Rotten Tomatoes
Cancel Movies Tv shows FanStore News Showtimes

The World Before Her

Play trailer Poster for The World Before Her Released May 6, 2013 1h 30m Documentary Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
100% Tomatometer 7 Reviews 79% Popcornmeter 250+ Ratings
Filmmaker Nisha Pahuja shows the tension between traditional and modern values in India through the Miss India Pageant.
Watch on Fandango at Home Buy Now

Where to Watch

The World Before Her

Critics Reviews

View All (7) Critics Reviews
Alan Scherstuhl Village Voice With extraordinary access, Pahuja illuminates extraordinary conflicts and contradictions facing modern girls in a country even less ready for them than ours. May 7, 2013 Full Review Liam Lacey Globe and Mail A thought-provoking film that examines women's limited choices in a patriarchal country reeling from the contradictions of rapid modernization. Rated: 3/4 Nov 9, 2012 Full Review Peter Howell Toronto Star Extreme choices and attitudes confronting women in India are laid bare in Nisha Pahuja's quietly shocking film, the Best Canadian Feature winner at Hot Docs 2012. Rated: 3.5/4 Nov 8, 2012 Full Review Craig Mathieson sbs.com.au Tradition and fashion, history and the future, politics and consumerism - these are the conflicts of this strong documentary. Rated: 3.5/5 Oct 30, 2017 Full Review Jared Mobarak The Film Stage The World Before Her's stark juxtaposition may surprise in its intricacies, though, after delving into the psyches of the four girls followed. Rated: B Jun 29, 2016 Full Review Renee Schonfeld Common Sense Media Riveting docu explores rights of girls, women in India. Rated: 4/5 Aug 6, 2013 Full Review Read all reviews

Audience Reviews

View All (17) audience reviews
Audience Member ** This review contains spoilers. A lot. ** What is the difference between a documentary and propaganda? How do you walk the thin line when you make a documentary having cultural and political undertones? How do you refrain from drilling a particular world view into the audience? These are the questions which baffle me while watching documentaries. Ergo, I usually eschew documentaries. Last documentary which I truly enjoyed was "Super Size Me" by Morgan Spurlock, some 5 years ago. A very good friend recommended "The World Before Her" and I duly obliged. And it is one of the few films where I took copious notes too. To begin with, I very much appreciate the fact that this film deliberated upon sensitive topic of female-foeticide. I applaud Pooja Chopra's mother for frankly sharing her experience about this abomination. Secondly, the movie touched upon the topic of corporal punishment meted out to children by Indian parents. Description of corporal punishment meted out to Prachi was unnerving. Its ironic that children (here Prachi) actually justify it inspite of concrete evidence of psychological impacts in later life. Lastly, I laud the effort of the film-makers to boldly document the events occuring in niches of Indian society. the general effort was aimed at reforming Indian society from within. This is highly laudable. I have certain reservations with the content matter of the documentary too. 1. I'm a bit surprised by the choice of subjects for the documentation. What exactly the documentary wanted to conclude? At one end the documentary portrays structural and functional constraints at work in Indian society which inhibits women to pursue certain lines of occupation. At another end it insinuates the indoctrination of a bunch of Indian girls by an extreme-right and nationalist organisation. In between it throws punches on religious extremism and religio-political violence. Conservatism, as such, is a strong undercurrent in Indian society which does fall fowl with certain lines of work for women. Structural and functional constraints for women have very little in common with religious extremism. An otherwise liberal and left-leaning person might be conservative with women. And feminism is all about rights of women in public sphere and politics. Private choices never define a feminist stance. Out of all, this documentary should have set this record straight. 2. What share of Indian women actually aspire to become Miss India or to join Durga Vahini ? I belong to the Hindi heartland of India and I came to know of Durga Vahini only after watching this documentary! Millions of young Indian women aspire to join Civil Services, police, PSUs and Armed Forces every year. On Republic Day 2015 India also showcased all-female military contingents in the parade. I'm surprised at the choice of nano-scaled niche groups which this documentary tries to portray. According to Wikipedia, the strength of Durga Vahini was 8000 in 2002. I'm pretty sure, even today that figure would not have crossed 50,000. Amongst 50 crore Indian women does these niche groups matter? 3. This documentary, like most others, has been made by a film-maker averse to nationalist and conservative world view. This fact is explicit by the facts provided and questions asked in the narrative. This stance can't be called 'liberal' because a liberal world view will respect the choices of a person and wouldn't vie for favourable responses. For example, in a question (towards the end of the film) the interviewer asks about Prachi Trivedi's reaction to 'westernization'- whatever that means. I personally know only of 'globalization' as an influence. As a model herself remarks during the film, will practice of Yoga in US be called 'Indianisation'. The words - Globalization and Westernization- are sure to elicit differing responses from a nationalist, which Trivedi is. 4. I want to comment on some conclusions presented in the documentary. i) The documentary tells that "Over the past 20 years, Hindu nationalism has become a pervasive cultural and political force in India". I won't comment on political aspect here, but I can safely say that nationalism itself is not a major cultural force in India. A variant of patriotism is at display on national festivals but it doesn't necessarily translates into nationalism. Centuries of British Imperialism followed by decades of domination by Marxist academicians made sure that nationalism never ever becomes a dominant cultural force in India. Hindu nationalism, at best, remains a minor under-current in Indian countryside having value mainly as a handy political tool. If Hindu nationalism would have been a dominant cultural force, it would have annihilated sub-nationalistic currents prevailing in many parts of India. ii) The documentary asserts that "Hindu extremists are also called the 'Indian Taliban'". This was a statement made for political ends by leaders of a particular grouping. Who else calls whom so ? You've trivialised the factual content by such loose statements. Taliban is a reactionary political grouping in Afganistan and Pakistan. It was midwifed by Americans during Soviet invasion. There are orthodox and reactionary political groupings in all thriving democracies. That's why they are 'democracies'. iii) The documentary gives the folowing conclusions. > "Hindu extremists have committed countless atrocities across India". > "Many beleive Hindu extremists pose a greater threat to national security than Muslim ones" As I understood the documentary was about the structural and functional constraints for women in society and feminist perspectives. Such statements make the documentary wade into political waters which polarises the opinion. 5. As the documentary was recommended by a very close friend, I made detailed observations. Doing so, I found some factual errors in the documentary. > Translation for "Desh" as "Nation" instead of "Country" in the subtitles provided by the film-maker. There's a lot of difference between the two especially when you are wading in political waters. (@ 9:36 min in DvD) > "Main wahan pe top pe jaungi" has been omitted altogether in the subtitles (@ 18:28 min). This omission changes a viewer's perception of the young girl getting trained at Durga Vahini's camp. Poor editing folks. > "Parishad" refers to 'Vishwa Hindu Parishad' which is an 'organisation'. It is translated as "movement" instead. (@ 30:30 min in DvD). There is a major difference between the two. > Insinuated "Hinsa" as "murder" (@ 54:51 min). Its 'violence' not 'murder'. > Added "Culture" in the subtitles (@ 56:28 min.) It is not said by the speaker in the video. Come on folks, these are words which carry weight especially when you are making a documentary on sensitive topics. In the end, "The World Before Her" is just another documentary made with preconceived notions about certain cultural morrings. It does touch some burning issues but falls flat when it comes to objective and in-depth analysis of deep rooted cultural traditions. If I may paraphrase the statement of a Miss India contestent, 'The World Before Her' certainly has the oomph to make it to the front page of Bombay Times. But alas, that is the last thing on which I'll judge success of anything. Rated 2.5 out of 5 stars 02/08/23 Full Review Audience Member One of the best documentaries I have seen in a long time. The battle between opposing worldviews in India today---right-wing Hindu fundamentalism and beauty pageant materialism. Alternatingly fascinating, funny, and sad. Rated 5 out of 5 stars 01/16/23 Full Review Audience Member A good study of women & their roles in 3rd world countries Rated 4 out of 5 stars 02/16/23 Full Review Audience Member Gave me a very different view of the Hindu culture I did not know before. Rated 4 out of 5 stars 02/14/23 Full Review Audience Member The documentary seems to be selling the pageant as a saviour for indian women. While its not really. It also seems to harbouring anti-hindu sentiments which are based on no facts. Rated 1 out of 5 stars 02/23/23 Full Review Audience Member Super documental acerca de la cultura Hindu y su religion. extraordinaria!! Rated 4.5 out of 5 stars 01/22/23 Full Review Read all reviews
The World Before Her

My Rating

Read More Read Less POST RATING WRITE A REVIEW EDIT REVIEW

Cast & Crew

Ai Weiwei: Never Sorry 98% 87% Ai Weiwei: Never Sorry Watchlist Gurukulam 43% % Gurukulam Watchlist Sexy Baby 70% 66% Sexy Baby Watchlist CinemAbility 100% 90% CinemAbility Watchlist Finding Joe 36% 82% Finding Joe Watchlist Discover more movies and TV shows. View More

Movie Info

Synopsis Filmmaker Nisha Pahuja shows the tension between traditional and modern values in India through the Miss India Pageant.
Director
Nisha Pahuja
Producer
Ed Barreveld, Nisha Pahuja, Cornelia Principe
Screenwriter
Nisha Pahuja
Genre
Documentary
Original Language
English
Release Date (Theaters)
May 6, 2013, Original
Release Date (Streaming)
Aug 7, 2014
Runtime
1h 30m
Most Popular at Home Now