Audience Member
Another surreal dream-state film of early cinema but this time from '<i>The Great Train Robbery</i>' director Edwin S. Porter proving that as much of an innovator of editing techniques as he was, he could also provide a rather good standard of cinematographic trickery.
Rated 3/5 Stars •
Rated 3 out of 5 stars
02/06/23
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Audience Member
After reading Windsor McKay's comic I decided to check out the film. Like the comic, it's episodic, random, and near pointless, but fun and imaginative nevertheless. It succeeds in depicting a "rarebit"-induced dream.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
01/18/23
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Audience Member
Some interesting effects, but nothing that cool to see, visually.
Rated 2/5 Stars •
Rated 2 out of 5 stars
01/29/23
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Audience Member
While the visuals are very good for it's time, overall, not as good as the previous Porter films.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
02/11/23
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Audience Member
A short but sweet early cinematic effort, Rarebit Fiend is pretty simple in structure but is filled to the brim with impressive technical effects. Impressive work for its day.
Rated 3/5 Stars •
Rated 3 out of 5 stars
02/25/23
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Audience Member
The use of superimpositions here is pretty neat, and it's a comical short.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
01/17/23
Full Review
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