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      David Wasco

      David Wasco

      Highest Rated: 94% Smooth Talk (1985)

      Lowest Rated: 24% Freedomland (2006)

      Birthday: Not Available

      Birthplace: Not Available

      Production designer David Wasco has earned substantial critical acclaim and shaped the look and feel of such major films as "Pulp Fiction" and "Rushmore." Born and raised in Vermont, Wasco first moved to New York City in 1972 to work as an industrial designer. A decade later, he earned his first screen credits assisting the production designer on the fantasy film "The Beastmaster" and as set designer on the immigrant drama "El Norte." His first production designer credit was in the mid-1980s for the drama "Smooth Talk," featuring Laura Dern as a sexually precocious teen. He continued to work steadily, eventually forming a team with his wife, set decorator Sally Reynolds-Wasco. The two collaborated on all of Quentin Tarantino's films, from the sparsely decorated warehouse of "Reservoir Dogs" to the period German sets of "Inglourious Basterds." They also applied their precise touch to such Wes Anderson films as "Bottle Rocket," "Rushmore," and "The Royal Tenenbaums." Other work they've done for directors known for their demanding visions includes "Collateral" for Michael Mann and "Heist" for David Mamet. Because of their architectural and design expertise, the Wascos have even collaborated on exhibits for the Los Angeles Museum of Contemporary Art as well as the Smithsonian.

      Filmography

      Movies

      Credit
      81% 84% Molly's Game Production Design $28.7M 2017
      91% 81% La La Land Production Design $151.1M 2016
      25% 41% Fifty Shades of Grey Production Design $166.1M 2015
      83% 71% Seven Psychopaths Production Design $15.0M 2012
      74% 35% Rampart Production Design $969.2K 2011
      89% 88% Inglourious Basterds Production Design $120.5M 2009
      64% 26% Stop-Loss Production Design $10.9M 2008
      24% 25% Freedomland Production Design $12.5M 2006
      86% 84% Collateral Production Design $100.0M 2004
      84% 89% Kill Bill: Vol. 2 Production Design $66.2M 2004
      85% 81% Kill Bill: Vol. 1 Production Design $70.1M 2003
      81% 89% The Royal Tenenbaums Production Design $52.4M 2001
      68% 59% Heist Production Design $23.5M 2001
      53% 32% Bounce Production Design $36.8M 2000
      90% 91% Rushmore Production Design $17.1M 1998
      88% 85% Jackie Brown Production Design $39.6M 1997
      66% 61% She's So Lovely Production Design $7.3M 1997
      36% 64% Killing Zoe Production Design $30.6K 1994
      53% 61% Oleanna Production Design $120.2K 1994
      92% 96% Pulp Fiction Production Design - 1994
      90% 94% Reservoir Dogs Production Design $2.5M 1992
      No Score Yet 45% Twister Production Design - 1989
      94% 46% Smooth Talk Production Design - 1985
      79% 58% Night of the Comet Set Decoration - 1984
      No Score Yet No Score Yet Goldy: The Last of the Golden Bears Deputy (Character) - 1984
      92% 82% El Norte Set Designer,
      Set Dresser
      - 1983