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      Comes a Bright Day

      2012 1 hr. 35 min. Romance List
      38% 8 Reviews Tomatometer 33% 100+ Ratings Audience Score Sam (Craig Roberts) and Mary (Imogen Poots) discover they are meant for each other while they are held hostage in a jewelry store. Read More Read Less

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      Comes a Bright Day

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      Audience Reviews

      View All (18) audience reviews
      Audience Member Great actors but one plothole about 'Sam Smith' saying he's from Camden and raised by his friends parent with a heavy Welsh accent had me giggling a little. Love Craig Roberts voice tho and he is a talent. Rated 3 out of 5 stars 02/17/23 Full Review Audience Member The writing is pretty much nonsensical and the movie fails to settle on a tone Rated 2 out of 5 stars 01/15/23 Full Review Audience Member I don't quite know what to make of this movie. Rated 3 out of 5 stars 02/27/23 Full Review Audience Member I didn't find it too bad, but it's kind of slow. I appriaceted very much the cast, which does its best despite the all situation is not so accurate. More than a drama or crime story this movie is a dark fairy tale, but it needed more salt in it. Rated 3 out of 5 stars 02/03/23 Full Review Audience Member A holed up heist-gone-wrong drama set in a posh London jewelry store that manages to be both real and artistically beautiful, with compelling characters and great acting. Loved it. Rated 5 out of 5 stars 01/22/23 Full Review Audience Member Situations in Which You Cannot Impress the Girl My Netflix queues, both disc and streaming, are crammed with dramas, foreign films, and things helpfully labeled "classics." Every now and again, I go through the streaming options and look at literally every comedy the site is willing to offer me. By and large, most of these fit into either the category of "wow, that looks stupid" or "that doesn't look like a comedy." Sometimes, there is the bonus of "hey, both!" This one did not look like a comedy, and I was not disappointed. It's moderately funny in places, but I wonder how many of the negative reviews it seems to have accumulated are related to people feeling lied to about the existence of a comedy here where there really wasn't one. This is a drama, and there's no getting around that. It's not even as funny as [i]Hamlet[/i], which is considerably funnier than most people give it credit for. Sam Smith (Craig Roberts) works in a ritzy hotel. He is the assistant to Mr. Morgan (Geoff Bell), the manager (I think). Mr. Morgan can get you anything you need, and he is paid well for his services. One night, a guest tells Mr. Morgan that he needs a watch sized that is to be a gift for his son. Mr. Morgan sends Sam to Charlie (Timothy Spall) and informs Sam to have him do it right away. Sam dawdles, though, and while he is in the restaurant where his friend Elliot (Anthony Welsh) works, he meets Mary Bright (Imogen Poots) and tries to impress her. It goes okay, but not great. And then, she turns out to work for Charlie, and it becomes very hard for Sam to admit what he does and that the watch, which he's wearing, isn't his. And while he's trying to figure out what to do, Cameron (Kevin McKidd) and Clegg (Josef Altin) burst in hoping to do a simple snatch-and-grab. However, Charlie triggers the alarm, the police arrive, and it turns into a hostage situation. Sam isn't going to get that watch back by five. If this were an action movie, yes, Sam could impress Mary. However, in anything a little more realistic, there's the obvious problem that the sort of thing that would impress the girl is much more likely to get you killed instead. Cameron and Clegg (doesn't that sound like a law firm?) have guns. Sam does not. He gets pistol-whipped a couple of times for good measure, and there really isn't much he can do about it. He hopes that he will be able to figure out a way of getting everyone out of this unharmed, save his job, and get a date with Mary, but I don't think the odds are very good, and neither does he. Especially after Mary finds out that he has lied to her about several things in an attempt to impress her. And the things he does manage to do, she labels feminine. Of course, they're also helpful, like getting them food and easing the stress level inside the store, but they aren't the sort of thing most people think to do in action movies, so feminine. I guess. I can't help wondering how much Mr. Morgan's reputation relies on a series of people like Sam--minions he can send to go do the dirty work. He's certainly not above trading on certain personal connections, as we find out by the end of the movie, so why would he be above making employees do the work while he takes the credit? Short answer, he wouldn't, right? He's more worried about the watch than he is about Sam; we know that, too. I mean, it would have to be a pretty unreasonable guest who wouldn't accept "you know that jewelry store robbery six blocks away?" as an excuse for why the watch is going to be delivered late, especially given that the guest seems to have gotten the watch to Mr. Morgan only a few minutes in advance of his giving it to Sam. Once again, I'm certain that this is the kind of thing I'm not supposed to be dwelling on, but on the other hand, most of the movie is people sitting around a room, talking. It's a tense situation, but there's still room to let your mind wander. Really, most of the characters are idiots. Mary may be fooled by Sam, but I think she wants to be. I think she wants him to be more than he appears from a casual glance. Sam promises a lot, but he gets little done. He is supposed to be finding Elliot the backing for the restaurant, but he isn't making the necessary calls. And, of course, Elliot is trusting him. The robbers didn't have a backup plan, so far as I can tell, and really thought they'd be able to get in and out before the police got there--and didn't even plan far enough in advance to find out if there was another exit. This strikes me as one of the most fundamental things they should have learned about the target, right after whether it was worth knocking over in the first place. I suppose this is another reason people gave it such a low rating, but I sometimes find plots full of idiots refreshing, so long as everyone is a believable idiot and none of their onscreen activity could be resolved with smarter onscreen activity. Most of this idiocy happened in advance. Rated 3 out of 5 stars 02/12/23 Full Review Read all reviews Post a rating

      Cast & Crew

      5% 42% Waiting for Forever 69% 57% Forget Me Not TRAILER for Forget Me Not 65% 72% Adam 0% 27% Confession of a Child of the Century 36% 50% One Day Discover more movies and TV shows. View More

      Critics Reviews

      View All (8) Critics Reviews
      Peter Bradshaw Guardian Roberts turns in an interesting performance, but the film is treacly and contrived. Rated: 2/5 Jul 12, 2012 Full Review David Jenkins Little White Lies Props to director Simon Aboud for trying something a little different, even if things didn't quite come together. Rated: 2/5 Jul 12, 2012 Full Review Tom Huddleston Time Out Aboud has a strong visual sense - the framing is precise, the colours rich - but with a threadbare, episodic plot, thin characters and uninspired dialogue, this soon outstays its welcome. Rated: 2/5 Jul 10, 2012 Full Review Sophie Kingston-Smith CineVue A cool, witty and very watchable British heist film. Rated: 3/5 Jan 30, 2019 Full Review Emma Simmonds The List Ultimately, Comes a Bright Day offers insufficient excitement and - like its incompetent robbers - once it battens down those hatches the film has nowhere to go. Rated: 2/5 Jul 16, 2012 Full Review David Parkinson Radio Times [An] ambitious but flawed heist-cum-love story. Rated: 2/5 Jul 13, 2012 Full Review Read all reviews

      Movie Info

      Synopsis Sam (Craig Roberts) and Mary (Imogen Poots) discover they are meant for each other while they are held hostage in a jewelry store.
      Director
      Simon Aboud
      Executive Producer
      Nigel Thomas, Sabrina Guinness, Christos Michaels, Boo Simonian, Hugh Spurling
      Screenwriter
      Simon Aboud
      Genre
      Romance
      Original Language
      English
      Release Date (Streaming)
      Apr 10, 2017
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