Blood Feast

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Vojin V "He died a fitting death, like the garbage he was". The movie had weird dialogue, every character seemed dimwitted. The plotline didn't go anywhere. The acting was horrible. The movie did get 5-6 belly laughs out of me and I was never really bored. The music was decent. Overall not a bad watch. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 06/29/25 Full Review Anthony D Is it good? Yes. Is it bad? Oh, without a doubt. You must go in knowing that it's not going to be quality cinema. But, it's going to be fun. Even of the fin is in how bad it is. Rated 5/5 Stars •  Rated 5 out of 5 stars 06/26/25 Full Review Nick O Grab some raw meat, red paint and don’t be late for your first class…Gore101. Oh, and don’t forget your barf bag! Rated 5/5 Stars •  Rated 5 out of 5 stars 05/22/25 Full Review Audience Member This movie is the definition of so bad, it’s good. The whole movie feels like a parody horror movie you would see within a tv show. This was my first dive into Herschell Gordon Lewis’s work, and it somehow severely disappointed me, while also impressing me with how bad it was. I look forward to watching more! Rated 2/5 Stars •  Rated 2 out of 5 stars 06/24/24 Full Review Wayne K To help add a bit of context to a recent podcast episode my friend and I were doing on Herschell Gordon Lewis' Two Thousand Maniacs, I watched the film he'd made the year before, Blood Feast. A simpler story, but with similar production values, acting quality and dialogue. These days, it's far less impressive than the average straight to Netflix horror film, but you need to look at it in the circumstances of the time. The blood, the gore, the threat, the supernatural elements. Back in the mid-60s, while films were still subject to some level of censorship, these things would have been difficult to find, and very appealing for this reason. It's undoubtedly a product of its time, and watching it with modern sensibilities might dilute its impact. But it's an indicator of where HGL's career was about to go, and why he left the mark he did on the world of exploitation cinema. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 05/21/23 Full Review Audience Member Emblematic illustration of a SPLATTER for avant-garde Kitsch collectibles: we are still in a pantomime of the silent expressionist. "Irreverence" Grand Guignol speaks to Alfred Jarry's Pataphysics. A mosaic of very small and rigid skits that look at the radio situation comedy; the final scene turns more 'ever in the usual cinema. It is so absurd that it can awaken attention from the armchair. Particular note: the aseptic insistence of the shots on bodily decay like tribal banquets. You're not quite sure if you're at the butcher's or a crazy jeweler. It is really meat. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 02/12/23 Full Review Read all reviews

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