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Suave Fulvio (Marcello Mastroianni) woos women as he and the Sublime Brothers, 20 of them, attempt revolution in 1816 Italy.
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Critics Reviews

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Michael Brooke Sight & Sound This wittily rumbustious, almost operatic film offers a stirring reminder of a time when European filmmakers regularly engaged with serious political ideas, without compromising their cinematic creativity. Jul 26, 2018 Full Review Emilie Black Cinema Crazed European history drama with Italian cinema sense Rated: 4/5 Mar 12, 2024 Full Review Eddie Harrison film-authority.com …this period historical drama provides an excellent vehicle for the singular talents of Marcello Mastroianni… Rated: 4/5 Feb 26, 2024 Full Review Antonio Lara El Pais (Spain) Allonsanfan is not a masterpiece, and doesn't pretend to be, but its intention and message deserved to be mentioned and encouraged. [Full Review in Spanish] Jul 23, 2019 Full Review Emanuel Levy EmanuelLevy.Com Not as good as Padre Padrone or Night of the Shooting Star, but this early Taviani feature is elevated by the performance of Marcello Mastroianni. Rated: B Mar 8, 2012 Full Review Read all reviews

Audience Reviews

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Audience Member Thought-provoking, with an excellent protagonist and epic music. A real masterpiece. Rated 4 out of 5 stars 02/06/23 Full Review Audience Member It is my first encounter with Taviani brothers' work, my instant gut-feeling is that this surrealistic political-drama about a traitor's ill-fated fallout is perhaps blemished by the incompatibility of our generation, I reluctantly pigeonhole it to those films inevitably go astray from their glorious road along the unstoppable torrent of time! Marcello Mastroianni this time around employs a substantially anti-hero persona opponent to his more audience-friendly role as the marquee Italian dream-lover. An abnormally bitter repugnance exudes from his character brims with all the screen time and I can sense a tint of misogyny levitating in the air with an inexplicably compelling thespian vibe. The lesser characters are all one-dimensional notwithstanding, a feral Lea Massari (from THE ADVENTURE) still could draw some attention for her very underdeveloped role. All the sectors are somehow quirky enough to create certain discontinuity in the narrative, which could be a deliberate novelty at that time, but fails to leave sympathetic impression throughout, plus without the adequate stewing time, I might wonder it might be too hasty for audience to ruminate or even reflect the actual happening in the film, especially for a foreigner. One could not deny the elaborate endeavor of the whole team behind, this film could be better if it had gotten rid of its excessive patronizing stances and do a more subtle character study. Also I didn't take the title, as Allonsanfan is just a stiff supporting character played by a wooden Stanko Molnar, is their any subtextual meaning here? Wish some ace could help me out here! Rated 2.5 out of 5 stars 02/05/23 Full Review Audience Member Morricone is a true hero of music composition (ask Tarantino and his continuous tradition of ripping off world stuff) and his flawless creation exalts the status of this magnificent masterpiece by the underrated Taviani brothers. Accurate, passionate and incredible performances by an equally underrated Italian cast except for the already loved Mastroianni, all of them impersonating men of idealistic bravura and unavoidable melancholy of the past. Pitch-perfect cinematography and ironies throughout in a movie set in uproarious political times. <i>Dirindindiiiin Dirindindiiiin Dirindindiindiindiindiindiiiin Dirindindiiiin Dirindindiiiin Dirindindiindiindiindiindiiiin Dirindindiiiin Dirindindiiiin Dirindindiindiindiindiindiiiin Dirindindiiiin Dirindindiiiin Dirindindiindiindiindiindiiiiiiiiiin</i> 99/100 Rated 5 out of 5 stars 01/22/23 Full Review Audience Member It ws dfifficult to retire for Marcello Mastroianni in thois movie. Rated 3 out of 5 stars 02/23/23 Full Review bill t On the video box of Allonsafan, I noticed that someone had written in small letters, "Boreing". So, was it? On the whole, I am not the biggest fan of Italian films, and Marcello Mastrianni I always feel is his and miss. But actually, Ansofan isn't as bad a film that many people perceive it to be, although it essentially goes all over the place, the film is somewhat entertaining. Mastrianni is certainly OUT there playing a member of a criminal gang. He wants to go straight, but members of his gang keep showing up every time he's trying to go straight. He also has a son to think about! And his love life! Nevertheless, the gang members seem to follow him like a bad rash, even when he tries to kill the annoying pests. What this all is supposed to mean is rather confusing, and the ending is pretty predictable if you've been paying attention to this love/hate relationship thing Mastrionni has got going. Not entirely boring, but then again, not entirely comprehensible either. Rated 3 out of 5 stars 03/30/23 Full Review Audience Member Il film è ambientato negli anni della Restaurazione. Narra di un aristocratico lombardo Fulvio Imbriani (ex giacobino ed ex ufficiale napoleonico) che viene rilasciato dopo una lunga detenzione nelle carceri austriache in quanto affiliato alla setta dei Fratelli Sublimi. Riparato nella villa di famiglia viene poi raggiunto dalla sua donna, Charlotte che si adopra per convincerlo assieme agli ex compagni di lotta a preparare una spedizione rivoluzionaria nel Meridione. Lo scetticismo di Fulvio lascia libera la sorella, Esther, di denunciare i congiurati. Nel tentativo di arresto Charlotte trova la morte e i congiurati riescono a fuggire. I funerali di Charlotte sono l'occasione per definire gli ultimi preparativi prima di partire per il Mezzogiorno. Nel Sud, lo sparuto drappello verrà massacrato dai soldati e dai contadini.[wikipedia] Rated 2 out of 5 stars 01/18/23 Full Review Read all reviews
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Cast & Crew

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Movie Info

Synopsis Suave Fulvio (Marcello Mastroianni) woos women as he and the Sublime Brothers, 20 of them, attempt revolution in 1816 Italy.
Director
Paolo Taviani, Vittorio Taviani
Producer
Giuliani G. De Negri
Screenwriter
Paolo Taviani, Vittorio Taviani
Genre
Drama
Original Language
English
Runtime
1h 40m
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