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      The Philadelphia Experiment

      PG Released Aug 3, 1984 1h 42m Sci-Fi List
      50% 10 Reviews Tomatometer 40% 5,000+ Ratings Audience Score In 1943, a top-secret experiment aboard a Navy destroyer backfires and two sailors are propelled to 1984. Read More Read Less Watch on Fandango at Home Premiered Mar 15 Buy Now

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      The Philadelphia Experiment

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      Audience Reviews

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      Nooway N Developed from John Carpenter's original draft. A quite good film based on the hoax story (myth) about an alleged experiment conducted aboard the USS Eldridge. Fascinating in all it's absurdness. A modern myth and still very untrue. Sadly because what if.. ?? That would had been something. But a good tale and film as well. Enjoy. Rated 3.5 out of 5 stars 11/26/23 Full Review Michael R How did this movie even get made? Bad script, poor acting, and so incredibly boring. Rated 1 out of 5 stars 02/27/23 Full Review Chris M I like weird paranormal stuff and grew up watching shows like Unsolved Mysteries and Sighting. We don't get a lot of paranormal movies based on actual events, so when I came across the Philadelphia Experiment, I was eager to give this a try. Philadelphia Experiment is the 1984 time travel movie starring Michael Paré, Nancy Allen, Eric Christmas, and Bobby Di Cicco and directed by Stewart Raffill. This movie, man… this movie is a confusing mess. Trying to be too much and not focusing on any one thing. I don't understand why the filmmakers couldn't just pick one central storyline to focus on. We have sailors time traveling. A town that has gone missing. A storm is brewing. Mystery illness… Pick one! And explain the hell out of it, so everything makes sense. You can read my full review here https://themoviemann.com/philadelphia-experiment-review-confusing-and-bland-hard-pass/ Rated 2.5 out of 5 stars 11/18/22 Full Review Audience Member One of the greatest memories of my life is a vacation to Washington D.C. when I was 12. I can't remember it as being perfect. We didn't have much money, we had to sleep in our van at least one night, we almost got caught in a flood and it was blistering hot. But that stuff never mattered. And sure, I'd come home to my first days of awkward middle school and wondering if I'd ever fit in. But for one blissful night, I sat under the stars somewhere in Virginia and saw a drive-in double feature while eating snuck in sandwiches we made from ham salad and bread we bought cheap at a local grocery store. PSA: Don't sneak food into drive-ins. There are so few in the U.S. and many of them survive based on their food sales. Spend a lot on food. Get a Chilly Dilly, the personality pickle. The first movie we saw was Indiana Jones and the Temple of Doom, a mind-blasting onslaught of adventure, non-stop shrieking, monkey brains being eaten right out of their skulls and chest tearing gore. Years later, that film's writers, Willard Huyck and Gloria Katz, would do the same thing to me all over again with their classic Messiah of Evil, a movie I was in no way prepared for at a pre-pubescent age. The second film — which we knew nothing about — was The Philadelphia Experiment. Based on the book The Philadelphia Experiment: Project Invisibility by Charles Berlitz (yes, the very same Berlitz that was part of the family that is The Berlitz School of Languages, as well as a military intelligence officer accused of inventing mysteries and fabricating evidence, which we now call disinformation) and William L. Moore (who circulated the Majestic-12 document that later in my teenage years would overload my Commodore 64 and convince a seventeen-year-old possibly on drugs me that government troops were coming out of the woods to silence me and kill my family; I woke everyone up and ran into the yard screaming, I was a handful; Moore is also a disinfo agent), the original script for this movie was written by John Carpenter, who couldn't figure out how it should end, never mind that it was based on a true story. On that real story: An ex-merchant marine named Carl M. Allen sent an anonymous package marked "Happy Easter" that was Morris K. Jessup's book The Case for the UFO: Unidentified Flying Objects filled with notes in three blue inks to the U.S. Office of Naval Research. These notes discuss how UFOs fly, discuss alien races and show that aliens are worried that the book knows too much and refers to the Philadelphia Experiment. Allen then started writing to Jessup as himself and Carlos Miguel Allende warning him to stop studying flying saucers. He claimed that he was serving aboard the SS Andrew Furuseth and saw the actual event as the ship teleported from Philadelphia to Norfolk, Virginia and then back, during which he saw crewmembers go insane, become intangible and frozen within time. Jessup asked for info which Allen never really proved. So this is where it gets weird. Well, weirder. Jessup was invited to the Office of Naval Research where he was shown that annotated book and realized that it had the same handwriting as Allen. Why? Can it get weirder? Sure. Commander George W. Hoover, one of the members of the Office of Naval Research, showed the annotations to a contractor named Austin N. Stanton, who was the president of Varo Manufacturing Corporation. Stanton got so obsessed that he used his office's mimeograph machine to print multiple copies of the letters and the annotated book. Keep in mind that this was super expensive in the late 50s and also went against so many laws and levels of security clearance. So what happened to Jessup? No one wanted to read his books, he lost his agent and he eventually committed suicide. As others tried to find Allen, his family would only say that he was a master leg puller. He was also from New Kensington, Pennsylvania — so close to Pittsburgh. They gave researchers tons more of his handwritten notes on the subject. Whew — yes I will get to the movie — the Varo annotations were used in several conspiracy and UFO books, finally gaining some interest thanks to Berlitz and Moore. Then the movie got made. And then, another sailor named Alfred Bielek claimed he was also on the ship and that the movie was totally accurate. That's funny because the book ripped off another book, George E. Simpson and Neal R. Burger's Thin Air. Let me stop for a second and tell you that this movie has even crazier DNA. That's because it was directed by Stewart Raffill. Sure, he made The Ice Pirates the same year. But afterward, his career is filled with the kind of movies that crush minds. Movies like Mac and Me. Mannequin 2: Mannequin on the Move. Tammy and the T-Rex. Yes, all the same director. By the time he got to this movie, the script had been written nine times. Despite Michael Janover (who wrote the horrifying Hardly Working), William Gray (Humongous, Prom Night) and Wallace C. Bennett (The Silent Scream, Welcome to Arrow Beach) being in the credits for the script, Raffill says that he dictated the script and had someone type it. As for the story, United States Navy sailors David Herdeg (Michael Pare) and Jim Parker (Bobby Di Cicco in 1943 and Ralph Manza in 1984) are on the USS Eldridge in 1943 as Doctor James Longstreet (Miles McNamara in the past, Eric Christmas — who was Mr. Carter in Porky's — in 1984) makes the ship invisible to radar, but as things go wrong, David and Jim jump overboard and end up in the future — or our past are you confused? — and kidnap Allison Hayes (Nancy Allen) and get into military related hijinks before Jim gets zapped back in time. There's some wild science in here as David eventually has to go into a vortex and smash stuff with a fire axe to free the ship, which ends up with burned sailors and men being fused into the ship. A sequel came out in 1993 with Brad Johnson from Nam Angels as David going up against Gerrit Graham as well as 2012 SyFy reimagining that Pare shows up for. Man, Michael Pare also made Streets of Fire the very same year and really should have been better considered. This movie went from theaters to video stores faster than any movie had before. Maybe people thought that they had already seen it as The Final Countdown. None of that is important to me. I have a wonderful memory of sitting in movie theater seats — outside no less — and getting to see two wild movies that I've thought of so many times since. We should all have a vacation so wonderful. Rated 3 out of 5 stars 02/06/23 Full Review robert p Slow and nothing really happens, I turned this movie off after it ended. Rated 0.5 out of 5 stars 03/31/23 Full Review dan m Not a very well known time travel movie from the 80's, and I can see why. The acting was very corny(especially from the lead character), the effects were super cheesy and the story itself was kinda dull. :yawn: Rated 1.5 out of 5 stars 03/31/23 Full Review Read all reviews Post a rating

      Cast & Crew

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      Critics Reviews

      View All (10) Critics Reviews
      Caffeinated Clint Moviehole One of the best science-fiction films of the 80s - up there with "RoboCop" and "2010" Rated: 3/5 Jul 23, 2008 Full Review Emanuel Levy EmanuelLevy.Com Rated: 2/5 Jul 5, 2005 Full Review Rich Cline Shadows on the Wall silly classic sci-fi Rated: 3/5 Apr 18, 2005 Full Review Jake Euker F5 (Wichita, KS) Rated: 2/5 Jul 29, 2004 Full Review Rob Blackwelder SPLICEDWire Rated: 3/5 May 4, 2004 Full Review Frank Swietek One Guy's Opinion Rated: 2/5 Mar 20, 2004 Full Review Read all reviews

      Movie Info

      Synopsis In 1943, a top-secret experiment aboard a Navy destroyer backfires and two sailors are propelled to 1984.
      Director
      Stewart Raffill
      Production Co
      New World Pictures, Cinema Group Ventures
      Rating
      PG
      Genre
      Sci-Fi
      Original Language
      English
      Release Date (Theaters)
      Aug 3, 1984, Limited
      Release Date (Streaming)
      Apr 30, 2012
      Runtime
      1h 42m
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