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      The Thin Blue Line

      Released Aug 25, 1988 1h 46m Documentary List
      100% Tomatometer 18 Reviews 90% Audience Score 5,000+ Ratings One night in November 1976, after his car breaks down on a road outside Dallas, Randall Dale Adams accepts a ride from teenager David Harris. Harris is driving a stolen vehicle and, later that night, when Dallas police officer Robert Wood pulls the car over to check its headlights, he is shot and killed. A jury believes Adams is the killer, but Errol Morris' classic documentary explores the role of Harris' perjured testimony, misleading witness accounts and police misconduct in the verdict. Read More Read Less

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      The Thin Blue Line

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      Critics Reviews

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      Noel Murray The Dissolve The Thin Blue Line is one of the films that helped make documentaries a viable entertainment option for arthouse moviegoers during the indie-film boom of the 1980s and '90s. Rated: 5/5 Mar 23, 2015 Full Review BBC.com Rated: 4/5 Apr 17, 2001 Full Review Roger Ebert Chicago Sun-Times Although The Thin Blue Line assembles an almost inassailable case... it is not a conventional documentary -- not a feature-length version of one of those 60 Minutes segments in which innocent men are rescued from Death Row. Rated: 3.5/4 Jan 1, 2000 Full Review Vadim Rizov Filmmaker Magazine Noted as the investigative documentary that actually got a wrongly convicted man off of death row, Blue Line also inaugurated Morris’ extreme-slo-mo and exploratory lyricism modes. Jan 24, 2023 Full Review Brian Eggert Deep Focus Review A film that provides an exhilarating study into the subjectivity of its interviewees, and by proxy, or perhaps more intentionally so, the subjectivity of documentaries. Rated: 4/4 Feb 14, 2022 Full Review Sean Axmaker Stream on Demand Documentaries have changed minds, championed causes, and even reversed policy, but The Thin Blue Line (1988) may be the first film to free a man from prison. Feb 4, 2018 Full Review Read all reviews

      Audience Reviews

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      Charles T In November 1976 in Dallas, Texas, Police Officer Robert Wood was shot and killed while making an otherwise routine traffic stop. One man was arrested and sentenced to death for the crime, based on the testimony of a sixteen year old acquaintance. These basic facts are covered in one of the most brilliant films to come out of the 1980's. Randall Adams was no drifter. He was moving from Ohio and was staying in Dallas with his brother. He found a good job, and planned on living there a while. Then he met David Harris, a punk from a Klan-infested small town in southern Texas. The officer is murdered, and Harris blames Adams, even though Harris gloated about shooting the young cop to his friends. Adams was railroaded into prison while Harris embarked on a petty crime spree. He continued his misdemeanor ways until he actually killed a man during a botched kidnapping. Now Harris was in jail, and Adams was still appealing his conviction. Witnesses came forward claiming to have seen Adams shoot Wood, yet none of them have a gleam of credibility. Finally, Adams gets some decent lawyers, who begin working to get him out. He is granted an appeal by the U.S. Supreme Court, but as of the making of the film, he was still serving life in prison. A little research shows what happened to Randall Adams. Errol Morris goes where few documentary makers go. He films convincing reenactments of the crime. These are not "Unsolved Mysteries"-type reenactments, Morris has a real director's eye, and gives the audience every detail needed- from a tossed milkshake to the number of people spotted in the killer's car. Philip Glass adds a haunting musical score that gets under your skin and hypnotizes you. The convict Adams is a sincere man, and the film makers are obviously rooting for his cause. Harris is an ignorant punk, enjoying playing games with people's lives. If the Dallas County prosecutors had done their job, Harris would not have committed his second murder: food for thought. Harris' final interview, done on audio cassette, is chilling, and will make a believer of anyone who otherwise thought "this could never happen to me." The three "witnesses" to the slaying are a joke, two in it for the reward, and a salesman who boasts of his photographic memory but cannot recall if Wood's patrol car was in front of or behind Harris' stolen vehicle. "The Thin Blue Line" is more than talking heads, this is a searing story that puts to shame any fiction that tries to cover the same ground. For this kind of thing to happen to an innocent man, it is also very scary. Rated 5 out of 5 stars 09/29/23 Full Review Audience Member Because I'm the one that knows Rated 4 out of 5 stars 02/05/23 Full Review William L "When I was a kid I used to want to be a detective all the time because I used to watch all the detective shows on TV. ... I'm always looking because I never know what might come up or how I can help. I like to help, y'know, in situations like that. I really do. You know, it's always happening to me, everywhere I go. Lots of times there's killings, or anything, y'know, even around my house, wherever. And I'm always looking or getting involved, y'know, finding out who did it or what's going on. I listen to people, and I'm always trying to decide who's lying, or who killed who before the police do, see if I could beat 'em." Jury in Dallas: Seems like a reliable witness. How can you not love a documentary that so convincingly outlines major shortcomings and corruption in supposedly unquestionable legal systems? So many similar films today go beyond grounded storytelling in some attempt to suggest higher-level connections (which may be valid, but get more tenuous the further you get from verifiable fact), but Morris innovated by not only sticking to the known details of the case and period interviews with those involved, but by also introducing an innovative design and tight editing style that emphasized visual flair and entertainment value with a series of reenactments that highlight the erratic nature of the hodgepodge of shaky testimony that saw a man sentenced to death. The pacing could use some tweaking; so much time is spent compelling building up the original conviction, then appeals are roughly summarized before a ruling by the US Supreme Court is introduced without fanfare and little detail, feeling almost tacked on. But when a documentarian manages to capture content that seems almost parodical in nature, that allows for genuine criticism through sheer absurdity, it's hard to argue against it sincerely. Morris indirectly inspired a slew of true crime imitators that largely continue unabated to the present, often more concerned with pulp than content; few can match this early iteration for power and clever design. This documentary has some of the snarkiest court paintings you'll ever see, they're fantastic. (4/5) Rated 4 out of 5 stars 08/25/21 Full Review Joel C Well constructed doco, the way the filmmakers create the re-enactments is like trying to relive a memory that is distorted depending on who's POV it is. Criminals, killers, and all that is scary, but the justice system can be next level scary with the power they hold. If the justice system gets tunnel vision on an outcome they want, they can get it, even if you were never there. Rated 4 out of 5 stars 03/16/21 Full Review Audience Member I'm a sucker for a death row documentary, I watch them all. This is another brilliant example of the injustice and corruption that is rife in the US police and judicial system. It's not like there are just a handful of cases like this, they seem to be repeated constantly. A good documentary for sure and led to the conviction being overturned. Rated 4 out of 5 stars 01/28/23 Full Review Audience Member Errol Morris has brought true crime documentaries to a high-quality level with this influential, mind-changing and at times quite scary film that offers some compelling evidence of how flawed the American justice system is and how easy it is to convict an innocent man of murder. Rated 4.5 out of 5 stars 02/14/23 Full Review Read all reviews Post a rating

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      Movie Info

      Synopsis One night in November 1976, after his car breaks down on a road outside Dallas, Randall Dale Adams accepts a ride from teenager David Harris. Harris is driving a stolen vehicle and, later that night, when Dallas police officer Robert Wood pulls the car over to check its headlights, he is shot and killed. A jury believes Adams is the killer, but Errol Morris' classic documentary explores the role of Harris' perjured testimony, misleading witness accounts and police misconduct in the verdict.
      Director
      Errol Morris
      Producer
      Lindsay Law
      Screenwriter
      Errol Morris
      Distributor
      Miramax Films
      Genre
      Documentary
      Original Language
      English
      Release Date (Theaters)
      Aug 25, 1988, Original
      Release Date (Streaming)
      Apr 28, 2016
      Box Office (Gross USA)
      $17.8K
      Runtime
      1h 46m
      Sound Mix
      Surround
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