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      The Mad Genius

      Released Nov 7, 1931 1h 21m Drama List
      Reviews 57% Audience Score Fewer than 50 Ratings A crippled Russian ballet master (John Barrymore) tries to keep his pupil (Donald Cook) away from a girl (Marian Marsh). Read More Read Less

      Critics Reviews

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      María Luz Morales (Felipe Centeno) La Vanguardia (Spain) With a complex character, John Barrymore demonstrates, once again, his size as a full-body artist, and puts in his accent and gesture all his dramatic power. [Full Review in Spanish] Feb 29, 2020 Full Review Read all reviews

      Audience Reviews

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      Valerii Ege D Love can be an obstacle sometimes. To reach success, you need to thrust aside love and focus. The movie is not that good, yet the premise has a 21st-century energy. Could have been a perfect movie nowadays. Rated 2.5 out of 5 stars 11/13/23 Full Review Audience Member This film feels a little like a Tod Browning production, with John Barrymore in the role of a dark, twisted man that we could imagine Lon Chaney playing for Browning, but it's actually directed by Michael Curtiz. Barrymore leads a ballet troupe and jealously guards his young protégé (Donald Cook), who he's raised from a boy since essentially stealing him from his abusive peasant father (Boris Karloff, briefly). He wants to use him to live out his own frustrated dreams of being a great dancer. He has no problem supplying the young man with lovers from the troupe, but doesn't want him to form any attachments, for fear it will impact his artistic abilities, and also of course because he's afraid of losing control. Enter Marian Marsh, a sweet young dancer who he falls in love with, thus setting up the central conflict in the film. When he's not busy trying to control the young man, Barrymore is up to no good elsewhere. He supplies drugs to his conductor (Luis Alberni), who is desperately addicted. He makes it clear to young ballerinas (Mae Madison and later Carmel Myers) that if they want to get ahead, they need to "see him" in his private office. He also berates his secretary (Charles Butterworth, who provides some comic relief with his bumbling), responding to one of his ideas by saying "It's incredible. It's unbelievable... that there should be any human being living who is such a stupid ass." Barrymore is excellent throughout the film and turns in a performance that dominates, though Cook and Marsh are reasonably good as well. The brief segments of ballet scenes, often in practice, show realistic and solid dancing. The film starts strong, but loses a little bit of its steam in the second half, and not completely living up to its potential. The direction from Curtiz is great, with creative shot angles and editing, but the plot is a little simple. It's hard to believe I'd say that a film with open drug use, predatory sexual behavior, and an axe murder wouldn't be dark enough, and yet, somehow I wanted more. Maybe I've been watching too many pre-code movies lately. Rated 3.5 out of 5 stars 01/13/23 Full Review Audience Member A talented entertainer with the heart of the grinch, cannot fathom anything but the fame which success brings. Unfortunately his success comes from manipulating others to perform to the levels which he cannot - due to a crippled leg. This makes all around him lonely, bitter, or resentful... yet the show must go on. Watch for Butterworth to steal a few scenes. Rated 4 out of 5 stars 01/25/23 Full Review Read all reviews Post a rating

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      The Mad Genius

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      Movie Info

      Synopsis A crippled Russian ballet master (John Barrymore) tries to keep his pupil (Donald Cook) away from a girl (Marian Marsh).
      Director
      Michael Curtiz
      Screenwriter
      J. Grubb Alexander, Harvey F. Thew
      Production Co
      Warner Bros.
      Genre
      Drama
      Original Language
      English
      Release Date (Theaters)
      Nov 7, 1931, Original
      Release Date (DVD)
      Oct 20, 2015
      Runtime
      1h 21m