Sinbad of the Seven Seas

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TheMovieSearch R @TheMovieSearch Nov 4 Sinbad and the Seven Seas is one of those rare cinematic oddities that makes you question how it ever got made in the first place. Starring Lou Ferrigno—yes, the original Incredible Hulk—as the legendary sailor Sinbad, this film from the late 1980s (though it feels more like the ‘70s) tries to capture the spirit of grand adventure and mythic fantasy but ends up sinking under the weight of its own confusion. The story technically begins with a framing device: a mother or nanny reading the tale of Sinbad to a young girl. However, that opening scene immediately sets the tone for what’s to come—awkward, off-putting, and bizarre. The little girl’s voice sounds so dubbed and mismatched that it’s distracting right from the start. It’s hard to tell if it’s bad ADR work or a strange casting choice, but either way, it feels unsettling and unintentionally comedic. Once the story within the story begins, things only get stranger. The film’s tone is completely inconsistent, veering between slapstick comedy and half-hearted attempts at serious adventure. The screenplay never finds its footing—it’s as if the writers and director couldn’t agree on what kind of movie they were making. There’s no clear direction, no real pacing, and no emotional investment in any of the characters. It’s just a series of random events stitched together with the hope that something exciting might eventually happen. Lou Ferrigno, while physically impressive as Sinbad, is given almost nothing to work with. His lines are dubbed over in a stiff, flat tone that completely undercuts any charm he might have brought to the role. The supporting cast fares no better—most of the characters act like they’re in a parody rather than an adventure film. What could have been a sweeping fantasy about heroism and myth ends up feeling like a campy mess filled with awkward dialogue, nonsensical plot turns, and special effects that were outdated even for their time. Visually, the movie fails to capture any magic or excitement. The sets look cheap, the costumes are over-the-top without intention, and the editing feels rushed and clumsy. The action sequences, which should be thrilling centerpieces, come across as sluggish and uninspired. Even the “seven seas” themselves barely feel represented—it’s as if the film forgot its own title. By the time the credits roll, Sinbad and the Seven Seas leaves you more bewildered than entertained. It’s a confused, directionless attempt at fantasy that never finds its rhythm or tone. While it might be worth a watch purely for curiosity—or as a “so bad it’s funny” cult experience—it’s far from a quality adventure film. The lack of structure, emotion, and coherence makes it one of those movies that’s not just forgettable, but frustratingly aimless. In short: it’s a journey better left untaken. See more 06/18/2022 f there was ever a movie that checked off nearly everything that I'm looking for in a movie, it would be this, which is an even better sequel to Luigi's Cozzi's Hercules than The Aventures of Hercules. I knew that I would love it from the moment it started with an image of Edgar Allen Poe and the claim that it was based on his story The Thousand-and-Second Tale of Scheherazade, even though that's complete bullshit. God bless the filmmakers of my people. I mean, both stories have a hot air balloon, so I guess that's good enough. Austin Trunick, writer of The Cannon Film Guide, broke down how this film came to be in a series of tweets, explaining how a couple weeks into the shoot for Hercules in the summer of '82, Menahem Golan was so happy with Cozzi's rushes that he asked him to come up with another movie. Cozzi pitched Sinbad and Ferrigno — who had not yet been through the weirdness that saw a reshoot for Seven Magnificent Gladiators turn into The Aventures of Hercules. Yes, Cannon made a movie that everyone in the cast and crew other than Lou and his wife knew was a sequel and not a reshoot. That's some Badfinger level kayfabe. After making those three movies, Cozzi finally wrote Sinbad, but Cannon's Italian division — unlike its American side — could only make one movie at a time. The Assisi Underground was their movie of the year, so Cozzi waited until Dario Argento asked him to work on Phenomena. Meanwhile, Cannon's Italian officer finally decided that instead of making a movie, this would make a great Italian kids TV show. They hired Enzo Castellari( 1990: The Bronx Warriors, Street Law, Keoma) to direct, padded out the script to four hour-long episodes and shot as much as they could, seeing as how it was 1986, the year Cannon made hundreds of movies and suddenly had to start cutting budgets. I mean — couldn't they have floated over the ship from Pirates — it was docked at Cannes for years — and saved even more? Cannon hated what they had in the can and thought it was unreleasable. Have you seen Italian movies? I can only imagine what they saw, because the footage here looks really classy for the most part. A year later, Cozzi cast Cannon exec John Thompson in Argento's TV series Turno di Notte and Thompson revealed the fate of Sinbad. He had an offer: instead of letting that movie just sit there, what if he fixed it? Cozzi said that they could make a movie, Menahem agreed and with a fraction of the film's budget, he shot a The Princess Bride opening with his daughter and Daria Nicolodi in his apartment, added some special effects and a voiceover, and somehow put it all together. As for Castellari, he had no idea that Cannon and Cozzi turned his footage into a movie until he saw it in an Italian video store shelf in the early 1990s. He rented the movie but wasn't able to finish watching it. It's amazing that the film that resulted is as good as it is. Daria plays a mother reading a bedtime story to her daughter and prepare yourself for Italian to English dubbing. She tells her of how Jaffar (John Steiner) has taken over the city of Basra from its kindly caliph (Donald Hodson). He's put Princess Alina (Alessandra Martines) into captivity until she agrees to marry him instead of Prince Ali (Roland Wybenga) and you know, normally I wouldn't ask if they were brother and sister but this is an Italian movie. Sinbad (Ferrigno) and his crew — which includes Ali, Japanese (or Chinese but definitely Asian because he quotes Confucius and dressed in kabuki gear) warrior Cantu (Haruhiko Yamanouchi), the small Poochie (Cork Hubbert), the cook (Cannon utility fielder Yehuda Efroni) and a viking (Ennio Girolami) — sail on in to town and are captured by the soldiers they once called friends. What follows are a series of episodic moments — which makes sense, seeing as how these were all going to be episodes of the TV show — like Hercules tying snakes into a ladder to escape a trap, an attack by the undead Legion of Darkness, a battle with rock monsters, Amazons that act like sirens and nearly kill the entire crew before Sinbad exposes the true nature of Queen Farida (Melonee Rodgers), the Ghost King and Knights of the Isle of the Dead, a Swamp Thing looking beast known as the Lord of Darkness and finally a battle between a good and evil Sinbad that uses the same laser effects that Cozzi throws into all of his movies and we're all the better for it. Man, there's so much more, like Hercules meeting his true love Kira (Stefania Girolami Goodwin) and escaping the Isle of the Dead by inflating a hot air balloon by blowing into it like he's Jon Milk Thor. There's also a great villainess by the name of Soukra who is played by the muscle-bound Teagan Clive, who we all know as the Alienator. This movie is non-stop fun, featuring scenes where Ferrigno bursts out of chains, throws dudes into alligator-filled pits, fights himself, defeats a laser trap, beats up numerous monsters and rips out a zombie's heart, which has a face on it, and squeezes it while it screams. Sinbad was intended to be a kid TV show, remember, so you may be surprised to know that this is an Italian movie through and through with blood, guts, impaling and all sorts of muck. It also looks like the cast is having an absolute blast filming it with everyone going over the top. I'd love to have had this be a full series, just like how Yor Hunter from the Future has even more Yor once you track down that miniseries. See more 03/31/2022 Sinbad of the Seven Seas had so much sin and it was bad. The costumes were so fake that the costumes from an average community theatre would have look better, the special effects were neither special nor effective, the writing was pathetic, the acting was cheesy, the production designs were cartoonish, and don't even get me started on the insanely shameful audio. Sinbad of the Seven Seas is the epitome of inept. See more Matthew D 04/25/2021 A step down for Enzo G. Castellari. Still pretty entertianing though. See more 08/05/2017 The great Cannon Films in obvious decline here with this adaptation of the famous fictional sailor. Sinbad makes a perilous journey to retrieve the five sacred gems of Basra cast away by evil wizard Jafar to restore his happy city. The sets and costumes look mostly cheap (outside the ghost knights), the fighting scenes are poorly choreographed and the special effects are cut-rate. Does possess a level of camp value. See more 03/13/2016 Tacky and cheesey to the extreme, 'Sinbad' is pulpy B camp swashbuckling in all its glory. From inconsistent production values and effects to laughably under-choreographed action and even a tackily dubbed cast, it's got it all, but it'shysterical. See more Read all reviews

Sinbad of the Seven Seas

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