isla s
This is a somewhat stylish period drama of sorts - very much set in the 60s, with a lot of focus on colour and some passionate dialogue relating to the political beliefs and concerns shared by the group of activists it portrays. It's an intriguing film, a relatively easy watch, though not entirely memorable, its ok and probably worth a watch, yes.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
03/31/23
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Audience Member
Worth watching for fans of JLG!!!
Rated 5/5 Stars •
Rated 5 out of 5 stars
01/25/23
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Audience Member
This is a movie that gives me some mixed feelings.
It's that kind of movie that people would call art, and I can agree to that, and the story is compelling. However, it's not very well balanced, has you have some scenes that are purely brilliant and the reason that we all love cinema, between some boring and pretencious scenes.
The cast is good, at least if you distanciate it from their real live personas (I only know Godard and Wiazemsky by name). Louis Garrel does a good job at beeing an annoying, pretencious and arrogant guy, and Stacy Martin does a very good job in looking numb and submissive. If this was the objective, as I think it was, then the cast was amazing, else, it failed miserably.
In conclusion, it's a nice movie to see, but don't think it's you sunday afternoon entertainment, has you need to be in a particular state of mind to go through the movie.
Rated 3/5 Stars •
Rated 3 out of 5 stars
01/14/23
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Audience Member
Original en su estilo, una de las mejores cintas del 2018.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/15/23
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Audience Member
Movies about real historical events and persons from everyday perspective are cool.
This one's about the legendary French director Jean-Luc Godard (played by Louis Garrel) reaching middle-age and marrying a young girl (Stacy Martin). It turns out Goddard, idolized by movie lovers and critcs, turns out to be the immature one in the relationship.
Like any good movie about relationships should, Le redoutable" has both moments of laughter and soul wrenching drama. But above all, this is a character portrait of a increasingly domineering and unpleasant man.
Writer-director Michel Hazanavicius approaches the study of the character from the deep psychological standpoint. He does not offer some easy and populist way of explaining the reasons behind tormented genius's growing disagreeableness over time.
Just like in real life, there's no one single cause for how one behaves, especially not something external that would be easy to blame and would adequately summarize everything that's going on in human soul (bad influence, broken heart etc).
If the viewer is not willing or able to go that deep, there's still enough going on to justify the time spent. The movie is humorous - especially in the first half - and offers a vivid overview about how destructive immature people can become in loving relationship if they wrestle with power and intimacy issues.
In Godard's character, I found much of myself and what I've had to wrestle with in relationships - and still have to. So watching it was a bit depressing for me, for probably nobody enjoys seeing one's ow faults so clearly from aside (in others).
The second half turns increasingly darker in mood and get exhausting because there's basically only one situation filling the story which gets repeated over and over again. The lack of variety is the reason of me hesitating to give it higher score than 7 out of 10.
The story centers mostly on Godard and young wife, Anne Wiazemsky, and their performances are really good. These are demanding roles because the marital discord doesn't grow from one explosive conflict to another but accumulating stress and tension between two people, expressed mostly in subtle bodily or facial impressions that the camera eagerly catches.
This kind of inner burning based suspense is surely difficult to build on screen, and both stars are really good at it (with the help of the director, of course).
I enjoyed Stacy Martin's performance especially, for in a way, she has fewer resources to build the character than Garrel whose Godard does most of the talking.
Martin gives a beautifully restrained but emotive performance as the ever-suffering wife. She's the emotional backbone of the story and probably the one thing you'll remember the best from the movie.
Based on the memoir of Anne Wiazemsky, who became a novelist and published the book on her life with French cinema genius in 2015. Godard lives on, but she passed away just weeks ago, October 5th this year, succumbing to battle with breast cancer at the age of 70.
Michel Hazanavicius is best known for The Artist" that got nominated for ten Oscars, and won five, in 2012, including for the best movie and director.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
01/11/23
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camille l
Comme d'habitude chez Hazanavicius, Le Redoutable est un film d'une propreté technique désarmante. Les décors sont fabuleux, les costumes, la photo et la musique sont au diapason. Et comme d'habitude, c'est le scénario qui pêche. Hazanavicius a de bonnes blagues en stock. Il les fait malheureusement durer cinq fois trop longtemps chacune. C'est dommage car cela gâche une superbe interprétation de Louis Garrel dans le rôle titre, où il est absolument fantastique. A la place, Hazanavicius se concentre sur Stacy Martin, totalement abominable dans un rôle charnière. Mais envers et contre tous, il se trouve que le Redoutable est un film assez sympathique, qui dure 30 minutes de trop, mais qui n'est jamais vraiment ennuyeux, à défaut d'être constamment divertissant.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
03/31/23
Full Review
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