review Audience Member Like Vagabond and Memories of Matsuko, our protagonist is dead at the start of the film, but unlike those other films, you'll find it hard to sympathise with their demise. A "too intelligent" for this world Eco-warrior who thinks he's superior to others, has had enough of the world and gets his druggy mate to shoot him. Rated 2.5 out of 5 stars 02/05/23 Full Review Read all reviews
The Devil, Probably

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Movie Info

Synopsis The film journeys back to explore the lead-up to Charles' (Antoine Monnier) death after his body is found in a cemetery, shot in the head. Increasingly frustrated by life and the world around him, Charles finds no respite in the work of his environmental activist friend, Michel, shown through mini-documentaries. He sleeps with Michel's girlfriend, Alberte, finding a similar void. Religion and psychoanalysis fail to repair Charles' nihilist outlook, and he hires a gunman to end his life.
Director
Robert Bresson
Producer
Stéphane Tchalgadjieff, Daniel Toscan du Plantier
Screenwriter
Robert Bresson
Distributor
New Yorker Films
Production Co
GMF Productions, Sunchild Productions
Genre
Drama
Original Language
Canadian French
Release Date (Theaters)
Apr 7, 1978, Original
Rerelease Date (Theaters)
Sep 20, 2024
Release Date (DVD)
Oct 1, 2015
Box Office (Gross USA)
$13.1K
Runtime
1h 35m