William A. Fraker
An elder statesman of cinematography traditionally trained in the old style of the Hollywood cameraman, William A Fraker successfully bridged the gap to the newer freedoms and technological innovations of modern cinema, all the while actively campaigning to enhance the status of the director of photography within the industry power structure. His maternal grandmother, father and uncle had all worked as still photographers within the studio system, and he resolved at an early age to be a cameraman. After attending the University of Southern California's film school on the GI Bill and finding himself frozen out of The Camera Guild, Fraker scraped by as an editor at various television production companies and took non-union camera jobs shooting inserts and stock footage. He finally began as a loader in 1954 on the ABC series "The Lone Ranger" and subsequently spent over seven years on "The Adventures of Ozzie and Harriet" (ABC), rising from second assistant to operator during that time. He has often expressed his appreciation for director-star Ozzie Nelson: "If there's any success I've achieved or will achieve, I attribute the major portion of it to Ozzie."
Photos
William A. Fraker
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
11% |
|
Waking Up in Reno | Cinematographer | $261.6K | 2002 |
13% |
|
Town & Country | Cinematographer | $6.7M | 2001 |
37% |
|
Rules of Engagement | Cinematographer | $61.3M | 2000 |
23% |
|
The Island of Dr. Moreau | Cinematographer | $27.7M | 1996 |
No Score Yet |
|
There Goes My Baby | Cinematographer | $84.1K | 1994 |
74% |
|
Tombstone | Cinematographer | $55.9M | 1993 |
95% |
|
Visions of Light: The Art of Cinematography | Unknown (Character) | - | 1993 |
28% |
|
Memoirs of an Invisible Man | Cinematographer | $13.4M | 1992 |
64% |
|
Honeymoon in Vegas | Cinematographer | $33.5M | 1992 |
94% |
|
The Freshman | Cinematographer | $20.7M | 1990 |
44% |
|
An Innocent Man | Cinematographer | $20.0M | 1989 |
No Score Yet | No Score Yet | B.L. Stryker: The Dancer's Touch | Director | - | 1989 |
67% |
|
Baby Boom | Cinematographer | $25.4M | 1987 |
27% |
|
Burglar | Cinematographer | $15.2M | 1987 |
53% |
|
SpaceCamp | Cinematographer | $9.1M | 1986 |
60% |
|
Irreconcilable Differences | Cinematographer | - | 1984 |
94% |
|
WarGames | Cinematographer | - | 1983 |
48% |
|
The Best Little Whorehouse in Texas | Cinematographer | - | 1982 |
No Score Yet |
|
The Legend of the Lone Ranger | Director | - | 1981 |
83% |
|
Sharky's Machine | Cinematographer | - | 1981 |
100% |
|
Divine Madness | Cinematographer | - | 1980 |
39% |
|
1941 | Cinematographer | - | 1979 |
53% |
|
Old Boyfriends | Cinematographer | - | 1979 |
86% |
|
Heaven Can Wait | Cinematographer | - | 1978 |
67% |
|
American Hot Wax | Cinematographer | - | 1978 |
90% |
|
Close Encounters of the Third Kind | Cinematographer | $3.1M | 1977 |
11% |
|
Exorcist II: The Heretic | Cinematographer | - | 1977 |
61% |
|
Looking for Mr. Goodbar | Cinematographer | - | 1977 |
25% |
|
Gator | Cinematographer | - | 1976 |
No Score Yet |
|
Aloha, Bobby and Rose | Cinematographer | - | 1975 |
73% |
|
Rancho Deluxe | Cinematographer | - | 1975 |
No Score Yet |
|
Coonskin | Cinematographer | - | 1975 |
No Score Yet |
|
A Reflection of Fear | Director | - | 1973 |
No Score Yet |
|
Dusty and Sweets McGee | The Cellist (Character) | - | 1971 |
89% |
|
Monte Walsh | Director | - | 1970 |
43% |
|
Paint Your Wagon | Cinematographer | - | 1969 |
98% |
|
Bullitt | Cinematographer | - | 1968 |
97% |
|
Rosemary's Baby | Cinematographer | - | 1968 |
63% |
|
Games | Cinematographer | - | 1967 |
63% |
|
Incubus | Cinematographer | - | 1966 |